Notice of Postponement Due to COVID-19
Monday, March 16, 2020
Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.
Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.
Sunday, March 22, 2020
Coco Montoya and Ronnie Baker Brooks
Advance $40 / Door $45 *
Henry “Coco” Montoya was born in Santa Monica, California, on October 2, 1951, and raised in a working class family. Growing up, Coco immersed himself in his parents’ record collection. He listened to big band jazz, salsa, doo-wop and rock ‘n’ roll. His first love was drums; he acquired a kit at age 11. He got a guitar two years later. “I’m sure the Beatles had something to do with this,” Montoya recalls. “I wanted to make notes as well as beats.” But guitar was his secondary instrument. Montoya turned his love of drumming into his profession, playing in a number of area rock bands while still in his teens and eventually becoming an in-demand drummer.
Today, with his latest solo album, Coming In Hot, Coco Montoya again turns the burners to high and cooks from start to finish. Still an indefatigable road warrior, Montoya continues to tour virtually nonstop, bringing audiences to their feet from New York to New Orleans to Chicago to San Francisco. Across the globe, he’s performed in countries including Australia, Belgium, Switzerland, Germany, Norway, England, Brazil, Argentina, Spain, Mexico, Ecuador, Italy, Poland, Russia, the Czech Republic and Canada. According to Living Blues, “Montoya is a show-stopper…heartfelt singing and merciless guitar with a wicked icy burn…he swings like a jazz man and stings like the Iceman, Albert Collins. He is one of the truly gifted blues artists of his generation.”
Ronnie Baker Brooks
On the first day recording Times Have Changed – the eleven-track album from Chicago bluesman Ronnie Baker Brooks that brings a sound so big it could topple a Louisiana juke joint – industry-revered album producer and drummer Steve Jordan told Brooks to put his pedalboard back in the van. For the first time in his professional life, Brooks, the son of Texas and Chicago blues legend Lonnie “Guitar Jr.” Brooks, would plug a Gibson into TKTK amp and rip it straight from there.
“Back to the basics. The pedals get in the way of your tone – your natural tone. Any distortion I had came straight out of the amp.” Brooks remembers from the Times sessions. “It was almost like going to college, or grad school. It was definitely an education.”
“My whole intention, when I started with Golddigger and up through this one, was to be authentic enough for the older generation but have something that the younger generation could latch onto,” says Brooks. “I try to be that bridge. With Take Me Witcha, I’ve got a rapper on that. On The Torch we went with Al Kapone. He’s a bridge. He’s a bridge from blues to hip-hop. With music, it all comes from the heart. It comes from the heart and from the soul. In blues, it doesn’t matter what you’re talking about, it definitely relates.
“That was my intention on this record: to build that bridge.”
* Advertised pricing excludes taxes, ticketing and sustainability fees.
* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37
* Total Ticket Price: $55.37