Russell deCarle – CD Release

Held together by equal measures of heartbreak and hope, and featuring performances from some of Canada’s most accomplished instrumentalists, Under the Big Big Sky plays like the soundtrack to a vintage film. A fluent mix of blues, jazz and R&B tinged western swing that pays homage to some of Russell deCarle’s all-time favourite artists while remaining simultaneously fresh and familiar.

As lead vocalist and bassist of iconic Canadian country roots band Prairie Oyster, deCarle is no stranger to awards and accolades. Over their career the 2008 CCMA Hall of Honour inductees have racked up an impressive list of JUNO and Canadian Country Music Awards, gold and platinum selling records and number one singles. As a songwriter deCarle has also been honoured with two SOCAN Song of the Year Awards. Once in 1994, for Prairie Oyster’s first number one single ‘Such A Lonely One’, and then again in 2008 for ‘One Way Track’, his co-write with Canadian folk legend, Willie P. Bennett.

For some artists the urge to make a solo record asserts itself almost as soon as they start to gain attention as part of a successful band – sometimes even before they, or their audience, truly know who they are. Not so for deCarle. “For decades people have been asking for a solo record,” he says, “but I never thought I was ready and the band always satisfied the musical part of my life.”

What finally got him fired up enough to strike out on his own in the studio was spending some quality time alone with his acoustic guitar. Although he’d initially intended to weight Under the Big Big Sky more heavily in favour of covers than original material, the more he played and wrote, the more he found himself falling naturally into a style that marked a definite, if unintentional, departure from his past work.

When it became clear that the balance of the record would feature his own material, deCarle approached longtime friend, pianist/arranger/producer John Sheard (The Guess Who, Dan Hill) and asked him to take a listen. “We’d wanted to do a project together for years. He’s absolutely one of my favourite musicians in the world and musically we share a lot of things.”

After Sheard signed on to produce the record, deCarle enlisted the talents of another old friend, engineer L. Stu Young (Prince, Ronnie Hawkins, Guns n’ Roses, David Wilcox), who assisted on Prairie Oyster’s 1991 breakthrough record Everybody Knows and mixed their most recent release, 2006’s One Kiss.

With Young manning the board and Sheard producing and playing piano and vibes, the next step, deCarle says, was putting together a wish list of players to join them in the studio. Among them, guitarist Steve Briggs, string bassist George Koller and drummers, Mark Kelso and Al Cross, as well as an all-star cast of guests including: bassist Russ Boswell, fiddler Drew Jurecka, percussionist John Adames and B3 virtuoso Denis Keldie; guitarists Kevin Breit, Amos Garrett, David Wilcox and Prairie Oyster bandmate, Keith Glass; vocalists Amoy and Ciceal Levy, Amanda Walther and Sheila Carabine of Dala and Blue Rodeo’s Jim Cuddy; and a horn section featuring deCarle’s old friend and musical compadre Chris Whiteley on cornet, Gord Myers on trombone and Colleen Allen on tenor and baritone sax.
“I’m honoured that everybody I wanted on the record ended up on it. They really dug deep and did an incredible job.” But assembling this ‘fantasy camp’ of players wasn’t about cramming as many talents on each track as possible, deCarle stresses. It was about complimenting the songs with performances by people he believed would make a personal connection with his songs; the same kind of connection he hopes his audience will make. “For people to be emotionally invested in this, to be touched in some way, that would be the best thing that could happen. That’s why I made the record.”

As much as Under the Big Big Sky may represent a new beginning for deCarle, it’s not a conscious effort to shake off the label of ‘country singer’, but a natural extension of his talents as both a songwriter and interpreter. “I’ve always thought of myself as a singer, not just a country singer. I’m a music lover first and foremost – a product of all the stuff I’ve ever listened to – and my tastes are very broad. To me this is a torchy, bluesy record more than anything else. It’s certainly a product of where I came from musically.”

Just exactly where that is, however, isn’t easy to pin down, and nor should it be. The songs and the subjects deCarle writes about defy being crammed into some fabricated musical zip code for the sake of convenience. “Growing up when I did, radio wasn’t homogenized. I’m pretty sure that the Beatles ‘Ticket To Ride’ and ‘Tiger By the Tail’ by Buck Owens were on the pop charts at the same time, and I’m sure there was a Frank Sinatra song on that same chart.”

Like the soundtrack deCarle grew up with, Under the Big Big Sky covers a lot of ground stylistically. From the sweet soulful blues of ‘Can’t Find the Song in My Heart’, to melancholy ballads like opener, ‘East of the Sun, West of the Moon’ by Robert M. David, to unabashedly upbeat tunes like ‘Girl With the Golden Hair’ that are as reminiscent of old time rock and roll as they are of the music of classic crooners like Dean Martin. And although the record defies easy classification, it’s perfectly clear about the fact that deCarle can find inspiration for his songs just about anywhere; from the big, big Saskatchewan sky he references on the album’s title track, to the ‘Fingernail Moon’ hanging above his own backyard in rural Ontario, to the sad songs and ballads he’s loved since first hearing them on the airwaves as a teenager.

“I could sing sad songs and ballads all night. It’s true, man. I kind of live at 72 beats per minute. Emotionally I think I’ve always been affected by the bluesy side of life; that’s always been what stirs it up for me.” Still, even on heartbreakers like his cover of the Cindy Walker classic, ‘Goin’ Away Party’, or his own ‘Blues for Christmas’ and ‘Don’t Ask The Question’, deCarle possesses an uncanny ability to weave a little bit of hope into every line he sings.

The result is a remarkably eclectic, but entirely cohesive record. Recorded over the course of 2008-2009 and freshly released in October 2010, Under the Big Big Sky is more than just a confident, compelling exploration of deCarle’s singular voice as a songwriter. It’s an unflinching reflection of where he lives musically and literally, a celebration of the music and musicians who began to influence him long before he began his career forty years ago and a gathering of his closest and dearest musical friends.

Kellylee Evans: Winter Song

Friday, December 20, 2019 | 8:30pm

Kellylee Evans Winter Song
$35 Advance / $40 Door *

*MEMBERS-ONLY PRE-SALE ACTIVE UNTIL SEPTEMBER 25, 2019

JUNO Award-winning jazz vocalist Kellylee Evans warms up the Azrieli Studio just in time for the season with Winter Song: an enchanting night of holiday classics, new standards, and Kellylee’s own gems.

Six albums deep, Kellylee Evans is still shaking it up on Come On, her latest Decca album.

The stylistic connoisseur has tackled everything from jazz to R&B and pop in such previous tasty classics fight or flight?, Nina – her Juno-winning tribute to the legendary Nina Simone – and I Remember When.

Praised by the Latin Jazz Network for a “gorgeous voice (that) rises to the heavens in rapturous wonder as if in consanguinity with a chorus of angels” and by the Yukon Arts Centre for “a stunning crystalline voice, both powerful and emotive,” Evans now pushes her muse firmly into the soulful pop territory with Come On: a wonderfully refreshing album about love and life that comes on the heels of two nearly career-ending accidents: a freak lightning strike in her Ottawa kitchen and further effects of a concussion suffered during a fall at her home.

However, Evans is nothing if not resilient: the runner-up of the 2004 Thelonious Monk Competition offers views on love and loss in an alluringly rhythmic approach that has touches of psychedelic pop, resonating soul groove and that je ne sais quoi that is strictly Kellylee and forged by her jazz discipline.

From the stirring soul-stomper “Come On” – which combines an effervescent Motown feel with traces of psychedelia – and the funky groove-a-liciousness of “Hands Up” to the string-and-horn-spiced magnetism of “Know His Worth,” the 10 songs of Come On find Kellylee at her most magically potent.

website: http://www.kellyleeevans.com/
youtube: https://www.youtube.com/watch?v=dPzjtRKRa8A

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The Arrogant Worms

Thursday, December 19, 2019 | 8:30pm

The Arrogant Worms
$40 Advance / $45 Door *

The year was 1991.  Presumably, some significant world events occurred.  The world truly changed in the fall however, when something truly magnificent happened in Kingston, Ontario, Canada. A beacon of hope was lit and has shone brightly ever since – The Arrogant Worms. The Arrogant Worms began as a comedy troupe performing songs and sketches on campus radio. The early feedback on the live shows was clear:  lose the sketches. So the songs endured and they all remain because the band hates to throw anything out.

The songs were written to make fun of a big dumb world. Luckily, the world is still dumb and The Arrogant Worms (Mike McCormick, Chris Patterson and Trevor Strong) still have plenty to sing about. The shows are fast, furious and family friendly. The wit is quick, the satire is biting and the musicianship is second to none. Their appeal has earned them fans from kids to parents to grandparents to Princess Leia.

The Arrogant Worms have sold more than 160,000 copies of their 13 albums.  Their most recent offering is SPACE, a collection of 16 new songs released in 2014 that bravely tackles the hard issues like Local Politicians, Yoga Pants and Uncomfortable Chairs.  The band has played on three continents to crowds as large as 100,000 and were recognized in 2003 as the Touring Act of the Year by the Canadian Arts Presenters Association. The Worms have entertained at corporate functions, sung anthems at sporting events and emceed at major festivals. Their songs are in school lesson plans, in textbooks and even played on the Space Shuttle. On earth or in space, everyone digs these Worms.

The Arrogant Worms are as comfortable on the radio or on camera as they are on stage. Their energy and showmanship were captured on the DVD of their concert with the renowned Edmonton Symphony Orchestra. The DVD also features appearances by Worm pals figure skating champion Kurt Browning, astronaut Chris Hadfield and actors Tom Cavanaugh (Ed, Love Monkey) and Nathan Fillion (Castle, Firefly).

In recent years the Worms have been pleased to donate their time and talent to the cause of literacy in Canada through Frontier College and were twice awarded the Peter Gzowski Award for their efforts.

So nearly a quarter century after they began, The Arrogant Worms continue to provide tuneful and silly escapism for everyone who needs it. And if you think you don’t need it, well you’re wrong. You do. The Arrogant Worms know what’s best for you and what’s best for you is The Arrogant Worms.

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The Mistletones

Wednesday, December 18, 2019 | 8:30pm

The Mistletones
$25 Advance / $30 Door *

Kick off the holiday season with The Mistletones, a 9-member a cappella group formed by John McDermott and other choristers in 1980. After years of singing together on a daily basis at St. Michael’s Choir School in Toronto, this group of alumni came together, with their love of song and unique vocal blend, to continue making music.

The all-male voiced group combine a rich blend of concise and complex vocal harmonics to form a unique and well-developed vocal style. A combination of choral and jazz, they perform a mix of a few sacred songs along with some popular Christmas favourites, but not your typical Christmas carols.

The Mistletones have performed in such esteemed places as Roy Thomson Hall, Koerner Hall, the Princess of Wales Theatre and Massey Hall.

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BluesIn’ Toronto Presents: Another Bluesy Christmas

Tuesday, December 17, 2019 | 8:30pm

BluesIn’ Toronto Presents: Another Bluesy Christmas
Featuring Paul Deslauriers, Erin McCallum, Murray Kinsley and the Ghost Town Blues Band
$40 Advance / $45 Door *

As the leaves do fall and the wind doth blow, the colours red and green inevitably burrow under snow banks and a new season is hurried into our calendar. Winter is coming. Merry as the season may be, this year, Hugh’s Room Live is here to put the blues back into Christmas.

A Bluesy Christmas at Hugh’s Room Live will feature a beautiful cast of musicians and vocalists from around the city, including but not limited to Paul Deslauriers, Erin McCallum, Murray Kinsley and the Ghost Town Blues Band, all of whom will take the stage and deliver to you some of their favourite songs from Christmas past, present and future.

Escape the cold and warm up to the blues this holiday season. Tickets available right now.

Paul Deslauriers | https://www.pauldeslauriersband.com/
Paul DesLauriers is one of Canada’s elite guitarists  often featuring a formidable slide. Paul fronts one of the nation’s greatest blues bands which was twice crowned Entertainer of the Year and once Electric Act of the Year at Maple Blues Awards. In 2016 they also took 2nd place at the 32nd International Blues Challenge, the world’s largest gathering of blues acts held by The Blues Foundation in Memphis Tennessee.

Erin McCallum | http://www.erinmccallum.com/
“Longing for a female Blues singer who can digest the notes whole, spew them back, adding punch to the lyrics while stirring your animal instincts?  Somebody who dips way down and bends things to her liking, purring over the content one minute before serving it up like a five alarm fire? Then, welcome Erin McCallum.” – Eric Thom, Blues Review Magazine

Murray Kinsley | http://murraykinsley.com/
Reviewers have described Maple Blues Award-winning band Wicked Grin as stripped-down, hellaciously rockin’ new blues with the distinctive voice and guitar-work of Murray Kinsley…

Wicked Grin’s latest album “Murder Creek,” released October 2018, has earned widespread industry acclaim and was a semi-finalist for the 2019 IBC Best Self-Produced CD Award.

Ghost Town Blues Band | http://www.ghosttownbluesband.com/
Recently headlining the blues stage at The Montreal Jazz Festival, Beale Street’s latest success story, 5-time Blues Blast Music Award Nominee and International Blues Challenge Runner-up is Ghost Town Blues Band. Not your grandpa’s blues band, their live show has been captivating audiences in the U.S., Canada and Europe with their “second-line horn entrance,” cigar box guitars and electric push brooms to Allman Brothers style jams and even a hip-hop trombone player. The band’s stage show and energy is unparalleled and has been called the best new live blues show in the world.

Horns, harmonies and homegrown instruments combined with an energetic and roots rich festival set makes Ghost Town Blues Band one of the “must see live bands on the festival scene today.” Both Andrew McNeill behind the drums and Matt Karner on the bass guitar are a punishing rhythm section behind multi-instrumentalist/frontman Matt Isbell with raunchy cigar box guitar licks and raspy “Dr. John-like, whiskey and gravel-soaked vocals.” With the addition of Trombonist Suavo Jones, Cedric Taylor on B3 and Taylor Orr on lead guitar, the grooves go from fresh to funky as the band gains more notoriety in the blues festival and jam circuit. Ghost Town Blues Band has performed all across US and Canada at over 100+ festivals and will perform more than a half-dozen international tours in Canada and Europe in 2019.

“GTBB shows what can happen when the past is distilled through young sensibilities, voices, and instruments. This is 21st century blues at its best.”   -Living Blues Magazine

2019 B.B. King International Entertainer of the Year Nominee – Maple Blues Awards (Canada)
2018- #4 Billboard Blues Chart
2018 Tennessee Music Award Winner “Best Blues Band”
2018 3-Time Blues Blast Music Award Nominee

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Ravel

Jack de Keyzer

Saturday, December 14, 2019 | 8:30pm

Jack de Keyzer
$25 Advance / $30 Door

“The finest blues guitarist in Canada.” – Jeff Healey

Guitarist, Singer, Songwriter Jack de Keyzer plays the blues world wide, from Alert, Arctic Circle to Puerto Escondido, Mexico; from Athens, Greece to Hornby Island, BC and many points between. One of Canada’s most awarded and  in demand live performers and session guitarists, Jack has released 10 CD’s and 1 DVD. He has also played on hundreds of recordings and live sessions with artists ranging from Etta James to Ronnie Hawkins and Bo Diddley to Blue Rodeo.  He is an exciting live performer, soulful vocalist and world class song writer and performs an average of 120 shows per year. De Keyzer has brought audiences to their feet at many major Jazz and Blues Festivals including the Montreal Jazz Fest, Blues Sur Seine (France) The Ottawa Blues Festival and Puerto Blues, (Mexico).  A much celebrated musician, de Keyzer has been nominated for the Juno (Blues Album of the Year) 5 times and won the Juno twice in 2003 and 2010. He has won 7 Maple Blues Awards (Canada’s national blues awards) , first place in the International Songwriting Competition and won CBC’s Great Canadian Blues Award from a poll of radio listeners. Always touring with an incredible band, Jack will have you rocking in your seat and swaying to his hot  blues, soulful r&b and cool soul jazz. World class.

 “If Jack de Keyzer was from Chicago, New York or LA, he’d be famous.” Bob Dylan

“Electric Love…a rock blues album with nods to guitar influences Clapton, Hendrix and Page… a disc of excellent new songs by a bluesman who should be considered their equal.” (Maple Blues) 

Two-Time Juno Award Winner 
Seven-Time Maple Blues Award Winner

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Dr. Draw

Thursday, December 12, 2019 | 8:30pm

Dr. Draw
$40 Advance / $45 Door *

Dr. Draw is known as the first violinist to venture from rock and classical into electronic music culture. His style is difficult to describe as his history with music and culture spans an eccentric lifetime. From playing for royalty in Prague to creating near chaos at the Toronto Beaches Jazz Festival to playing luxury brand events like Chloé and Dom Pérignon, Dr. Draw inspires kudos wherever he plays. Lately, his reputation is growing eastward. Performances have included playing in Singapore, Taiwan, Sri Lanka, and a spate of Louis Vuitton events in Hong Kong, Malaysia, and South Korea.

Performing in such frenetic locales energizes the performer time and time again, allowing him to repeatedly “creatively interact with cultures all across the world.” The result is a constantly evolving musical style that brings together the seemingly disparate elements of classical violin, jazz-rock fusion, folk, and pop into a riveting masala that feeds the soul and invigorates audiences.

“Dr. Draw stole the show with his infectious performance of high energy, piping out a mix of classical and house musical sounds from his electric violin. The show allegedly literally brought some to tears.” – Newsweekly, Boston

website: https://www.drdraw.ca
youtube: https://www.youtube.com/watch?v=TA6xoKpbsI8

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Quartette

Sunday, December 8, 2019 | 8:30pm

Quartette
$50 Advance / $55 Door

Since their debut in 1993, the four members of Quartette have been both publicly and critically acclaimed for their lush harmonies and delightfully diverse repertoire. Cindy Church, Caitlin Hanford, Gwen Swick, and Sylvia Tyson are seasoned singer/songwriters whose influences range from blues and gospel to folk and country to jazz and pop.

The group’s first appearance, a showcase of Canadian women songwriters, took place at Toronto’s Harbourfront Centre. What began as a “songwriter in the round” concert of musical friends grew into an inspired collaboration. This initial performance generated an appearance on CBC Radio’s Morningside with host Peter Gzowski. The phones began to ring with requests for a recording, and seven months later in April of 1994, the self-titled album, “Quartette,” was released to rave reviews. This was followed by coast-to-coast tours of theatres, folk festivals, performances with symphony orchestras, and live appearances on radio, including two appearances on Garrison Keillor’s A Prairie Home Companion.

In 1995 a second album, “Work of the Heart ,” was released and, following this, CBC’s Adrienne Clarkson Presents profiled the group in an hour-long special.

With the untimely death of original member, Colleen Peterson, in 1996, Quartette elected to continue performing, and welcomed another musical friend, Gwen Swick, to the group. Gwen’s skills as a songwriter and vocal arranger carried the group to a new level as they prepared to record once again, and the result was “In The Beauty Of The Day,” released in 1998.

Quartette has received several Juno nominations, won a Canadian Country Music Award for best vocal collaboration, performed with major symphony orchestras across Canada, and recorded the CMT-TV special, “A Quartette Christmas.” They have also released two Christmas CDs, “It’s Christmas!” in 1996, and “I See A Star” in 2002, both of which are collections of traditional and original Christmas songs, and their Christmas shows have become a tradition with audiences across the country.

Quartette continues to tour and record. In October of 2007, they released their sixth recording, “Down At The Fair,” produced by legendary guitarist, arranger and producer Colin Linden.

An evening with Quartette is always a magical musical journey.

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Carlos del Junco

Saturday, December 7, 2019 | 8:30pm

Carlos del Junco
$30 Advance / $35 Door *

It’s probably a good thing Carlos wasn’t there when the harmonica appeared in North America in the 1860s. Neil Young and Bob Dylan can probably roll with it when he says they are very mediocre harmonica players. Aspiring harmonica players Wyatt Earp and Billy the Kid might have overreacted and pulled out their pistols…

To say that Carlos is just a harmonica player is like saying Jimi Hendrix was just a guitar player. He blows the blues harp through a prism — suddenly it seems he’s holding every color in the musical rainbow right there in his hands.

Simultaneously sophisticated and raw, his playing blurs the boundaries between blues and jazz (hence the name for his band “The Blues Mongrels”). The emphasis is on blues, but Carlos and his band are not afraid to merrily traipse off in other directions delivering a seamless fusion of New Orleans second line grooves, swing, Latin, hip-hop or ska melodies, to swampy roots rock.

Born in Havana, Cuba, del Junco (loosely translated “of the reeds”) immigrated with his family at the age of one. He bent his first note on a harmonica when he was fourteen, making his debut with his high school math teacher at a student talent night. In his early 20’s del Junco was immersed in a visual arts career; he graduated with honours from a four year programme, majoring in sculpture (click here to see photos) at the Ontario College of Art. Sculpture has definitely had an influence on his outlook on music: “Music is just a different way of creating textures and shapes.”

Playing a ten hole diatonic harmonica, Carlos has developed the unique ability to play chromatically by using a recently developed “overblow” technique taught to him by jazz virtuoso Howard Levy. Overall, this approach to the diatonic harmonica, although much more difficult to achieve, is in many ways more expressive and communicative than the mechanized tone produced by the chromatic harmonica . Carlos is one of the few pioneers of this overblow method, bringing musical credibility to what has still been considered by many in the music industry – a fringe folk instrument. The sophisticated sound produced by del Junco is at once sensitive, soulful, and sexy while never forgetting the rawness inherent in blues music.

website: https://www.carlosdeljunco.com
youtube: https://www.youtube.com/watch?v=W9PP3Fv4aBs

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Patricia O’Callaghan  

Saturday, December 4th, 2019 | 8:00pm

Patricia O’Callaghan  
$35 Advance / $40 Door *

Patricia O’Callaghan is something of a wandering minstrel. Her fifteen-year career has taken her across genres, continents, and a range of disciplines and passions.

Her recording career spans six solo CDs and many interesting guest collaborations. A speaker of French, Spanish, and German, her early recordings focused on European cabaret, and she is considered a specialist in the music of Kurt Weill. Patricia has performed his Threepenny Opera, Seven Deadly Sins, and Kleine Mahagonny with Soulpepper Theatre Company, Edmonton Opera, and Vancouver Opera, to name a few.

This Toronto soprano can sing a 100-year-old German tune so lustily that you almost don’t need a translation to know that someone’s about to get his throat cut or get laid or both. The National Post

One of Patricia’s most unique talents is the ability to blend a variety of languages and musical genres seamlessly together in her concerts, and completely embody whatever style she is singing at any given moment.

O’Callaghan sings her diverse material as if it was always meant to go side-by-side and by the end of the evening, it’s easy to believe her. Chart Attack Magazine

She has sung with some of the world’s great ensembles and artists (Orpheus Chamber Orchestra, Don Byron Quartet, Bryn Terfel), and has performed in venues that range from London’s Royal Opera House to New York’s Noho cabaret Le Poisson Rouge.

Patricia also writes and co-writes songs and has had the honor of premiering many new compositions, from both the classical and pop worlds. It has been her great privilege to work with such creators as R. Murray Schafer, David Braid, Dennis Lee, Christos Hatzis, George Aperghis, Steve Reich, and Steven Page, to name a few.

Patricia’s film, theatre and television credits include her own Bravo! special, The CBC produced Ken Finkleman series Foolish Heart, and the semi autobiographical Rhombus / Westwind film Youkali Hotel, which has won several prizes, including a Golden Sheaf Award to Patricia for best female performance. Ms. O’Callaghan has also received other awards, such as a Chalmer’s Grant from the Ontario Arts Council and a Fleck Fellowship from The Banff Centre for the Arts.

She recently completed a six year stint as a Resident Artist at Toronto’s Soulpepper Theatre Company. Her responsibilities there included conducting, teaching, mentoring young artists, producing, curating and performing in festivals, and developing new work.

Recent projects are Broken Hearts and Madmen; a collaboration with The Gryphon Trio, which blends classical music with traditional songs from Latin America and pop songs from around the world…

“Broken Hearts and Madmen is an exquisite piece of work. The result is absolutely breathtaking in its attention to detail, with every note carved from their love of the songs…” – Vivascene and Matador: The Songs of Leonard Cohen

A truly exceptional blend of natural expressiveness and masterful coloration, her tender versions of Cohen’s “Take this Waltz” and “Hallelujah” are revelatory. – Billboard Magazine

She’s one of the best singers ever to come out of Canada. – Vivascene

website: http://www.patricia-ocallaghan.com/
youtube: https://www.youtube.com/watch?v=C7QLtMHOiqw


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