Russell deCarle – CD Release

Held together by equal measures of heartbreak and hope, and featuring performances from some of Canada’s most accomplished instrumentalists, Under the Big Big Sky plays like the soundtrack to a vintage film. A fluent mix of blues, jazz and R&B tinged western swing that pays homage to some of Russell deCarle’s all-time favourite artists while remaining simultaneously fresh and familiar.

As lead vocalist and bassist of iconic Canadian country roots band Prairie Oyster, deCarle is no stranger to awards and accolades. Over their career the 2008 CCMA Hall of Honour inductees have racked up an impressive list of JUNO and Canadian Country Music Awards, gold and platinum selling records and number one singles. As a songwriter deCarle has also been honoured with two SOCAN Song of the Year Awards. Once in 1994, for Prairie Oyster’s first number one single ‘Such A Lonely One’, and then again in 2008 for ‘One Way Track’, his co-write with Canadian folk legend, Willie P. Bennett.

For some artists the urge to make a solo record asserts itself almost as soon as they start to gain attention as part of a successful band – sometimes even before they, or their audience, truly know who they are. Not so for deCarle. “For decades people have been asking for a solo record,” he says, “but I never thought I was ready and the band always satisfied the musical part of my life.”

What finally got him fired up enough to strike out on his own in the studio was spending some quality time alone with his acoustic guitar. Although he’d initially intended to weight Under the Big Big Sky more heavily in favour of covers than original material, the more he played and wrote, the more he found himself falling naturally into a style that marked a definite, if unintentional, departure from his past work.

When it became clear that the balance of the record would feature his own material, deCarle approached longtime friend, pianist/arranger/producer John Sheard (The Guess Who, Dan Hill) and asked him to take a listen. “We’d wanted to do a project together for years. He’s absolutely one of my favourite musicians in the world and musically we share a lot of things.”

After Sheard signed on to produce the record, deCarle enlisted the talents of another old friend, engineer L. Stu Young (Prince, Ronnie Hawkins, Guns n’ Roses, David Wilcox), who assisted on Prairie Oyster’s 1991 breakthrough record Everybody Knows and mixed their most recent release, 2006’s One Kiss.

With Young manning the board and Sheard producing and playing piano and vibes, the next step, deCarle says, was putting together a wish list of players to join them in the studio. Among them, guitarist Steve Briggs, string bassist George Koller and drummers, Mark Kelso and Al Cross, as well as an all-star cast of guests including: bassist Russ Boswell, fiddler Drew Jurecka, percussionist John Adames and B3 virtuoso Denis Keldie; guitarists Kevin Breit, Amos Garrett, David Wilcox and Prairie Oyster bandmate, Keith Glass; vocalists Amoy and Ciceal Levy, Amanda Walther and Sheila Carabine of Dala and Blue Rodeo’s Jim Cuddy; and a horn section featuring deCarle’s old friend and musical compadre Chris Whiteley on cornet, Gord Myers on trombone and Colleen Allen on tenor and baritone sax.
“I’m honoured that everybody I wanted on the record ended up on it. They really dug deep and did an incredible job.” But assembling this ‘fantasy camp’ of players wasn’t about cramming as many talents on each track as possible, deCarle stresses. It was about complimenting the songs with performances by people he believed would make a personal connection with his songs; the same kind of connection he hopes his audience will make. “For people to be emotionally invested in this, to be touched in some way, that would be the best thing that could happen. That’s why I made the record.”

As much as Under the Big Big Sky may represent a new beginning for deCarle, it’s not a conscious effort to shake off the label of ‘country singer’, but a natural extension of his talents as both a songwriter and interpreter. “I’ve always thought of myself as a singer, not just a country singer. I’m a music lover first and foremost – a product of all the stuff I’ve ever listened to – and my tastes are very broad. To me this is a torchy, bluesy record more than anything else. It’s certainly a product of where I came from musically.”

Just exactly where that is, however, isn’t easy to pin down, and nor should it be. The songs and the subjects deCarle writes about defy being crammed into some fabricated musical zip code for the sake of convenience. “Growing up when I did, radio wasn’t homogenized. I’m pretty sure that the Beatles ‘Ticket To Ride’ and ‘Tiger By the Tail’ by Buck Owens were on the pop charts at the same time, and I’m sure there was a Frank Sinatra song on that same chart.”

Like the soundtrack deCarle grew up with, Under the Big Big Sky covers a lot of ground stylistically. From the sweet soulful blues of ‘Can’t Find the Song in My Heart’, to melancholy ballads like opener, ‘East of the Sun, West of the Moon’ by Robert M. David, to unabashedly upbeat tunes like ‘Girl With the Golden Hair’ that are as reminiscent of old time rock and roll as they are of the music of classic crooners like Dean Martin. And although the record defies easy classification, it’s perfectly clear about the fact that deCarle can find inspiration for his songs just about anywhere; from the big, big Saskatchewan sky he references on the album’s title track, to the ‘Fingernail Moon’ hanging above his own backyard in rural Ontario, to the sad songs and ballads he’s loved since first hearing them on the airwaves as a teenager.

“I could sing sad songs and ballads all night. It’s true, man. I kind of live at 72 beats per minute. Emotionally I think I’ve always been affected by the bluesy side of life; that’s always been what stirs it up for me.” Still, even on heartbreakers like his cover of the Cindy Walker classic, ‘Goin’ Away Party’, or his own ‘Blues for Christmas’ and ‘Don’t Ask The Question’, deCarle possesses an uncanny ability to weave a little bit of hope into every line he sings.

The result is a remarkably eclectic, but entirely cohesive record. Recorded over the course of 2008-2009 and freshly released in October 2010, Under the Big Big Sky is more than just a confident, compelling exploration of deCarle’s singular voice as a songwriter. It’s an unflinching reflection of where he lives musically and literally, a celebration of the music and musicians who began to influence him long before he began his career forty years ago and a gathering of his closest and dearest musical friends.

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Jack de Keyzer

Saturday, December 14, 2019 | 8:30pm

Jack de Keyzer
$25 Advance / $30 Door

“The finest blues guitarist in Canada.” – Jeff Healey

Guitarist, Singer, Songwriter Jack de Keyzer plays the blues world wide, from Alert, Arctic Circle to Puerto Escondido, Mexico; from Athens, Greece to Hornby Island, BC and many points between. One of Canada’s most awarded and  in demand live performers and session guitarists, Jack has released 10 CD’s and 1 DVD. He has also played on hundreds of recordings and live sessions with artists ranging from Etta James to Ronnie Hawkins and Bo Diddley to Blue Rodeo.  He is an exciting live performer, soulful vocalist and world class song writer and performs an average of 120 shows per year. De Keyzer has brought audiences to their feet at many major Jazz and Blues Festivals including the Montreal Jazz Fest, Blues Sur Seine (France) The Ottawa Blues Festival and Puerto Blues, (Mexico).  A much celebrated musician, de Keyzer has been nominated for the Juno (Blues Album of the Year) 5 times and won the Juno twice in 2003 and 2010. He has won 7 Maple Blues Awards (Canada’s national blues awards) , first place in the International Songwriting Competition and won CBC’s Great Canadian Blues Award from a poll of radio listeners. Always touring with an incredible band, Jack will have you rocking in your seat and swaying to his hot  blues, soulful r&b and cool soul jazz. World class.

 “If Jack de Keyzer was from Chicago, New York or LA, he’d be famous.” Bob Dylan

“Electric Love…a rock blues album with nods to guitar influences Clapton, Hendrix and Page… a disc of excellent new songs by a bluesman who should be considered their equal.” (Maple Blues) 

Two-Time Juno Award Winner 
Seven-Time Maple Blues Award Winner

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Quartette

Sunday, December 8, 2019 | 8:30pm

Quartette
$50 Advance / $55 Door

Since their debut in 1993, the four members of Quartette have been both publicly and critically acclaimed for their lush harmonies and delightfully diverse repertoire. Cindy Church, Caitlin Hanford, Gwen Swick, and Sylvia Tyson are seasoned singer/songwriters whose influences range from blues and gospel to folk and country to jazz and pop.

The group’s first appearance, a showcase of Canadian women songwriters, took place at Toronto’s Harbourfront Centre. What began as a “songwriter in the round” concert of musical friends grew into an inspired collaboration. This initial performance generated an appearance on CBC Radio’s Morningside with host Peter Gzowski. The phones began to ring with requests for a recording, and seven months later in April of 1994, the self-titled album, “Quartette,” was released to rave reviews. This was followed by coast-to-coast tours of theatres, folk festivals, performances with symphony orchestras, and live appearances on radio, including two appearances on Garrison Keillor’s A Prairie Home Companion.

In 1995 a second album, “Work of the Heart ,” was released and, following this, CBC’s Adrienne Clarkson Presents profiled the group in an hour-long special.

With the untimely death of original member, Colleen Peterson, in 1996, Quartette elected to continue performing, and welcomed another musical friend, Gwen Swick, to the group. Gwen’s skills as a songwriter and vocal arranger carried the group to a new level as they prepared to record once again, and the result was “In The Beauty Of The Day,” released in 1998.

Quartette has received several Juno nominations, won a Canadian Country Music Award for best vocal collaboration, performed with major symphony orchestras across Canada, and recorded the CMT-TV special, “A Quartette Christmas.” They have also released two Christmas CDs, “It’s Christmas!” in 1996, and “I See A Star” in 2002, both of which are collections of traditional and original Christmas songs, and their Christmas shows have become a tradition with audiences across the country.

Quartette continues to tour and record. In October of 2007, they released their sixth recording, “Down At The Fair,” produced by legendary guitarist, arranger and producer Colin Linden.

An evening with Quartette is always a magical musical journey.

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Leahy

Saturday, November 30, 2019 | 8:30pm

Leahy
$30 Advance / $35 Door

Over the course of their notable career, Canadian group Leahy has secured a place as one of the country’s most highly regarded progressive folk-roots bands.  Their emergence on the Canadian music scene in the late 1990’s with their chart-topping instrumental single “Call to Dance”, introduced audiences to a new way of accessing a uniquely Canadian music genre.  The “Leahy sound” – a combination of strong stride piano, unique bass guitar and drumming styles along with driving rhythm guitar – was the foundation from which wildly talented fiddle led instrumentals and vocals were launched to mainstream music listeners.  Leahy would go on to win three Juno awards and receive countless accolades for their dynamic and powerful performances.

To date Leahy has sold more than half a million albums worldwide. They have been featured in three PBS television specials – Leahy Live in Concert, Gael Force (with the Chieftains), and Leahy Live from Gatineau, Quebec – and are the subject of an Academy Award winning documentary, The Leahys: Music Most of All.  As well as touring extensively throughout Canada, the USA and Europe in support of three acclaimed records – Leahy, Lakefield, and In All Things – the band had the enviable opportunity of opening for fellow Canadian, Shania Twain, throughout the USA, Canada and the UK on her record-breaking Come On Over tour.

Since early 2017 Leahy has been back in the studio recording new music.  The focus is on songs and the band’s original songwriting and instrumental compositions.  The result is a wide-ranging collection that reflects the individual personalities that make up Leahy.  Built on their roots and the distinctive “Leahy sound”, their new material reveals the band’s drive to continue pushing beyond its traditional footings.  It’s a powerful record that delivers a sumptuous feast of solid music, pulse-raising rhythms, compelling storytelling and infectious melodies.

On the edge of a new chapter in their career, some things don’t change – the experience.  An encounter with Leahy is inimitable. Performances are full of energy, big rich sound, poignant songs, fiery instrumentals and percussive step-dancing – all delivered with unapologetic passion! In one word – unforgettable.

 

* Advertised pricing excludes taxes and fees

Leahy

Friday, November 29, 2019 | 8:30pm

Leahy
$30 Advance / $35 Door

Over the course of their notable career, Canadian group Leahy has secured a place as one of the country’s most highly regarded progressive folk-roots bands.  Their emergence on the Canadian music scene in the late 1990’s with their chart-topping instrumental single “Call to Dance”, introduced audiences to a new way of accessing a uniquely Canadian music genre.  The “Leahy sound” – a combination of strong stride piano, unique bass guitar and drumming styles along with driving rhythm guitar – was the foundation from which wildly talented fiddle led instrumentals and vocals were launched to mainstream music listeners.  Leahy would go on to win three Juno awards and receive countless accolades for their dynamic and powerful performances.

To date Leahy has sold more than half a million albums worldwide. They have been featured in three PBS television specials – Leahy Live in Concert, Gael Force (with the Chieftains), and Leahy Live from Gatineau, Quebec – and are the subject of an Academy Award winning documentary, The Leahys: Music Most of All.  As well as touring extensively throughout Canada, the USA and Europe in support of three acclaimed records – Leahy, Lakefield, and In All Things – the band had the enviable opportunity of opening for fellow Canadian, Shania Twain, throughout the USA, Canada and the UK on her record-breaking Come On Over tour.

Since early 2017 Leahy has been back in the studio recording new music.  The focus is on songs and the band’s original songwriting and instrumental compositions.  The result is a wide-ranging collection that reflects the individual personalities that make up Leahy.  Built on their roots and the distinctive “Leahy sound”, their new material reveals the band’s drive to continue pushing beyond its traditional footings.  It’s a powerful record that delivers a sumptuous feast of solid music, pulse-raising rhythms, compelling storytelling and infectious melodies.

On the edge of a new chapter in their career, some things don’t change – the experience.  An encounter with Leahy is inimitable. Performances are full of energy, big rich sound, poignant songs, fiery instrumentals and percussive step-dancing – all delivered with unapologetic passion! In one word – unforgettable.

* Advertised pricing excludes taxes and fees

The Last Waltz: A Musical Celebration of The Band

Sunday, November 24, 2019 | 8:30pm

Lance Anderson presents The Last Waltz: A Musical Celebration of The Band
Advance $50.00 / Door: $55.00

Players TBA

It has been more than forty years since this legendary concert by The Band. If you missed it in 1976 then this is as close as you’ll get to experiencing not only the music, but the vibe, man.

An all-star Canadian cast of award-winning blues and roots musicians will perform The Last Waltz: A Musical Celebration of The Band at Hugh’s Room Live.

Under the direction of Juno award winning producer and musical director, Lance Anderson, the November appearances will be the eighth year for this crowd pleasing show which has sold out shows in Ottawa, Peterborough, Orillia, Collingwood, Port Hope, Stratford and at Hugh’s Room in Toronto. And headlined the CNE Bandshell, Southside Shuffle, Wasaga Beach Blues Festival and Kitchener Blues Festivals.

The performance will recreate the atmosphere of The Band’s final concert, which was captured in Martin Scorsese’s award-winning concert film, The Last Waltz.

On the American Thanksgiving of 1976 at San Francisco’s Winterland Ballroom, The Band performed what they called their “Last Waltz,” and invited many of their friends to join in the celebration. These friends included Bob Dylan, Ronnie Hawkins, Van Morrison, Neil Young and others who performed with The Band on this special night.

In this homage to The Last Waltz, Anderson’s special guests will perform the songs played and sung by these artists at the memorable 1976 concert. These shows have become an annual November tradition in Ontario.

Anderson’s production of The Last Waltz has experienced rave reviews at the many festivals where it has appeared over the past few years and has consistently been referred to as the “best of the festival.”

“It wasn’t just the musicianship, which was second to none; it was the energy – these musicians have brought forth a live music gem that is worthy of any stage I know of and probably more that I don’t,” said P. Rellinger of the Kawartha News after seeing Anderson’s show in Peterborough.

* Advertised pricing excludes taxes and fees.

The Last Waltz: A Musical Celebration of The Band

Saturday, November 23, 2019 | 8:30pm

Lance Anderson presents The Last Waltz: A Musical Celebration of The Band
Advance $50.00 / Door: $55.00

Players TBA

It has been more than forty years since this legendary concert by The Band. If you missed it in 1976 then this is as close as you’ll get to experiencing not only the music, but the vibe, man.

An all-star Canadian cast of award-winning blues and roots musicians will perform The Last Waltz: A Musical Celebration of The Band at Hugh’s Room Live.

Under the direction of Juno award winning producer and musical director, Lance Anderson, the November appearances will be the eighth year for this crowd pleasing show which has sold out shows in Ottawa, Peterborough, Orillia, Collingwood, Port Hope, Stratford and at Hugh’s Room in Toronto. And headlined the CNE Bandshell, Southside Shuffle, Wasaga Beach Blues Festival and Kitchener Blues Festivals.

The performance will recreate the atmosphere of The Band’s final concert, which was captured in Martin Scorsese’s award-winning concert film, The Last Waltz.

On the American Thanksgiving of 1976 at San Francisco’s Winterland Ballroom, The Band performed what they called their “Last Waltz,” and invited many of their friends to join in the celebration. These friends included Bob Dylan, Ronnie Hawkins, Van Morrison, Neil Young and others who performed with The Band on this special night.

In this homage to The Last Waltz, Anderson’s special guests will perform the songs played and sung by these artists at the memorable 1976 concert. These shows have become an annual November tradition in Ontario.

Anderson’s production of The Last Waltz has experienced rave reviews at the many festivals where it has appeared over the past few years and has consistently been referred to as the “best of the festival.”

“It wasn’t just the musicianship, which was second to none; it was the energy – these musicians have brought forth a live music gem that is worthy of any stage I know of and probably more that I don’t,” said P. Rellinger of the Kawartha News after seeing Anderson’s show in Peterborough.

 


For tickets to the November 24 presentation of The Last Waltz, please CLICK HERE.


 

* Advertised pricing excludes taxes and fees.

Truth and Dare with Christina Martin, Crissi Cochrane, Mary Stewart

Tuesday, November 19, 2019 | 8:30pm

Truth and Dare with Christina Martin, Crissi Cochrane, Mary Stewart
$20 Advance / $25 Door *

Christina Martin
Christina Martin is a multi-award winning Canadian singer-songwriter whose style has been described as an effortless union between Americana and Rock.

Raised on Canada’s East Coast, Martin moved to Austin, Texas in the summer of 1999. In the fall of ’99 she moved to Salzgitter, Germany where she collaborated on a commercial pop project, marking her first experience singing in a professional studio. In May 2000 she returned to Austin to explore performing and song writing. Following her role as supporting vocalist and dancer for the Austin high-energy rock band Young Heart Attack in 2001, Martin launched her solo career in 2002 with an opening slot for Wilco and her debut album Pretty Things. Shortly after the album’s release, she moved to Halifax, Nova Scotia and had her first commercial success when two of her songs were placed in the award-winning British-Canadian two-part drama Sex Traffic (2004) and in the TV drama series Snakes and Ladders (2004).

Following two years of touring across Germany, Poland, The Netherlands, The UK, Switzerland, Austria, France and Canada, Martin returned home briefly in 2016 to write her newest album. A fervent anthem for those who are lost and longing, Lungs Are Burning was the first single from her album Impossible To Hold (Released March 23, 2018). The first single was triggered by the rising Fentanyl drug crisis killing thousands of Canadians, with Christina’s lyrics set to music by her and Dale Murray. With lyrics like “while I’m watching the babies” and “got to go out and get some, baby”, Martin captures the desperation of “chasing the dream” and the horror of living it. Murray’s stately production brings that stark reality home with a bite. Martin: “The song is an modest attempt to bring light to the heavy topic of addiction, and reflects my own personal sense of loss, longing and a deep void, and the ache I feel from losing my brother and friends to addiction and mental illness.” For her Canadian tour dates, Christina has partnered with Center for Addiction and Mental Health to increase engagement and awareness.

“Impossible To Hold” is Martin’s sixth and strongest studio album, achieving a perfect balance between organic ambience and impeccable production. “I’m writing about faith and love more than ever with songs like ‘Keep Me Calm’ and ‘Always Reminding’, but I haven’t shaken the need to write about the darker things that are part of our human journey”. Combining good taste, passionate singing and thoughtful lyrics, “Impossible To Hold” is where music and poetry meet. The album won the 2018 Music Nova Scotia Award for Pop Recording of the Year.

Crissi Cochrane
Native to the Annapolis Valley of Nova Scotia, Crissi fashions a sultry and soulful brand of popular music, jazz, and R&B. Silky vocals reminiscent of Billie Holiday and Norah Jones glow atop the purr of her Fender Jaguar electric guitar.

On stage, refined songs reveal more than a decade’s worth of experience first gained as a young girl growing up in small town Canada, diligently writing, recording, and performing. For a few years, Crissi settled in the nearby city of Halifax, studying Music Business and becoming known for her melodic folk/pop style. Her debut studio album Darling, Darling emerged in the summer of 2010, recorded in Chicago with musician Mike Kinsella (of Owen, American Football, Joan of Arc), but not before a trip to Canada’s southernmost city set the wheels of change into motion. Crissi fell in love with Windsor, Ontario and neighboring Detroit in early 2010 and moved there by summer’s end.

With the influence of Motown only a riverbank away, a musical maturation began. Detroit’s radio, record stores, and clubs offered a cup from which she drank deeply, inspiring new songs with echoes of jazz, blues, bossa nova, and soul. Her latest album Little Sway (2014) reveals a soulful sophistication, hailed by CBC personality Grant Lawrence as “a confident bridge towards sultry soul and classic, smoky jazz.” Listeners voted Crissi among the Top 10 Best New Artists nationwide in CBC’s 2014 Searchlight contest, and her song “Pretty Words” has gone viral on Spotify with more than 12 million listens. Her music has been heard across Canada on CBC Radio 1, 2, and 3, and has charted on campus/community radio, reaching #1 at SCOP in Toronto and remaining in the charts for 12 consecutive weeks, and her song “A Damn Shame” was heard in the ABC TV show Nashville. Today she is the wife of songwriter/bassist Michael Paul (The Walkervilles), and has been seen sharing stages with Walk Off The Earth, Buffy Sainte-Marie, Sarah Harmer, and Jesse Cook. While working on plans for a new album, she writes love songs by request, completing more than 50 of these special songs since 2016.

Mary Stewart
Mary Stewart isn’t a singer songwriter. Well, she does sing and she likely writes more songs than anyone you’ve ever met, but if you’re picturing a sullen woman perched atop a wooden stool, playing depressing songs on her oversized acoustic, you’ve pegged her all wrong.

In fact, Mary has never sported an acoustic guitar during a live show and prefers to strum along on her Gretsch, singing clever pop songs, and sharing anecdotes about her love of baking, cats, and hopes of becoming Sidney Crosby’s wife.

Hailing from New Glasgow, Nova Scotia, Mary grew up consuming an incredible range of genres from folk and pop to opera and hair metal – true story. Before her pop days, Mary was classically trained in opera. Her mother sang in hair metal bands and her dad was a sound engineer.

“My parents would bring me along to gigs because it was easier than finding a babysitter,” says Mary.

She really didn’t stand a chance to fall in love with any career other than music.

* Advertised pricing excludes taxes and fees.

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Johannes Linstead

Thursday, November 7, 2019 | 8:30pm

Johannes Linstead
Advance $25.00 / Door: $30.00

From being named Canada’s “Guitarist of the Year,” to winning eight “Best Album” awards, to seven top-ten US Billboard charting albums, and winning the “People’s Choice” award in the UK, Johannes Linstead has become recognized internationally as one of the best selling guitarists in the Instrumental, Jazz and World Music genres.

Chances are even if you don’t know the name you’ve heard his music. Johannes’ songs have been used in some of the most popular TV shows, such as Californication with David Duchovny, The Following with Kevin Bacon, Burn Notice, Gene Simmons Family Jewels, Pawn Stars, Person of Interest, and others. World champion figure skater Stephane Lambiel used Johannes’ song “Zabuca” as part of his choreography during the Winter Olympics, and recently “Cafe Tropical” was featured in the hugely popular video game Tropical 4 and 5. Johannes is an endorsed “Influential Artist” with Yamaha Guitars USA, the largest musical instrument manufacturer in world, and in 2016 signed an endorsement deal with D’Addario, the largest string manufacturer in the world, and in 2018 partnered with D’Angelico Guitars of New York city.

His group consists of congas, bongos, accordion, bass and Spanish guitars, with each band member lending his own unique charisma, creating a rare on-stage chemistry that moves audiences to their feet, clapping along with the music and occasionally shouting out “ole!” They perform at many of the top music venues in the US and Canada, including the Catalina Island JazzTrax festival in California, which was named the #1 jazz festival in the US. Johannes’ legendary concerts have brought the group as far as the Middle-East, performing for royalty in the Kingdom of Bahrain. Together, Johannes and his group set the stage on fire as they let loose a fiesta of Afro-Cuban percussion and Spanish guitar magic.

When creating new music Johannes derives his inspiration from his many travels, from Spain to the Caribbean, from India to the Middle East. Each new land bringing him a wealth of exotic sounds and rhythms to colour his musical pallet. Having developed a love for the tropics, Johannes now calls the Dominican Republic his home away from home.

A deeply spiritual person, Johannes is a certified yoga instructor and conducts yoga and music retreats when his touring schedule allows. In 2006 he founded Divine Earth (divineearth.org), a humanitarian organization promoting meditation, yoga, holistic living, and the healing power of music.

Johannes states, “I use music as a way to express what words cannot say. Every note contains a part of me and all the love, joy, hope and compassion in my heart. I believe that music has the power to uplift humanity – I see it all the time at every one of my concerts. To be able to bring happiness to so many people is a true blessing.”

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