Archive for Toronto Music

Alfie Zappacosta

Saturday, February 15, 2020 | 8:30pm

Alfie Zappacosta
Advance $50.00 / Door $55.00

Alfie Zappacosta is undeniably one of Canada’s premier songwriters and performers with chart topping hits and a recording and acting career that has spanned 40 years. He continues to evolve as an artist by “doing it his way”, an effort that has been rewarded with an impressive song catalogue and a discerning loyal fan base.

Alfie Zappacosta decided on a music career in his teens and set his sights upon being a guitarist. When his vocal dexterity and song writing proficiency were uncovered by a publisher while writing for his first original band “Surrender”, events would be put in motion to champion Zappacosta (dropping his first name) as a solo artist and bring him to the world’s attention. “Start Again”, “Passion”, “When I Fall in Love Again” and “Nothing Can Stand In Your Way” became staples on Canadian adult contemporary radio and Zappacosta became a personified Rock Star.

In 1987, Walt Disney’s Danger Bay would bring Zappacosta an episode written specifically for him titled “Rock Star”. In the same year, he penned and sang “Overload” exclusively for the multi-platinum soundtrack “Dirty Dancing” and Loverboy would record Zappacosta’s “That’s Where The Money Goes” for their Wildside album. In 1988, he was awarded JUNOs for “Album of The Year’ and “Most Promising Artist”, an American Music Award for “Most Popular Album of The Year” and named the Canadian Publishers Music Association’s “Best Rock Star”.

Zappacosta’s distinctive baritone voice did not go unnoticed by artistic directors and in 1990, he was called to deliver his greatest challenge of his career – singing Andrew Lloyd Webber. Alfie’s portrayals of Christ in Jesus Christ Superstar and Che Guevara in Evita would bring a new audience and support his efforts to delineate his pop/rock image – a moniker that never reflected his authentic personality. The release of “Innocence Ballet” in 1996 would introduce Alfie Zappacosta (taking back his first name) and give center stage to his true rich vocals, his mastery at romance, his astute take on relationships and his advanced knowledge of music. Alfie is rewarded for his efforts with numerous award nominations in the Smooth Jazz genre and a performance with the Thunder Bay Symphony Orchestra in 2005.

Zappacosta has polished his live concert performances exposing his sophisticated, intimate and intense personality. His performances deliver a blend of acoustic, jazz and pop music prompting the listener to engage soulfully.

And the hits that originally brought Zappacosta to the world’s attention? – Alfie hasn’t turned his back on any of these songs. You will hear them in his program performed the way they were originally written and meant to be heard.

website: https://zappacosta.ca/
youtube: https://www.youtube.com/watch?v=PWL-xpYRATM

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Craig Cardiff

Friday, February 14, 2020 | 8:30pm

Craig Cardiff
$20 Advance / $25 Door *

Craig Cardiff is a Canadian singer-songwriter. Known throughout Canada, Craig is developing a following throughout North America and into Europe. With guitar in hand, Craig can turn any setting into an intimate affair. Infusing his music and lyrics with an uncompromising humanism rarely seen in today’s production-heavy climate.

Songwriter, troubadour, Craig Cardiff builds landscapes of sound using live digital loops, bringing the room to a hush. Edged, folk, beautiful, melancholy and left leaning, one song breaks your heart, and the next one puts it back together.

Craig makes it a point to keep the relationship with his fans personal, inviting and accepting any opportunity to make his audience as much a part of the performance as he is. Don’t be surprised if one day you find yourself enjoying one of Craig’s renowned performances from the comfort of your own living room.

website: http://www.craigcardiff.ca/
youtube: https://www.youtube.com/watch?v=a5yl6tXdJIE&feature=youtu.be

 

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Red Zeppelin

Thursday, February 13, 2019 | 8:30PM

Red Zeppelin
Advance $25 / Door $30

It’s 1969 and it’s the second day of the to-be-ubiquitous Woodstock music festival. So many of the era’s musical legends are there, from The Grateful Dead to The Who to Janis Joplin. However, one band’s unique sound and presence is distinctly absent – Led Zeppelin, fresh off their release of “Led Zeppelin”, has fallen under the axe of their manager and is performing 150 miles away at Asbury Park. And lo, over 100,000 festival visitors never have the chance to shiver along to “Whole Lotta Love”, sway to the bittersweet melody of “Babe I’m Gonna Leave You” or leave it all on the muddy dance floor with “Ramble On”. 50 years later, Toronto’s own Red Zeppelin is bringing the “Woodstock-Set-That-Never-Was” to Hugh’s Room Live on Friday August 16, starting at 8:30PM (2 sets)

For years, Red Zeppelin have swung the hammer of the gods, wowing crowds across Canada with their passionate performances that play homage to the rock classics. Featuring fiery vocals from Joan Smith (Serena Ryder, Little Foot Long Foot, Joan Smith & the Jane Does), Red Zeppelin delivers an electrifying experience.

While the look may be a little different, the swagger and the song remains the same.

website: www.redzeppelintoronto.com
youtube: https://www.youtube.com/watch?v=DuHccMsCPBA

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J.P. Cormier

Sunday, February 9, 2020 | 8:30PM

J.P. Cormier
Advance $25 / Door $30

Nobody really knows who J.P. Cormier is for sure. That’s to be expected, believe me.

In 1974 he was a five year old boy, discovering an innate talent for playing the guitar, I had a little hand in that, guiding him through the beginning stages. He learned faster than I could teach. By the mid eighties, not out of his teens, he was a sideman for bands and artists of many different genres in Alabama, Tennessee, Mississippi, and all across the deep south. As he travelled and worked he added more and more instruments to his arsenal of capabilities. He became indispensable to the bands he worked for.

In the early Nineties, he became a sideman for one of Canada’s favourite sons, Stompin’ Tom Connors and also became a staple of the recordings at Studio H in Halifax. His work with the CBC there, spanned musical, production and arranging duties.

All this before he was 20.

In the mid nineties he reentered the musical scene of his beloved East Coast and the Island called Cape Breton. He exploded onto the trad music scene there as a fiddler, performing some of the most difficult music ever produced by legends like Winston Fitzgerald and Angus Chisholm with a facility that stunned onlookers. Especially those who knew he wasn’t born there, but born in Ontario to Cape Breton parents. Somehow, some way, his music was the real thing, sounding like he had been steeped continually in a handed-down brew of family tradition from the old country.

Nothing could be further from the truth.

His previous gig was in Nashville playing mandolin and banjo in a grammy nominated bluegrass gospel band and performing on the Opry, and playing television shows with the likes of Waylon Jennings. All those people also thought he was one of them, American, reared in the ways of bluegrass, old time and Americana music. They knew he was from Canada, but it just didn’t seem possible.

Then in 1997, something amazing happened.

An album released in Canada, out of nowhere, called Another Morning. This time it was him as a songwriter and a lead singer.

And what a songwriter he turned out to be. Some of the performances on that album are literally part of the musical vocabulary today in the East Coast. Songs like the title cut, and Kelly’s Mountain, The Molly May (co written with his cousin Gervais) and others. It inspired, 25 years ago, some of the biggest names in the business today. People like Dave Gunning, Matt Andersen, David Myles, Joel Plaskett, all of which will tell you: that record changed things.

The Canadian industry thought so too, and it received a juno nomination and won an ECMA.

And that was just the beginning.

36 years later after stepping on stage as professional union musician for the first time at the tender age of 13, JP is still going, and frighteningly, still getting better.

16 albums followed the success of Another Morning, winning 12 more ECMA’s, another Juno nomination, a Canadian Folk Music Award and 5 Music Nova Scotia Awards. Each album was a snapshot of each thing that he can do. There are fiddle albums, Mandolin, Banjo, Guitar, tribute records, songwriting collections, a purely astounding spectrum of talent and musical vision.

His catalogue of recordings and the 150 or so records he’s produced on other artists, resemble the tapestry he weaves in live performance. Where he used to carry 3 and 4 piece bands, he tours alone now.

Just him and the instruments.

People still leave his shows confused, amazed and wondering what they just saw. Did they see a storyteller? A Songwriter? Arguably one of the best guitar players in the business today? Someone who crosses the lines between different instruments like there are no lines? Who was that masked man, anyway?

Accolades aside, and there are many from people like Chet Atkins, Marty Stuart, Waylon Jennings, Gordon Lightfoot; JP sees himself as just a performer. He’s shy, but has a razor sharp wit and lightning sense of humour. He can be reserved or edgy to the point OF no return. He speaks for soldiers, first responders, other artists, the forgotten and lost. He speaks sometimes only for himself and refuses rebuttal.

Of all the things he is, foremost he is an entertainer. I think one of the best.  After you’ve seen what he does, I’m certain you will too.

website: https://www.jp-cormier.com/
youtube: https://www.youtube.com/watch?v=3iL48otg0ME

*Advertised pricing excludes taxes and ticketing fees

Lynn Harrison

Sunday, January 26, 2020 | 7:30PM

Lynn Harrison
Advance $20.00 / Door $25.00 *

Lynn Harrison makes a triumphant return to Hugh’s Room for the release of Something More, her sixth solo album.

Lynn’s latest recording is powerful, poetic, and irresistibly listenable. As singer-songwriter Allan Fraser says, Lynn writes and performs songs of “empathy and intelligence… that engage on multiple levels simultaneously.”

Something More was produced by acclaimed guitarist, and singer-songwriter in his own right, Noah Zacharin, who joins Lynn for a concert that promises to be warm, intimate, and moving. They’re joined by bass player and multi-instrumentalist extraordinaire David Woodhead, who has frequently, and brilliantly, collaborated with Lynn for several years.

Concertgoers can expect to hear all of the new songs from Something More, along with many additional and beloved favourites from Lynn’s extensive catalogue.

One listener aptly describes Lynn’s music as “a brightly ringing sound-bite in an uncertain world.” With the release of Something More, she interrupts, even disrupts, the currently chaotic world, to bring us even more of her unique and timeless inspiration, hope, courage, and joy.

 

website: http://www.lynoleum.com/home/
youtube: https://www.youtube.com/watch?v=4ZP6_26lK44

 

* Advertised pricing excludes taxes and ticketing fees

Steel City Rovers

Friday, January 24, 2020 | 8:30PM

Steel City Rovers
Advance $25 / Door $30

The Steel City Rovers perform dynamic and expressive music that is a unique composite of traditional Celtic music and North American styles including bluegrass, folk and roots. Their original works touch on issues of love, loss, celebration and heritage and they also breathe life into newly-discovered instrumental melodies from as far back as centuries ago. Their sophisticated arrangements are inviting for the most casual listener but are rewarding for those who are well versed in the nuances of musical complexity. The Rovers stand out for their powerful, emotive vocals and engaging entertainment. They perform on meticulously crafted replicas of historical instruments that rarely appear on today’s musical landscape. This highly active touring band headlines large festival stages, gives intimate concert performances, educates in a variety of workshop and master-class settings and performs internationally with symphonies. They create, collaborate and work hard to further the love and awareness of music.

website: https://www.steelcityrovers.com/
youtube: https://www.youtube.com/watch?v=FPJ0lV_q2zc&feature=youtu.be


* Advertised pricing excludes taxes and ticketing fees

Matt Weidinger Presents a Tribute to Van Morrison

Friday, January 17, 2019 | 8:30pm

Matt Weidinger Presents a Tribute to Van Morrison
$35 Advance / $40 Door *

… Matt Weidinger and his stellar group of musicians have put together a live music gem.” – Bob Hunt, The Blues Studio Sessions

Young Matt Weidinger is an old soul. Steeped in real-deal rhythm & blues, blues, and soul music from his earliest years, he is renowned for his blue eyed soul vocals, guitar playing, and prowess on the Hammond organ. Matt’s 2018 Registry Theatre amazing concert of the music of Van Morrison was a season highlight, with its rich, authentic take on a genuine music icon. The concert such a hit that Matt will be back next season for Van The Man Volume 2. – Lawrence McNaught,  Registry Theatre

“Matt’s interpretation of Van’s music is a deeply moving personal memoir of Celtic soul. Simply marvellous..Actually fantabulous!” – Bruce Hall,  Grand Rivers Blues Society

Born decades after Van Morrison was creating some of his most enduring music, singer-songwriter, Matt Weidinger, has a musical connection to the ’60s and ’70s, what he calls the golden age of record-making.

Anyone who’s seen him perform would agree with the “old soul” label, so it’s particularly fitting that he’s taking on the songs of an old soul master with his latest tribute to the music of Van Morrison.

It’ll be something of a retrospective of Van the Man’s extensive song catalogue, with a particular focus on the early stuff that was Weidinger’s introduction to Morrison’s brand of Celtic soul.

“I started listening to Van Morrison in high school, with Astral Weeks … and then Moondance,” he says, soon uncovering a treasure trove of musical offerings. “He’s got a huge catalogue. With Van Morrison, there’s just so much to see, so much to discover.”

Morrison has been prolific, with dozens of albums to his credit since 1967’s Blowin’ Your Mind! Fifty years on, in fact, he’s currently touring 2017’s Versatile, a collection of jazz standards and originals.

For Saturday night’s show, Weidinger’s put together a seven-piece band, including two horns to reflect the sound for which Morrison is known.

Weidinger’s own influences stem from the ’60s, as can be heard in both his vocals and his choice of music. Like Morrison, he began performing as a teen. For a relatively young performer, he’s already got more than a decade of experience under his belt that has earned him a solid following. In addition to singing and writing songs, he’s a multi-instrumentalist, equally at home on the piano, organ, guitar, bass and mandolin.

In preparation for the show, he’s had to dig deeper into Morrison’s music, developing an even greater appreciation for it … and banking some songs for future performances.

“Any time I can learn songs that I can put in my repertoire, add to the list, it’s great,” says Weidinger, adding such exercises help his own songwriting, providing a way to see words and music from a different perspective.

website: http://mattweidinger.com/
youtube: https://www.youtube.com/watch?v=HB0vCB6QHEg


* Advertised pricing excludes taxes and fees.

Sammy Miller and The Congregation

Monday, January 13, 2020 | 8:30PM

Sammy Miller and The Congregation
Advance $20.00 / Door $25.00 *

Sammy Miller and The Congregation are on a mission, crisscrossing the country like a vaudevillian revival show with evangelic fervor for music. The seven-piece band is pulling people out of their solitary lives and putting them in the moment with a bracing dose of joyful jazz performed with infectious theatricality. The New York City-based, familial collective has captured its frenetic energy and unflinchingly optimistic songwriting on its debut album, Leaving Egypt.

“We want to get people back in a room together,” Sammy Miller says. “I love the idea of being unhinged, sincere, vulnerable, and breaking down walls through humor. Music is an uplifting gift, and I want to be generous in sharing it with people.”

Sammy Miller and The Congregation has been described as a mashup of the sensibilities of Ben Folds and the Preservation Hall Jazz Band. The band freely mixes vocal and instrumental tracks live and on record, asking the audience to go along for the ride with the lead melody being carried by vocalists half the time, and instruments the other half.

The seven-piece group is a community of adventurous and charismatic superstar musicians who are conservatory-trained but who have not lost their childlike wonder and awe for playing music. The band lineup is Sammy Miller, drums and vocals; Sam Crittenden, trombone; Ben Flocks, tenor sax; Sammy’s sister Molly Miller on guitar; Alphonso Horne, trumpet; Corbin Jones, bass and tuba; and David Linard, piano. Independently, the band members have performed and recorded with notable artists including Wynton Marsalis, Lady Gaga, Jason Mraz, and Beyoncé.

Sammy convened the band in 2014, and 2015, he earned a Grammy Award nomination for his work as a drummer with Joey Alexander. Since the band’s inception, the Congregation has played nonstop around the world. Select highlights include performances at Umbria Jazz Festival, Monterey Jazz Festival, Jazz At Lincoln Center, The White House, The Kennedy Center, Prokofiev Concert Hall in Russia, and at the Newport Jazz Festival where the group received a standing ovation. The seven-piece band has also garnered prime critical acclaim from such venerated outlets as Los Angeles Times, Wall Street JournalSF WeeklyVanity Fair and Jazz Journal, among other publications.

In addition to these accolades and accomplishments, the award-winning theatre incubator Ars Nova selected The Congregation for the “Makers Lab” to develop their genre-bending show, Great Awakening. Sammy Miller and the Congregation have also done an exuberant TEDx video illustrating their philosophy on jazz and showcasing their irresistible theatricality and musicality.

Sammy started playing drums at age five in a group with his five siblings. “After school we would teach ourselves rock songs, disco songs, and country songs — ”everything was fair game” he recalls. When he got a little older, he discovered an all-consuming love of comedy and jazz. As a kid, he’d go to the library and check out 30 CDs a time, alphabetically exploring the jazz section from Ahmad Jamal to Zoot Sims. He also became obsessed with comedians such as Chris Rock, Lenny Bruce, and Bobby Slayton. “I’ve always loved the risktakers in entertainment — the people who would rather get it real than right,” Sammy shares.

Starting his career at an improbably young age, Sammy was cast on Mad TV at 11 years of age. At 18, Sammy moved from LA to New York City; at 21 he started studying for his master’s in jazz at Juilliard. “When I was at Juilliard, I realized jazz couldn’t just live in a conservatory vacuum. It needed to provide its initial function of being an expansive creative outlet where the rules are there for you to break and improvisation went beyond notes and into an experience,” Sammy says.

He soon found a cadre of jazz students who felt similarly — outliers who were fiercely individual on their instruments, but also craved a manner of expression beyond the solo. “We all went to Juilliard and have these credentials, but we didn’t like the insular feeling of the jazz scene. We were seeking warmth and connection,” Sammy says. These misfit creatives descended on venues around NYC where the genre was not played. “I wanted to find a new audience,” Sammy says. “We played in dive bars where people were scared of jazz.”

Their live show grew to be something of a mix between a comedy troupe and a dazzling rock band that played a vigorously reimagined strain of jazz. “We let ourselves be free on the bandstand and we took the audience with us,” Sammy says. The band’s boundless energy, inclusive ideals, catchy songwriting, and revue style presentation made them a word-of-mouth buzz band. The septet expanded its reach through adopting the rock band philosophy of touring endlessly in a van to build a fanbase.

The Congregation’s 9-song debut album, Leaving Egypt, opens with the lone drum figure of “Searching For Ragtime.” Here, the music is stripped down to its essentials, its heartbeat. The journey from there spans rollicking gospel-tinged jazz, rowdy and funky New Orleans second-line music, smoky back alley blues-jazz, and stately balladry. The album concludes bookended with a tender solo piano track “When I’m Gone”.

Select album standouts include the singles “Shine,” “Date A Jew,” “Bluebird,” and “It Gets Better.” The track “Shine” boasts Sammy’s ingratiating vocals, undeniably uplifting lyrics, playful piano hooks, and an imaginative arrangement with dynamic horn and backup vocal-driven crescendos. Sammy sweetly tucks in some purposeful messaging in “Date A Jew.” This is a simmering narrative track that showcases the Congregation’s groove pocket and its subtle musical interplay. The balmy “Bluebird” exudes a Paul Simon-imbued folk elegance. “It Gets Better” bursts forth with a loping groove, and cleverly unfolds with moody passages that veer into the sunny side of the street.

Leaving Egypt was cut in four 16-hour days at the legendary United Studios where the many famed Count Basie sides were tracked. The band enlisted drummer extraordinaire Jay Bellerose (Alison Krauss, Ray LaMontagne, Robert Plant, B.B. King) to supervise and produce the proceedings.

The debut represents a milestone for Sammy Miller and the Congregation’s creative continuum. It captures the group’s vulnerability, communal nature, charming and warm wit, and playfully virtuosic musicality. “This is us,” Sammy says of the album. “I’m proud of it, and I’m eager to embark on our mission to bring joy to people’s lives through music.”

website: http://www.sammymillercongregation.com/

youtube: https://www.youtube.com/watch?v=hOtXFbstD3A

* Advertised pricing excludes taxes and ticketing fees

Connie Kaldor and Garnet Rogers

Wednesday, January 8, 2019 | 8:30pm

Connie Kaldor and Garnet Rogers
$35 Advance / $40 Door *

Garnet Rogers
Born in Hamilton, Ontario to parents of Nova Scotian descent, Garnet Rogers spent many hours in front of the old floor model radio listening to Grand Ol’ Opry broadcasts and harmonizing with his brother, the late folk legend Stan Rogers. Two years later, Garnet was playing the definitive 8-year-old’s version of “Desolation Row” on his ukulele. He soon abandoned that instrument to teach himself the flute, violin and guitar.

At 18, Garnet was on the road as a full-time working musician with brother Stan. Together they formed what has come to be accepted as one of the most influential duos in the history of North American folk music. Garnet acted as producer and arranger for his older brother from 1973 to 1983, when Stan died tragically in a plane crash.

Since then, Garnet has courageously established himself as a formidable solo artist. Hailed by the Boston Globe as a “…charismatic performer and singer — one of the major talents of our time,” they continue by saying that “Garnet’s vocal and instrumental talents are complimented by an undeniably powerful physical presence — close to six and a half feet tall — with the lungs to match.” With his “smooth, dark baritone” (Washington Post) his in- credible range and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs give expression to the unspoken language of the heart. An opti- mist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small every- day victories. As memorable as his songs, his over-the-top humor and lightning-quick wit move his audiences from tears to laughter and back again.

Rogers has been the featured performer on numerous television and radio programs including Much Music, Mountain Stage, and All Things Considered. He has been a headliner at concert venues and festivals such as Wolf Trap, Lincoln Center, and Art Park; sharing the stage with performers such as Mary Chapin Carpenter, Billy Bragg, Bill Monroe, Ferron, Greg Brown, and Guy Clark. Though Garnet has enjoyed much popularity over the years, he remains resolutely independent, turning down offers from major labels to ensure that he contin- ues doing music his own way.

website: https://garnetrogers.com/
youtbe: https://www.youtube.com/watch?v=MADHdKE032I

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“Just when you think you’ve got it all figured out, something roars in and it turns you about.”

Connie Kaldor writes this and more about the unexpected twists and turns of life and love. She could well be writing about her personal artistic complexities. Music pundits have tried to define the essence of the prairie-born acoustic performer for over two decades, but even the most eloquent have fallen short of perfection. Fact is, Connie Kaldor is a performer without borders. A contradiction in terms. She is a Juno Award-winning singer who has flourished on the folk music scene for over two decades, yet her repertoire of original material blurs musical boundaries, embracing elements of gospel, rock, country and western, folk, blue grass and adult contemporary.

She is an artist of substance without pretension, witty and urbane without condescension. She is a fearless chronicler of the human experience without the folksong angst. She has recorded nine albums, sold tens of thou- sands of copies, but has never had a commercial hit. Her live performances are legendary and her fan base broad and fiercely loyal. People come back to see her again and again because a Connie Kaldor performance is about more than just the power of music. It is also about the power of personality. What she says between songs is as intriguing as the lyrics she sings.

She has traveled prairie backroads to visit modest community centers and sold out concert halls in major cities. From Beijing to New Delhi to Saskatoon to Washington, Connie has triumphed with a mix of song and spoken word honed in pacing and tone by the many years she spent performing. Like many prairie girls in the 50s and 60s, Connie grew up singing in the church choir and listening to Patsy Cline and The Beatles on her record player. But it wasn’t until the 1980s, after four years spent performing with an avant-garde theatre company in Toronto, that Connie turned to music full time and was welcomed with open arms by the folk scene.

website: https://www.conniekaldor.com/
youtube: https://www.youtube.com/watch?v=M009mhFg6wA


* Advertised pricing excludes taxes and fees.

The World at Hugh’s featuring Partow and Sitar Fusion

Saturday, December 21, 2019 | 8:30PM

The World at Hugh’s featuring Partow and Sitar Fusion
Advance $30 / Door $35

The World at Hugh’s is a new series coming to Hugh’s Room Live that will feature some of the best music from all across this beautiful globe. We are also very excited to announce that the host of CBC’s Big City Small World, Errol Nazareth, will speaking to a few of the musicians onstage ahead of the performance. This intimate Q+A will be a perfect introduction into our World at Hugh’s. Errol will be taking the stage at 8PM along with his guests.

Partow
Partow means Sunbeam in Persian. Partow is an international ensemble lead by Iranian tar player and composer Padideh Ahrarnejad. Its roots are in Persian classical music but its sound encompasses diverse influences and draws its strength from the group’s members who come from Turkey, Greece, Peru and Brazil. Partow has recorded its first album, set to be released in early 2019.

website: https://bit.ly/36tIsmL

Sitar Fusion
Indian music and Jazz influences are blended in this confluence of musicians under the direction of Anwar Khurshi.

Anwar Khurshid was born in Pakistan, where he studied the sitar with Ustad Nasiruddin and Indian classical vocals under Qazi Zahoorul Haq. After his arrival in Canada, his interest in blues, jazz, and world music resulted in the Juno Award  nominated album Enter the Gate, as well as the acclaimed albums Subcontinental Drift and Music Stew. In 2016, he composed music for the film What it Takes to be Extraordinary, and has played sitar on film scores for Life of Pi, Love Guru, and Kama Sutra.

website: https://bit.ly/2P7fp28

* Advertised pricing excludes taxes and fees.