Russell deCarle – CD Release

Held together by equal measures of heartbreak and hope, and featuring performances from some of Canada’s most accomplished instrumentalists, Under the Big Big Sky plays like the soundtrack to a vintage film. A fluent mix of blues, jazz and R&B tinged western swing that pays homage to some of Russell deCarle’s all-time favourite artists while remaining simultaneously fresh and familiar.

As lead vocalist and bassist of iconic Canadian country roots band Prairie Oyster, deCarle is no stranger to awards and accolades. Over their career the 2008 CCMA Hall of Honour inductees have racked up an impressive list of JUNO and Canadian Country Music Awards, gold and platinum selling records and number one singles. As a songwriter deCarle has also been honoured with two SOCAN Song of the Year Awards. Once in 1994, for Prairie Oyster’s first number one single ‘Such A Lonely One’, and then again in 2008 for ‘One Way Track’, his co-write with Canadian folk legend, Willie P. Bennett.

For some artists the urge to make a solo record asserts itself almost as soon as they start to gain attention as part of a successful band – sometimes even before they, or their audience, truly know who they are. Not so for deCarle. “For decades people have been asking for a solo record,” he says, “but I never thought I was ready and the band always satisfied the musical part of my life.”

What finally got him fired up enough to strike out on his own in the studio was spending some quality time alone with his acoustic guitar. Although he’d initially intended to weight Under the Big Big Sky more heavily in favour of covers than original material, the more he played and wrote, the more he found himself falling naturally into a style that marked a definite, if unintentional, departure from his past work.

When it became clear that the balance of the record would feature his own material, deCarle approached longtime friend, pianist/arranger/producer John Sheard (The Guess Who, Dan Hill) and asked him to take a listen. “We’d wanted to do a project together for years. He’s absolutely one of my favourite musicians in the world and musically we share a lot of things.”

After Sheard signed on to produce the record, deCarle enlisted the talents of another old friend, engineer L. Stu Young (Prince, Ronnie Hawkins, Guns n’ Roses, David Wilcox), who assisted on Prairie Oyster’s 1991 breakthrough record Everybody Knows and mixed their most recent release, 2006’s One Kiss.

With Young manning the board and Sheard producing and playing piano and vibes, the next step, deCarle says, was putting together a wish list of players to join them in the studio. Among them, guitarist Steve Briggs, string bassist George Koller and drummers, Mark Kelso and Al Cross, as well as an all-star cast of guests including: bassist Russ Boswell, fiddler Drew Jurecka, percussionist John Adames and B3 virtuoso Denis Keldie; guitarists Kevin Breit, Amos Garrett, David Wilcox and Prairie Oyster bandmate, Keith Glass; vocalists Amoy and Ciceal Levy, Amanda Walther and Sheila Carabine of Dala and Blue Rodeo’s Jim Cuddy; and a horn section featuring deCarle’s old friend and musical compadre Chris Whiteley on cornet, Gord Myers on trombone and Colleen Allen on tenor and baritone sax.
“I’m honoured that everybody I wanted on the record ended up on it. They really dug deep and did an incredible job.” But assembling this ‘fantasy camp’ of players wasn’t about cramming as many talents on each track as possible, deCarle stresses. It was about complimenting the songs with performances by people he believed would make a personal connection with his songs; the same kind of connection he hopes his audience will make. “For people to be emotionally invested in this, to be touched in some way, that would be the best thing that could happen. That’s why I made the record.”

As much as Under the Big Big Sky may represent a new beginning for deCarle, it’s not a conscious effort to shake off the label of ‘country singer’, but a natural extension of his talents as both a songwriter and interpreter. “I’ve always thought of myself as a singer, not just a country singer. I’m a music lover first and foremost – a product of all the stuff I’ve ever listened to – and my tastes are very broad. To me this is a torchy, bluesy record more than anything else. It’s certainly a product of where I came from musically.”

Just exactly where that is, however, isn’t easy to pin down, and nor should it be. The songs and the subjects deCarle writes about defy being crammed into some fabricated musical zip code for the sake of convenience. “Growing up when I did, radio wasn’t homogenized. I’m pretty sure that the Beatles ‘Ticket To Ride’ and ‘Tiger By the Tail’ by Buck Owens were on the pop charts at the same time, and I’m sure there was a Frank Sinatra song on that same chart.”

Like the soundtrack deCarle grew up with, Under the Big Big Sky covers a lot of ground stylistically. From the sweet soulful blues of ‘Can’t Find the Song in My Heart’, to melancholy ballads like opener, ‘East of the Sun, West of the Moon’ by Robert M. David, to unabashedly upbeat tunes like ‘Girl With the Golden Hair’ that are as reminiscent of old time rock and roll as they are of the music of classic crooners like Dean Martin. And although the record defies easy classification, it’s perfectly clear about the fact that deCarle can find inspiration for his songs just about anywhere; from the big, big Saskatchewan sky he references on the album’s title track, to the ‘Fingernail Moon’ hanging above his own backyard in rural Ontario, to the sad songs and ballads he’s loved since first hearing them on the airwaves as a teenager.

“I could sing sad songs and ballads all night. It’s true, man. I kind of live at 72 beats per minute. Emotionally I think I’ve always been affected by the bluesy side of life; that’s always been what stirs it up for me.” Still, even on heartbreakers like his cover of the Cindy Walker classic, ‘Goin’ Away Party’, or his own ‘Blues for Christmas’ and ‘Don’t Ask The Question’, deCarle possesses an uncanny ability to weave a little bit of hope into every line he sings.

The result is a remarkably eclectic, but entirely cohesive record. Recorded over the course of 2008-2009 and freshly released in October 2010, Under the Big Big Sky is more than just a confident, compelling exploration of deCarle’s singular voice as a songwriter. It’s an unflinching reflection of where he lives musically and literally, a celebration of the music and musicians who began to influence him long before he began his career forty years ago and a gathering of his closest and dearest musical friends.

Connie Kaldor and Garnet Rogers

Saturday, November 21, 2020 | 8:30pm

Connie Kaldor and Garnet Rogers
$35 Advance / $40 Door *

Garnet Rogers
Born in Hamilton, Ontario to parents of Nova Scotian descent, Garnet Rogers spent many hours in front of the old floor model radio listening to Grand Ol’ Opry broadcasts and harmonizing with his brother, the late folk legend Stan Rogers. Two years later, Garnet was playing the definitive 8-year-old’s version of “Desolation Row” on his ukulele. He soon abandoned that instrument to teach himself the flute, violin and guitar.

At 18, Garnet was on the road as a full-time working musician with brother Stan. Together they formed what has come to be accepted as one of the most influential duos in the history of North American folk music. Garnet acted as producer and arranger for his older brother from 1973 to 1983, when Stan died tragically in a plane crash.

Since then, Garnet has courageously established himself as a formidable solo artist. Hailed by the Boston Globe as a “…charismatic performer and singer — one of the major talents of our time,” they continue by saying that “Garnet’s vocal and instrumental talents are complimented by an undeniably powerful physical presence — close to six and a half feet tall — with the lungs to match.” With his “smooth, dark baritone” (Washington Post) his in- credible range and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs give expression to the unspoken language of the heart. An opti- mist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small every- day victories. As memorable as his songs, his over-the-top humor and lightning-quick wit move his audiences from tears to laughter and back again.

Rogers has been the featured performer on numerous television and radio programs including Much Music, Mountain Stage, and All Things Considered. He has been a headliner at concert venues and festivals such as Wolf Trap, Lincoln Center, and Art Park; sharing the stage with performers such as Mary Chapin Carpenter, Billy Bragg, Bill Monroe, Ferron, Greg Brown, and Guy Clark. Though Garnet has enjoyed much popularity over the years, he remains resolutely independent, turning down offers from major labels to ensure that he contin- ues doing music his own way.

website: https://garnetrogers.com/
youtbe: https://www.youtube.com/watch?v=MADHdKE032I

****

“Just when you think you’ve got it all figured out, something roars in and it turns you about.”

Connie Kaldor writes this and more about the unexpected twists and turns of life and love. She could well be writing about her personal artistic complexities. Music pundits have tried to define the essence of the prairie-born acoustic performer for over two decades, but even the most eloquent have fallen short of perfection. Fact is, Connie Kaldor is a performer without borders. A contradiction in terms. She is a Juno Award-winning singer who has flourished on the folk music scene for over two decades, yet her repertoire of original material blurs musical boundaries, embracing elements of gospel, rock, country and western, folk, blue grass and adult contemporary.

She is an artist of substance without pretension, witty and urbane without condescension. She is a fearless chronicler of the human experience without the folksong angst. She has recorded nine albums, sold tens of thou- sands of copies, but has never had a commercial hit. Her live performances are legendary and her fan base broad and fiercely loyal. People come back to see her again and again because a Connie Kaldor performance is about more than just the power of music. It is also about the power of personality. What she says between songs is as intriguing as the lyrics she sings.

She has traveled prairie backroads to visit modest community centers and sold out concert halls in major cities. From Beijing to New Delhi to Saskatoon to Washington, Connie has triumphed with a mix of song and spoken word honed in pacing and tone by the many years she spent performing. Like many prairie girls in the 50s and 60s, Connie grew up singing in the church choir and listening to Patsy Cline and The Beatles on her record player. But it wasn’t until the 1980s, after four years spent performing with an avant-garde theatre company in Toronto, that Connie turned to music full time and was welcomed with open arms by the folk scene.

website: https://www.conniekaldor.com/
youtube: https://www.youtube.com/watch?v=M009mhFg6wA


* Advertised pricing excludes taxes and fees.

Alfie Zappacosta

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Saturday, September 19, 2020

Alfie Zappacosta
Advance $50.00 / Door $55.00

Doors: 6:00pm
Performance: 8:30pm

Alfie Zappacosta is undeniably one of Canada’s premier songwriters and performers with chart topping hits and a recording and acting career that has spanned 40 years. He continues to evolve as an artist by “doing it his way”, an effort that has been rewarded with an impressive song catalogue and a discerning loyal fan base.

Alfie Zappacosta decided on a music career in his teens and set his sights upon being a guitarist. When his vocal dexterity and song writing proficiency were uncovered by a publisher while writing for his first original band “Surrender”, events would be put in motion to champion Zappacosta (dropping his first name) as a solo artist and bring him to the world’s attention. “Start Again”, “Passion”, “When I Fall in Love Again” and “Nothing Can Stand In Your Way” became staples on Canadian adult contemporary radio and Zappacosta became a personified Rock Star.

In 1987, Walt Disney’s Danger Bay would bring Zappacosta an episode written specifically for him titled “Rock Star”. In the same year, he penned and sang “Overload” exclusively for the multi-platinum soundtrack “Dirty Dancing” and Loverboy would record Zappacosta’s “That’s Where The Money Goes” for their Wildside album. In 1988, he was awarded JUNOs for “Album of The Year’ and “Most Promising Artist”, an American Music Award for “Most Popular Album of The Year” and named the Canadian Publishers Music Association’s “Best Rock Star”.

Zappacosta’s distinctive baritone voice did not go unnoticed by artistic directors and in 1990, he was called to deliver his greatest challenge of his career – singing Andrew Lloyd Webber. Alfie’s portrayals of Christ in Jesus Christ Superstar and Che Guevara in Evita would bring a new audience and support his efforts to delineate his pop/rock image – a moniker that never reflected his authentic personality. The release of “Innocence Ballet” in 1996 would introduce Alfie Zappacosta (taking back his first name) and give center stage to his true rich vocals, his mastery at romance, his astute take on relationships and his advanced knowledge of music. Alfie is rewarded for his efforts with numerous award nominations in the Smooth Jazz genre and a performance with the Thunder Bay Symphony Orchestra in 2005.

Zappacosta has polished his live concert performances exposing his sophisticated, intimate and intense personality. His performances deliver a blend of acoustic, jazz and pop music prompting the listener to engage soulfully.

And the hits that originally brought Zappacosta to the world’s attention? – Alfie hasn’t turned his back on any of these songs. You will hear them in his program performed the way they were originally written and meant to be heard.

website: https://zappacosta.ca/
youtube: https://www.youtube.com/watch?v=PWL-xpYRATM



* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $50.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $7.67

* Total Ticket Price: $66.67

Jim Beard and Jon Herington of Steely Dan

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.



Sunday, September 5, 2020

Jim Beard and Jon Herington of Steely Dan
$75 Advance / $80 Door

Doors: 6:00pm
Performance: 8:30pm

It’s only natural that pianist Jim Beard and guitarist Jon Herington would strike the kind of special accord heard throughout this intimate duo encounter in their latest release, Chunks and Chairknobs. They’ve shared countless hours in the studio over the years playing on each other’s albums, beginning with Beard’s 1990 debut “Song of the Sun” and continuing through to Herington’s 2016 album “Adult Entertainment”. They’ve worked together as sidemen on recordings by bassist Victor Bailey, saxophonists Bill Evans and Bob Berg, drummer Dennis Chambers and brothers Michael and Randy Brecker. And they’ve shared the bandstand on tour with Steely Dan for the past several years — 20 for Herington, 11 for Beard. “There are many, many records and gigs and times of our lives,” said Herington, reflecting back on their musical partnership. “Not only that, we’ve been sharing a studio ever since we got to New York, which is probably since 1987.”

At the time of this latest recording, Beard and Herington had just come off a three week residency with Steely Dan at the Venetian in Las Vegas, so their Dan chops were polished to a bright sheen. But they were also basking in the after-glow of having recently recorded this superb duet album. And though guitar and piano are not generally regarded as ideal mates in a duo setting, the two kindred spirits found a way to seamlessly blend in the studio, divvying up duties on eight tunes, easily alternating roles, comping for each other while delivering melodic gems and brilliant solos along the way.

“Not all of that happened right away spontaneously,” Beard pointed out. “We did have to think about who could do what where, because it’s not the most natural duo instrumentation. It’s so much different than if it were piano and bass or guitar and bass, piano and saxophone or guitar and saxophone. Because the two instruments are so similar in the way they function and behave in a group, particularly the chordal aspect of it. So it did take a little bit of think-time to figure out what would be best.”

“It’s two instruments that do not necessarily cooperate too well,” added Herington. “And because the role of each instrument is similar, it kind of presents a real problem — Who’s going to play the bass part? Who’s going to keep time? So we had to hunt for different tunes and figure out what we could do to them to make them work. And it took quite a while.”

At Hugh’s Room Live, Jim Beard and Jon Herington of Steely Dan presents an eclectic evening of instrumental music performed on guitar and piano in celebration of their latest release, Chunks and Chairknobs. Join us for the magic. Tickets available right now.

website: http://www.jonherington.com/
youtube: https://www.youtube.com/watch?v=euklbIfq414

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $75.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $10.92

* Total Ticket Price: $94.92

Grace Petrie – POSTPONED

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Wednesday, August 19, 2020

Grace Petrie
Advance $30  / Door $35*

Doors: 6:00pm
Performance: 8:30pm

Grace Petrie (born 1987) is a folk singer-songwriter and guitarist from Leicester, UK. She was hailed in The Guardian as “a powerful new songwriting voice” in 2011.

Grace Petrie began performing in 2006 as a solo vocalist and acoustic guitarist, and self-released an eponymous album that year, followed in 2007 by second album Feeling Better. In 2010, the advent of the Conservative-led coalition government following the (UK) general election influenced Petrie, who is a socialist, feminist, and lesbian,towards an increasing emphasis on politically focused songwriting, from a left-wing perspective. She made her debut appearance on Glastonbury’s Leftfield stage at the invitation of Billy Bragg in summer 2010, and widely praised third album Tell Me A Story followed, including signature song “Farewell to Welfare”.

Petrie has made an annual appearance at Glastonbury since 2010 as well as regularly playing festivals such as Towersey, Greenbelt Festival, Latitude and others. She has toured nationally with Emmy the Great, Billy Bragg and comedian Robin Ince, and has made several appearances on BBC Radio 4’s The Now Show.

Website: https://gracepetrie.com/
Youtube: https://www.youtube.com/watch?v=mzU7aIk1dGI

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

– POSTPONED – Night Dream with Wintergarten Orchestra

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Saturday, July 11, 2020

Midsummers Night Dream with Wintergarten Orchestra
Advance $25  / Door $30*

Doors: 6:00pm
Performance: 8:30pm

Wintergarten Orchestra is known and loved for delivering popular songs from the USA, Berlin and Paris during the roaring 1920’s and 1930’s. Their influences include Cab Calloway, Paul Whiteman, Pasadena Roof Orchestra, Palast Orchestra.

Needless to say, you’ll love this band if you’re a fan of  movies like: The Great Gatsby, Some Like it Hot Television series: Downton Abbey, Jeeves & Wooster, Boardwalk Empire.

This big collection of seasoned Toronto musicians are coming back to Hugh’s Room Live this July with gems of early swing, cabaret, latin, and salon music. Brash horns, crooning vocals and soaring violins take us back nearly a hundred years to the dawn of The Jazz Age!

Website: https://wintergartenorchestra.com/
Youtube: https://www.youtube.com/watch?v=jxAPBiF7Qmo

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

POSTPONED- Oysterband

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Thursday, July 9, 2020

Oysterband
Advance $40 / Door $45*

Doors: 6:00pm
Performance: 8:30pm

Currently Oysterband consists of founder members John Jones (vocal, melodeon), Alan Prosser (guitars, vocal), and Ian Telfer (violin, keyboard, vocal) with Dil Davies (drums), Al Scott (bass guitar, mandolin, vocal), and Adrian Oxaal (cello, guitar, vocal).

At first – around 1978 – purely a dance band (“The Oyster Ceilidh Band”), we soon started experimenting with radical arrangements of traditional songs and with home recording, and even put out 4 albums in the early 80s. These sound harmless enough now, but at the time their home-made, try-anything attitude was controversial. We were determined that traditional music should not be just a branch of the heritage industry.

Oysterband makes modern, folk-based British music, acoustic at heart, sometimes intense, sometimes rocking. Since 1978 they’ve toured in 35 countries – festivals, concerts, bars, rallies, jails, bring ’em on! – won 5 BBC Folk Awards and made 13 studio albums and one DVD.

Website: http://www.oysterband.co.uk/
Youtube: https://www.youtube.com/watch?v=ZTquGKINbds

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

POSTPONED- Jason Wilber

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Monday, July 6, 2020

Jason Wilber
Advance $20 / Door $25*

Doors: 6:00pm
Performance: 8:30pm

Jason Wilber is an American singer, guitar player, songwriter, and recording artist. In addition to his work as a solo recording artist, he is also known as the long time lead guitar player for singer-songwriter John Prine. Other artists Jason has accompanied live or in the studio include Iris Dement, Greg Brown, Tom Russell, Sheryl Crow, Mary Gauthier, Todd Snider, Simrit, Hal Ketchum, Tim Grimm, Krista Detor, Greg Trooper, Carrie Newcomer, Kim Fox, Bill Wilson, and Over the Rhine.

Slated for release in early 2020, Jason Wilber’s latest record, Time Traveler, plays like a radio signal emanating from some distant outpost. Folk music from the future, with themes at once timeless and timely. Wilber strums stories from space stations and post-apocalyptic bunkers, alongside down to earth parables on the mysteries and truths of life. Wilber has had plenty of time to ponder the daydreams and fantastic journeys that wind up in his songs. For the last 23 years (and counting) he’s logged countless hours gazing out the windows of planes, trains, buses, and cars while on the road with country/folk icon John Prine.

In Wilber’s multi-decade journey with Prine, the Grammy-winning singer, songwriter, guitarist and producer has graced stages from the Grand Ole Opry to Austin City Limits, Seth Myers & Conan to Letterman & Colbert. And he’s been a key player in high-profile collaborations with a host of legends including Lucinda Williams, Emmylou Harris, Alison Krauss, Todd Snider, Tom Russell, Miranda Lambert, Susan Tedeschi, Josh Ritter, Kacey Musgraves & more.

Website: https://jasonwilber.com/
Youtube: https://www.youtube.com/watch?v=JXm4GucLn7U

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

POSTPONED – The Bad Plus

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Sunday, June 28, 2020

The Bad Plus
Advance $25 / Door $35*

Doors: 6:00pm
Performance: 8:30pm

The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. In 2018 they announced a change of line-up that shook the jazz world, bringing the astonishing and remarkable pianist Orrin Evans into the group alongside Reid Anderson and Dave King. The result instigated a new wave of excitement and anticipation within the band that re-energized their sound and inspiration. With an abundance of adventure and spirit, their joy of making music together is clear and paramount – it’s their driving force and their ultimate purpose.

Their first album with the new lineup, 2018’s Never Stop II, won huge critical acclaim building on the passionate fan base developed over the years. The release kickstarted a new era for the trio in a way they could not have foreseen – a period of intense creativity, renewed energy and excitement.

Their Fall 2019 Edition Records release will see the journey evolve further. This is The Bad Plus in their most creative and expressive form.

Website: https://www.thebadplus.com/
Youtube: https://www.youtube.com/watch?v=iNI-2i6t7Zs

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

POSTPONED Tom Russell

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Friday, June 26, 2020

Tom Russell
Advance $25 / Door $30*

Doors: 6:00pm
Performance: 8:30pm

Tom Russell songs have been recorded by such icons as Johnny Cash, Dave Van Ronk, Jerry Jeff Walker, Doug Sahm, Joe Ely, Nanci Griffith, Iris Dement, and Ramblin’ Jack Elliott, among others. No less than Lawrence Ferlinghetti, the legendary poet, has said that he shares “a great affinity with Tom Russell’s songs, for he is writing out of the wounded heart of America.”

Tom’s 52 Track, double record “The Rose of Roscrae” – A Ballad of the West, is to be released April 14, 2015…with guest artists: Johnny Cash, Leadbelly, Ramblin’ Jack Elliott, Guy Clark, Dan Penn, Gretchen Peters, Ian Tyson and dozens of others…the reviews are piling in:

“The Rose of Roscrae: A Ballad of the West is the third in a series of extraordinary concept albums Tom Russell has delivered…yet another masterwork. It is a work of rare ambition and rare brilliance that is beautifully and artfully executed…Tom’s performances are riveting throughout the long piece. So, too, are the other singers who take on various roles in the folk opera…There is an embarrassment of riches among the songs Tom composed for The Rose of Roscrae…Mike Regenstreif, Folk Roots”

“Russell’s Roscrae masterpiece, as well as his back catalogue, totally outstrips (so much of) the music by contemporaries that masquerades as (Americana.) He open-heartedly understands that historic context and musical tradition are inextricably linked….Approached very much in the panoramic spirit of classical composer Aaron Copland…Celtic blood courses through this writer’s veins, and the sonically colorful melodies and richly poetic images embedded throughout The Rose Of Roscrae are the stuff of hair-raising chills and joyous optic moisture. Arthur Wood, No Depression, April 2015”

“My career seems to have gone in the opposite direction from a lot of people whose notoriety came over their first half dozen records,” says Russell. “Mine didn’t. My career built very slowly, and then I moved to El Paso in ’97, further outside than anybody could imagine. By not plugging into the machine, the records I’ve made in the past 10 years have been my strongest and most outside records, especially the past two. It seems that the older I get, the more I’ve been able to keep on the outside.”

Tom Russell has appeared on the David Letterman TV show five times in the last few years, and his songs have appeared in a dozen movies and television series including: The new Monte Hellman movie The Road To Nowhere, Tremors, Songcatcher and Northern Exposure.

Tom Russell has published three books: a detective novel (in Scandinavia), a compendium of songwriting quotes with Sylvia Tyson (And Then I Wrote – Arsenal Press), and a book of letters with Charles Bukowski: (Tough Company: Mystery Island Press).

Russell is also an established painter represented by Yard Dog Folk Art in Austin(www.yarddog.com), Rainbow Man in Santa Fe (www.rainbowman.com) and Liss Gallery (http://www.lissgallery.com) in Toronto

A book of Tom Russell`s art: Blue Horse/Red Desert was published by Bangtail Press in September 2011.

Website: http://www.tomrussell.com/
Youtube: https://www.youtube.com/watch?v=dBh3sl3vAa8

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

POSTPONED Kevin Prater Band

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Monday, June 22, 2020

Kevin Prater Band
Advance $20 / Door $25*

Doors: 6:00pm
Performance: 8:30pm

2020 will mark the 40th Anniversary of Kevin Prater’s Bluegrass journey that has taken him to 24 Countries and 49 States. Over the course of his career Kevin has shared the stage with many legends of Bluegrass, which included, Jerry Williamson & Redwing, Timmy Cline Band, Melvin Goins & Windy Mountain, Mark Phillips & Third Generation, The Bluegrass Brothers (earning a nomination as “Banjo Player of the Year”) and most notably, his twelve years with Grammy Nominated, James King Band (Kevin was part of two, “Album of the Year”, a “Song or the Year” and a “Recorded Event of the Year”, award winning recorded projects. Additionally Kevin, upon his High School graduation, Kevin went to work for Dolly Parton at Dollywood for three years prior to The James King Band.

Currently Kevin Prater is in the 12th year as Owner/Leader of The Kevin Prater Band, touring throughout the USA and Canada. They have recorded four CD’s. Their current CD, “All I Ever Wanted” released on Patuxent Music label, finished 2018 as #65 of the top 200, World Wide on the Roots Music Charts. This project is a true project of Pike County, Kentucky. The title track, “All I Ever Wanted” was written by Kevin, 22 years prior to release. The projects most requested and most popular for radio air play, “Barefoot Country Girl” was written by Kevin’s dear friend and Boss, Keith Hatfield, Owner CARQUEST Auto Parts in Pikeville, KY.

Completing The Kevin Prater Band’s “Pure Kentucky Bluegrass” sound, Jake Burrows on Banjo, Daniel Pugh on Bass, Gary Isenhour Guitar, all from North Carolina. Timothy Goins from Florida fills the dobro position.

In addition to leading The KPB, Kevin is Owner or Sound Makers Recording Studio in Belcher, KY. He has recorded over 1,000 albums of various genres of music in the last 25 years.

Website: https://www.thekevinpraterband.com/
Youtube: https://www.youtube.com/watch?v=Mg0mFwZGgGs

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77