Archive for Toronto Venue

Connie Kaldor and Garnet Rogers

Saturday, November 21, 2020 | 8:30pm

Connie Kaldor and Garnet Rogers
$35 Advance / $40 Door *

Garnet Rogers
Born in Hamilton, Ontario to parents of Nova Scotian descent, Garnet Rogers spent many hours in front of the old floor model radio listening to Grand Ol’ Opry broadcasts and harmonizing with his brother, the late folk legend Stan Rogers. Two years later, Garnet was playing the definitive 8-year-old’s version of “Desolation Row” on his ukulele. He soon abandoned that instrument to teach himself the flute, violin and guitar.

At 18, Garnet was on the road as a full-time working musician with brother Stan. Together they formed what has come to be accepted as one of the most influential duos in the history of North American folk music. Garnet acted as producer and arranger for his older brother from 1973 to 1983, when Stan died tragically in a plane crash.

Since then, Garnet has courageously established himself as a formidable solo artist. Hailed by the Boston Globe as a “…charismatic performer and singer — one of the major talents of our time,” they continue by saying that “Garnet’s vocal and instrumental talents are complimented by an undeniably powerful physical presence — close to six and a half feet tall — with the lungs to match.” With his “smooth, dark baritone” (Washington Post) his in- credible range and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs give expression to the unspoken language of the heart. An opti- mist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small every- day victories. As memorable as his songs, his over-the-top humor and lightning-quick wit move his audiences from tears to laughter and back again.

Rogers has been the featured performer on numerous television and radio programs including Much Music, Mountain Stage, and All Things Considered. He has been a headliner at concert venues and festivals such as Wolf Trap, Lincoln Center, and Art Park; sharing the stage with performers such as Mary Chapin Carpenter, Billy Bragg, Bill Monroe, Ferron, Greg Brown, and Guy Clark. Though Garnet has enjoyed much popularity over the years, he remains resolutely independent, turning down offers from major labels to ensure that he contin- ues doing music his own way.

website: https://garnetrogers.com/
youtbe: https://www.youtube.com/watch?v=MADHdKE032I

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“Just when you think you’ve got it all figured out, something roars in and it turns you about.”

Connie Kaldor writes this and more about the unexpected twists and turns of life and love. She could well be writing about her personal artistic complexities. Music pundits have tried to define the essence of the prairie-born acoustic performer for over two decades, but even the most eloquent have fallen short of perfection. Fact is, Connie Kaldor is a performer without borders. A contradiction in terms. She is a Juno Award-winning singer who has flourished on the folk music scene for over two decades, yet her repertoire of original material blurs musical boundaries, embracing elements of gospel, rock, country and western, folk, blue grass and adult contemporary.

She is an artist of substance without pretension, witty and urbane without condescension. She is a fearless chronicler of the human experience without the folksong angst. She has recorded nine albums, sold tens of thou- sands of copies, but has never had a commercial hit. Her live performances are legendary and her fan base broad and fiercely loyal. People come back to see her again and again because a Connie Kaldor performance is about more than just the power of music. It is also about the power of personality. What she says between songs is as intriguing as the lyrics she sings.

She has traveled prairie backroads to visit modest community centers and sold out concert halls in major cities. From Beijing to New Delhi to Saskatoon to Washington, Connie has triumphed with a mix of song and spoken word honed in pacing and tone by the many years she spent performing. Like many prairie girls in the 50s and 60s, Connie grew up singing in the church choir and listening to Patsy Cline and The Beatles on her record player. But it wasn’t until the 1980s, after four years spent performing with an avant-garde theatre company in Toronto, that Connie turned to music full time and was welcomed with open arms by the folk scene.

website: https://www.conniekaldor.com/
youtube: https://www.youtube.com/watch?v=M009mhFg6wA


* Advertised pricing excludes taxes and fees.

Alfie Zappacosta

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Saturday, September 19, 2020

Alfie Zappacosta
Advance $50.00 / Door $55.00

Doors: 6:00pm
Performance: 8:30pm

Alfie Zappacosta is undeniably one of Canada’s premier songwriters and performers with chart topping hits and a recording and acting career that has spanned 40 years. He continues to evolve as an artist by “doing it his way”, an effort that has been rewarded with an impressive song catalogue and a discerning loyal fan base.

Alfie Zappacosta decided on a music career in his teens and set his sights upon being a guitarist. When his vocal dexterity and song writing proficiency were uncovered by a publisher while writing for his first original band “Surrender”, events would be put in motion to champion Zappacosta (dropping his first name) as a solo artist and bring him to the world’s attention. “Start Again”, “Passion”, “When I Fall in Love Again” and “Nothing Can Stand In Your Way” became staples on Canadian adult contemporary radio and Zappacosta became a personified Rock Star.

In 1987, Walt Disney’s Danger Bay would bring Zappacosta an episode written specifically for him titled “Rock Star”. In the same year, he penned and sang “Overload” exclusively for the multi-platinum soundtrack “Dirty Dancing” and Loverboy would record Zappacosta’s “That’s Where The Money Goes” for their Wildside album. In 1988, he was awarded JUNOs for “Album of The Year’ and “Most Promising Artist”, an American Music Award for “Most Popular Album of The Year” and named the Canadian Publishers Music Association’s “Best Rock Star”.

Zappacosta’s distinctive baritone voice did not go unnoticed by artistic directors and in 1990, he was called to deliver his greatest challenge of his career – singing Andrew Lloyd Webber. Alfie’s portrayals of Christ in Jesus Christ Superstar and Che Guevara in Evita would bring a new audience and support his efforts to delineate his pop/rock image – a moniker that never reflected his authentic personality. The release of “Innocence Ballet” in 1996 would introduce Alfie Zappacosta (taking back his first name) and give center stage to his true rich vocals, his mastery at romance, his astute take on relationships and his advanced knowledge of music. Alfie is rewarded for his efforts with numerous award nominations in the Smooth Jazz genre and a performance with the Thunder Bay Symphony Orchestra in 2005.

Zappacosta has polished his live concert performances exposing his sophisticated, intimate and intense personality. His performances deliver a blend of acoustic, jazz and pop music prompting the listener to engage soulfully.

And the hits that originally brought Zappacosta to the world’s attention? – Alfie hasn’t turned his back on any of these songs. You will hear them in his program performed the way they were originally written and meant to be heard.

website: https://zappacosta.ca/
youtube: https://www.youtube.com/watch?v=PWL-xpYRATM



* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $50.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $7.67

* Total Ticket Price: $66.67

Grace Petrie

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Wednesday, August 19, 2020

Grace Petrie
Advance $30  / Door $35*

Doors: 6:00pm
Performance: 8:30pm

Grace Petrie (born 1987) is a folk singer-songwriter and guitarist from Leicester, UK. She was hailed in The Guardian as “a powerful new songwriting voice” in 2011.

Grace Petrie began performing in 2006 as a solo vocalist and acoustic guitarist, and self-released an eponymous album that year, followed in 2007 by second album Feeling Better. In 2010, the advent of the Conservative-led coalition government following the (UK) general election influenced Petrie, who is a socialist, feminist, and lesbian,towards an increasing emphasis on politically focused songwriting, from a left-wing perspective. She made her debut appearance on Glastonbury’s Leftfield stage at the invitation of Billy Bragg in summer 2010, and widely praised third album Tell Me A Story followed, including signature song “Farewell to Welfare”.

Petrie has made an annual appearance at Glastonbury since 2010 as well as regularly playing festivals such as Towersey, Greenbelt Festival, Latitude and others. She has toured nationally with Emmy the Great, Billy Bragg and comedian Robin Ince, and has made several appearances on BBC Radio 4’s The Now Show.

Website: https://gracepetrie.com/
Youtube: https://www.youtube.com/watch?v=mzU7aIk1dGI

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Midsummers Night Dream with Wintergarten Orchestra

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Saturday, July 11, 2020

Midsummers Night Dream with Wintergarten Orchestra
Advance $25  / Door $30*

Doors: 6:00pm
Performance: 8:30pm

Wintergarten Orchestra is known and loved for delivering popular songs from the USA, Berlin and Paris during the roaring 1920’s and 1930’s. Their influences include Cab Calloway, Paul Whiteman, Pasadena Roof Orchestra, Palast Orchestra.

Needless to say, you’ll love this band if you’re a fan of  movies like: The Great Gatsby, Some Like it Hot Television series: Downton Abbey, Jeeves & Wooster, Boardwalk Empire.

This big collection of seasoned Toronto musicians are coming back to Hugh’s Room Live this July with gems of early swing, cabaret, latin, and salon music. Brash horns, crooning vocals and soaring violins take us back nearly a hundred years to the dawn of The Jazz Age!

Website: https://wintergartenorchestra.com/
Youtube: https://www.youtube.com/watch?v=jxAPBiF7Qmo

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

Oysterband

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Thursday, July 9, 2020

Oysterband
Advance $40 / Door $45*

Doors: 6:00pm
Performance: 8:30pm

Currently Oysterband consists of founder members John Jones (vocal, melodeon), Alan Prosser (guitars, vocal), and Ian Telfer (violin, keyboard, vocal) with Dil Davies (drums), Al Scott (bass guitar, mandolin, vocal), and Adrian Oxaal (cello, guitar, vocal).

At first – around 1978 – purely a dance band (“The Oyster Ceilidh Band”), we soon started experimenting with radical arrangements of traditional songs and with home recording, and even put out 4 albums in the early 80s. These sound harmless enough now, but at the time their home-made, try-anything attitude was controversial. We were determined that traditional music should not be just a branch of the heritage industry.

Oysterband makes modern, folk-based British music, acoustic at heart, sometimes intense, sometimes rocking. Since 1978 they’ve toured in 35 countries – festivals, concerts, bars, rallies, jails, bring ’em on! – won 5 BBC Folk Awards and made 13 studio albums and one DVD.

Website: http://www.oysterband.co.uk/
Youtube: https://www.youtube.com/watch?v=ZTquGKINbds

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

The Bad Plus

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Sunday, June 28, 2020

The Bad Plus
Advance $25 / Door $35*

Doors: 6:00pm
Performance: 8:30pm

The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. In 2018 they announced a change of line-up that shook the jazz world, bringing the astonishing and remarkable pianist Orrin Evans into the group alongside Reid Anderson and Dave King. The result instigated a new wave of excitement and anticipation within the band that re-energized their sound and inspiration. With an abundance of adventure and spirit, their joy of making music together is clear and paramount – it’s their driving force and their ultimate purpose.

Their first album with the new lineup, 2018’s Never Stop II, won huge critical acclaim building on the passionate fan base developed over the years. The release kickstarted a new era for the trio in a way they could not have foreseen – a period of intense creativity, renewed energy and excitement.

Their Fall 2019 Edition Records release will see the journey evolve further. This is The Bad Plus in their most creative and expressive form.

Website: https://www.thebadplus.com/
Youtube: https://www.youtube.com/watch?v=iNI-2i6t7Zs

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

Sue Foley with Benji & Rita

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Friday, May 22, 2020

Sue Foley with Benji & Rita
Advance $30 / Door $35 *

Doors: 6:00pm
Performance: 8:00pm

Sue Foley

Enjoy Sue Foley is a multi-award-winning musician and of the one of the finest blues and roots artists working today. She is a veritable triple-threat of musical talent as a guitarist, songwriter and vocalist. As with many blues women of the past, Foley has a long history of defying convention, and being a positive role model for aspiring, young female musicians.

The Canadian has been working professionally since the age of 16, and by the age of 21, Foley had relocated to Austin, TX and began recording for Antone’s—the esteemed blues label and historic nightclub that helped launch the career of Stevie Ray Vaughan and many others. In the two decades that have followed, Sue Foley has been busy touring and recording steadily, all while toting her signature pink paisley Fender Telecaster. In 2001, she won the prestigious Juno Award (Canadian equivalent of the Grammy) and also holds the record for the most Maple Blues Awards and has earned three Trophees de Blues de France. She has also garnered several nominations at the Blues Music Awards in Memphis, TN.

With 11 recordings under her own name, an instructional DVD and book, as well as various compilations and projects, Foley is set to release her new album, The Ice Queen (March 2, 2018) on Stony Plain Records. “I’m extremely excited to be working with Holger Petersen and Stony Plain Records. Holger is one of the most knowledgeable “real music” people in the business”, says Foley. “Stony Plain is known to put out great music and I know The Ice Queen has found her home.”

Recorded throughout 2017, The Ice Queen represents Foley’s full circle journey – her return to the roots of her career in Austin with producer Mike Flanigin. The album was recorded with her long-time friends and collaborators Jimmie Vaughan and Billy F Gibbons (ZZ Top) as well Chris ‘Whipper’ Layton from Double Trouble, Charlie Sexton, and members of the Tedeschi Trucks and Gary Clark Jr bands.

“When I was a teenager I idolized Jimmie Vaughan and Billy F Gibbons,” Foley says. “They’re both legends now so this feels like an historical event (at least it does for me). And I grew up sitting at the feet of players like George ‘Big Beat’ Rains, Derek O’Brien and The Texas Horns. I spent many nights watching Charlie Sexton and the Arc Angels with Chris Layton. I learned and grew more musically in my years in Austin than at any point in my life. The fact that all these mega talented musicians have graced my album is beyond anything I hoped for. I am still pinching myself.”

A flood of inspiration and themes can be found on each of the tracks – ranging from lost love, anguish, and struggle to release, forgiveness and rebirth. Mostly recorded live-off-the-floor, Foley’s emotional vocal delivery, conviction, accessible yet inspired lyrics and intrepid guitar playing are all laid out, bare and raw for the songs to reveal.

Opening with the radio friendly and funky “Come to Me”, The Ice Queen also features upbeat and rollicking tracks “Run”, “The Lucky ones” (a duet with Jimmie Vaughan) and “Gaslight”. There are several bluesy and soulful tracks including “81”, “The Ice Queen”, “Fool’s Gold” (featuring Billy F Gibbons on vocals and harmonica)”, “If I Have Forsaken You”, and a cheeky, guitar-heavy cover of Bessie Smith’s “Send Me To The ‘Lectric Chair”. Foley also provides some more mellow and unexpected songs on The Ice Queen with the jazzy “Death of a Dream”, the flamenco-blues hybrid “The Dance” and a beautiful cover of the Carter Family’s “Cannonball Blues”.

The Ice Queen represents Sue Foley’s indefatigable commitment to her craft, and her transparency with the journey that birthed her, further proving that you can’t keep a good blueswoman down, particularly when she is The Ice Queen.

Website: https://suefoley.com/
Youtube: https://www.youtube.com/watch?v=6t0pfAsGOkU

Benji & Rita

Benji Kaplan and Rita Figueiredo are two well-respected Brazilian jazz musicians, though their approach is quite different. Kaplan, a New York native, is an intimate songwriter who gently strums the guitar, sings poetic lyrics, and harmonizes gorgeously. Rita Figueiredo, who hails from São Paulo, Brazil, has similar traditional Brazilian music-meets-jazz influences, but with a much more theatrical approach. Her talent as a composer with her fierce singing style gives her music unbridled passion. Rita’s intensity of spirit might seem to be an odd mix with Benji’s understated complexity but it’s quite a logical fit. You really can’t do better than these two when it comes to current players of this genre. – Aaron Carnes (East Bay Express)

Cinematic and refined, Benji & Rita channels the scents and sounds, the flora and fauna of the couple’s homelands, drawing on everything from samba and baião, to waltzes and pop catchiness, much as Brazilian popular composers have over the last five decades.

They have toured throughout Europe, North America and South America, enchanting audiences with their unique approach and take on Brazilian, jazz and classical traditions. They have performed alongside such acts as: Earth Wind and Fire, Alceu Valença, Bernard Purdie, Junior Mance, Seu Jorge.

“A collection of lush, iconoclastic arrangements and distinct vocals that make for a unique marriage. The team combines samba, waltz and pop arrangements by Kaplan (on guitar) with additional lyrics by Figueiredo, that are said to draw on the lyricist and singer’s roots in a country known for its Amazonian jungles and hard scrabble urbanscapes and are sung in Portuguese, so who knows: The music’s charm is in its dramatic delivery and its evocation of Tropicalia.” – Denise Sullivan (Downbeat Magazine)

“Fans of classic Brazilian styles will take an instant liking to this. It’s quite an impressive and wide-ranging debut, sporting roots in Brazil and branches in many other places. I hope this twosome stays and plays together for a long time.” -Tom Orr (World Music Central)

“A freewheeling, gorgeously orchestrated whirlwind through the many facets of Brazilian music (samba, baiao, waltzes, pop)…whimsical, deeply romantic sonic images of New York and Brazil by the dynamic husband and wife team of Benji Kaplan (composer, arranger, producer, guitar, vocals) and Brazilian born singer-songwriter Rita Figueiredo.” – Jonathan Widran (L.A. Times, Jazziz, Billboard & All Music Guide)

“…one of the most lively and magical sessions I’ve heard in 2019…Tunes like “Memorial Day” will hold you spellbound…Rita takes flight over the top with her sweet vocal stories… priceless.” – Dick Metcalf (Contemporary Fusion Reviews)

Website: http://www.benjiandrita.com
Youtube: https://www.youtube.com/watch?v=pVoRSest_W4

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Tribute to the Three Kings: Albert, B.B and Freddie

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Thursday, May 14, 2020

Tribute to the Three Kings: Albert, B.B and Freddie
Advance $40 / Door $45 *

Doors: 6:00pm
Performance: 8:30pm

Presented by BluesIn’ Toronto
Hosted by Danny Marks

Albert King is truly a “King of the Blues,” although he doesn’t hold that title (B.B. does). Along with B.B. and Freddie King, Albert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does — his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan. It’s important to note that while almost all modern blues guitarists seldom play for long without falling into a B.B. King guitar cliché, Albert King never does — he’s had his own style and unique tone from the beginning.

Riley B. King known professionally as B.B. King, was an American singer-songwriter, guitarist, and record producer. King introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that influenced many later blues electric guitar players.

King was inducted into the Rock and Roll Hall of Fame in 1987, and is one of the most influential blues musicians of all time, earning the nickname “The King of the Blues”, and is considered one of the “Three Kings of the Blues Guitar” (along with Albert and Freddie King). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s. In 1956 alone, he appeared at 342 shows.

Freddie King was an American blues guitarist and singer. He recorded several hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired many musicians, particularly guitarists. He was inducted into the Rock and Roll Hall of Fame in 2012.

Featuring Danny Marks, Jack de Keyzer, Steve Strongman and Dylan Wickens.

Danny Marks

This iconic rocker’s roots go back to the sixties as a founding member of Capitol Records’ group, Edward Bear. After a span as a journey man session musician throughout the seventies, Danny settled in to the club scene, establishing a cult following as a genre bender in music and humor.

You can now hear him as the host of BLUZ FM on JAZZ FM 91.1 every Saturday night.

Website: http://www.dannym.com/
Youtube: https://www.youtube.com/watch?v=yEgnbwQ6V5Q

Jack de Keyzer

For 46 years or roughly a couple million miles , bluesman, guitarist, singer, song writer, Jack de Keyzer has been hitting the road, rail and air to bring his brand of guitar driven blues across Canada and around the globe. With 11 records, 1 DVD , 2 Junos and 7 Maple Blues Awards under his belt, de Keyzer delivers the goods wherever, whenever he performs.

Website: https://www.jackdekeyzer.com/
Youtube: https://www.youtube.com/watch?v=W-g2TcA_EAk

Dylan Wickens

Roots rock with a noticeable blues guitar influence, Wickens is a past Maple Blues Award Nominee and Winner of The Toronto Blues Society Talent Search. Wickens has appeared on several albums and has opened shows for artists that include Sonny Landreth, Jeff Healey, Keb’ Mo’, Downchild Blues Band and Serena Ryder. He’s a musical force to be reckoned with…

Website: https://dylanwickens.com/
Youtube: https://www.youtube.com/watch?v=C2dOrMDs2jE

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

Classic Lightfoot Live

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Friday, May 8, 2020

Classic Lightfoot Live
Advance $40 / Door $45*

Doors: 6:00pm
Performance: 8:30pm

Classic Lightfoot Live celebrates the music and the long time folk-rock legend’s career and his stories from the early 60s, through his 1970s fame, up to his last studio recording in 2002. Gordon Lightfoot is credited with helping to define the folk-pop sound of the 1960s and 1970s.

Take a trip down memory lane with Classic Lightfoot Live!

The performance features John Stinson, a long time Ontario musician, as lead vocalist. John has been entertaining audiences around Ontario for over 30 years. He has been widely praised for his uncanny sonic resemblance to Gord, and his attention to replicating Gord’s original studio recordings. “To me Lightfoot’s music really does reflect what it means to be Canadian. His lyrics tell stories; his stories, our stories. They reach out and touch audiences in deep emotional ways.” Playing 6 and 12 string guitars just like Gord, John is backed by the Classic Lightfoot Live band, an impressive cast of musicians bringing the music from the studio albums to life. Steve Eyers is on bass guitar, Eric Kidd on lead guitar, JG Jones on keyboards and Malcolm Gould is on percussion. Each of them has been influenced by Lightfoot’s music and the passion comes through in every performance.

website: http://www.classiclightfootlive.com/index.html

video: https://vimeo.com/367383351

Join us on May 8 as we gather at Hugh’s Room Live to witness the epic live show by Classic Lightfoot Live. Tickets available right now.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

Carmelo Miller Album Release * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Wednesday, April 29, 2020

Carmelo Miller Album Release
Advance $20 / Door $25 *

Doors: 6:00pm
Performance: 8:30pm

Carmelo’s musical mission is to spread joy and positivity throughout the world and stir self reflection. Combining personal life experience and smooth vocal tones, he has discovered a voice and style, which are at once soft and hard like water. It’s called Reggae & Blues.

Through this style, Carmelo explores the subjects of the mind, body and soul, which can be lost in translation from thought to feeling and feeling to words. Some of his best work has been through uncovering his own conflicts between happiness and pain and how to stay positive throughout.

Website:  http://www.carmelomiller.com/
Youtube: https://www.youtube.com/watch?v=i4691J52Q3E

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77