Archive for Toronto Music Calendar – Page 2

POSTPONED Sue Foley with Benji & Rita

 

DUE TO COVID19 Please stay tuned for this new date.

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Friday, May 22, 2020

Sue Foley with Benji & Rita
Advance $30 / Door $35 *

Doors: 6:00pm
Performance: 8:00pm

Sue Foley

Enjoy Sue Foley is a multi-award-winning musician and of the one of the finest blues and roots artists working today. She is a veritable triple-threat of musical talent as a guitarist, songwriter and vocalist. As with many blues women of the past, Foley has a long history of defying convention, and being a positive role model for aspiring, young female musicians.

The Canadian has been working professionally since the age of 16, and by the age of 21, Foley had relocated to Austin, TX and began recording for Antone’s—the esteemed blues label and historic nightclub that helped launch the career of Stevie Ray Vaughan and many others. In the two decades that have followed, Sue Foley has been busy touring and recording steadily, all while toting her signature pink paisley Fender Telecaster. In 2001, she won the prestigious Juno Award (Canadian equivalent of the Grammy) and also holds the record for the most Maple Blues Awards and has earned three Trophees de Blues de France. She has also garnered several nominations at the Blues Music Awards in Memphis, TN.

With 11 recordings under her own name, an instructional DVD and book, as well as various compilations and projects, Foley is set to release her new album, The Ice Queen (March 2, 2018) on Stony Plain Records. “I’m extremely excited to be working with Holger Petersen and Stony Plain Records. Holger is one of the most knowledgeable “real music” people in the business”, says Foley. “Stony Plain is known to put out great music and I know The Ice Queen has found her home.”

Recorded throughout 2017, The Ice Queen represents Foley’s full circle journey – her return to the roots of her career in Austin with producer Mike Flanigin. The album was recorded with her long-time friends and collaborators Jimmie Vaughan and Billy F Gibbons (ZZ Top) as well Chris ‘Whipper’ Layton from Double Trouble, Charlie Sexton, and members of the Tedeschi Trucks and Gary Clark Jr bands.

“When I was a teenager I idolized Jimmie Vaughan and Billy F Gibbons,” Foley says. “They’re both legends now so this feels like an historical event (at least it does for me). And I grew up sitting at the feet of players like George ‘Big Beat’ Rains, Derek O’Brien and The Texas Horns. I spent many nights watching Charlie Sexton and the Arc Angels with Chris Layton. I learned and grew more musically in my years in Austin than at any point in my life. The fact that all these mega talented musicians have graced my album is beyond anything I hoped for. I am still pinching myself.”

A flood of inspiration and themes can be found on each of the tracks – ranging from lost love, anguish, and struggle to release, forgiveness and rebirth. Mostly recorded live-off-the-floor, Foley’s emotional vocal delivery, conviction, accessible yet inspired lyrics and intrepid guitar playing are all laid out, bare and raw for the songs to reveal.

Opening with the radio friendly and funky “Come to Me”, The Ice Queen also features upbeat and rollicking tracks “Run”, “The Lucky ones” (a duet with Jimmie Vaughan) and “Gaslight”. There are several bluesy and soulful tracks including “81”, “The Ice Queen”, “Fool’s Gold” (featuring Billy F Gibbons on vocals and harmonica)”, “If I Have Forsaken You”, and a cheeky, guitar-heavy cover of Bessie Smith’s “Send Me To The ‘Lectric Chair”. Foley also provides some more mellow and unexpected songs on The Ice Queen with the jazzy “Death of a Dream”, the flamenco-blues hybrid “The Dance” and a beautiful cover of the Carter Family’s “Cannonball Blues”.

The Ice Queen represents Sue Foley’s indefatigable commitment to her craft, and her transparency with the journey that birthed her, further proving that you can’t keep a good blueswoman down, particularly when she is The Ice Queen.

Website: https://suefoley.com/
Youtube: https://www.youtube.com/watch?v=6t0pfAsGOkU

Benji & Rita

Benji Kaplan and Rita Figueiredo are two well-respected Brazilian jazz musicians, though their approach is quite different. Kaplan, a New York native, is an intimate songwriter who gently strums the guitar, sings poetic lyrics, and harmonizes gorgeously. Rita Figueiredo, who hails from São Paulo, Brazil, has similar traditional Brazilian music-meets-jazz influences, but with a much more theatrical approach. Her talent as a composer with her fierce singing style gives her music unbridled passion. Rita’s intensity of spirit might seem to be an odd mix with Benji’s understated complexity but it’s quite a logical fit. You really can’t do better than these two when it comes to current players of this genre. – Aaron Carnes (East Bay Express)

Cinematic and refined, Benji & Rita channels the scents and sounds, the flora and fauna of the couple’s homelands, drawing on everything from samba and baião, to waltzes and pop catchiness, much as Brazilian popular composers have over the last five decades.

They have toured throughout Europe, North America and South America, enchanting audiences with their unique approach and take on Brazilian, jazz and classical traditions. They have performed alongside such acts as: Earth Wind and Fire, Alceu Valença, Bernard Purdie, Junior Mance, Seu Jorge.

“A collection of lush, iconoclastic arrangements and distinct vocals that make for a unique marriage. The team combines samba, waltz and pop arrangements by Kaplan (on guitar) with additional lyrics by Figueiredo, that are said to draw on the lyricist and singer’s roots in a country known for its Amazonian jungles and hard scrabble urbanscapes and are sung in Portuguese, so who knows: The music’s charm is in its dramatic delivery and its evocation of Tropicalia.” – Denise Sullivan (Downbeat Magazine)

“Fans of classic Brazilian styles will take an instant liking to this. It’s quite an impressive and wide-ranging debut, sporting roots in Brazil and branches in many other places. I hope this twosome stays and plays together for a long time.” -Tom Orr (World Music Central)

“A freewheeling, gorgeously orchestrated whirlwind through the many facets of Brazilian music (samba, baiao, waltzes, pop)…whimsical, deeply romantic sonic images of New York and Brazil by the dynamic husband and wife team of Benji Kaplan (composer, arranger, producer, guitar, vocals) and Brazilian born singer-songwriter Rita Figueiredo.” – Jonathan Widran (L.A. Times, Jazziz, Billboard & All Music Guide)

“…one of the most lively and magical sessions I’ve heard in 2019…Tunes like “Memorial Day” will hold you spellbound…Rita takes flight over the top with her sweet vocal stories… priceless.” – Dick Metcalf (Contemporary Fusion Reviews)

Website: http://www.benjiandrita.com
Youtube: https://www.youtube.com/watch?v=pVoRSest_W4

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Lachy Doley * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Tuesday, April 28, 2020

Lachy Doley
Advance $25 / Door $30 *

Doors: 6:00pm
Performance: 8:00pm

“Makes you feel good the way he plays that clavinet” – Bootsy Collins

“The greatest living keyboard player in the world today” – Glen Hughes (Deep Purple)

Dubbed the Jimi Hendrix of the Hammond Organ, Lachy Doley is Australia’s most celebrated Blues Soul Rock Organ Player in the world today. A player who can pump, pamper and occasionally pound the most unbelievable sounds from a keyboard: sounds that are intense, ferocious and sometimes transcendent.

Recently going viral on Facebook with videos clocking up millions of views. His version of the Bill Wither’s classic Use Me is now sitting at four million views alone.

Lachy Doley has seen much of the world, recording and touring with acts as diverse as Powderfinger, Glenn Hughes, Steve Vai, Jimmy Barnes, The Beautiful Girls – more recently recording on a new album of Joe Bonamassa’s which came out in early 2015. It was 2010 though, that saw the birth of The Lachy Dooley Group and they have been heavily recording and touring ever since.

The group’s latest album Make or Break is on track to surpass their previous album by debuting at #40 on the Australian National Chart, the ARIAS. Their previous album Conviction reached #5 on the UK Blues Broadcasters Charts, #1 on the Australian iTunes Blues Charts and #1 on the Australian Blues & Roots Airplay Charts.

Website: https://www.lachydoley.com/
Youtube: https://www.youtube.com/watch?v=eAKoTYFZH6Y

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

Chris Platt “Sounds of Brazil” CD Release * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Monday, April 20, 2020

Chris Platt “Sounds of Brazil” CD Release
Advance $15 / Door $20 *

Doors: 6:00pm
Performance: 8:30pm

Angela Turone & Chris Platt have been creating music and performing together since 2014. Angela (vocals/piano) and Chris (guitar) met while completing their studies in the jazz performance program at the University of Toronto. There, they discovered a common love for Brazilian music and formed the Angela Turone & Chris Platt Duo.

For the past four years, the Duo has been refining their sound and building their fanbase by performing throughout the GTA and Ontario. They have performed at Toronto’s top jazz venues, including the Rex, the Jazz Bistro, Mezzetta and the Home Smith Bar in the Old Mill Toronto. In 2017 and 2018, the Duo performed in the TD Toronto Jazz Festival, and in 2017, they were also featured in a special concert hosted by the festival called Generations of Jazz. The concert featured six other notable Toronto-based ensembles, including the Terry Promane / Dave Young Octet, Carn Davidson 9 and Myriad 3.

Angela Turone & Chris Platt recorded their debut album ’Sounds of Brazil’ (produced by Gordon Sheard) in 2019 featuring Chase Sanborn (trumpet), John Nicholson (sax/flute), Andrew Downing (cello), Pat Collins (bass), Robin Claxton (drums), and Hélio Cunha (percussion). The album release concert will be at Hugh’s Room Live on April 20th, 2020.

Website: http://angelaturone.com/duoepk/
Youtube: https://www.youtube.com/watch?v=Jg9tYOClNz0

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $15.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.12

* Total Ticket Price: $27.12

Centennial College Music Night * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Tuesday, April 14, 2020

Centennial College Music Night
Tickets: $10.00

Doors: 6:00pm
Performance: 6:30pm

Enjoy an evening of an eclectic variety of music performed by student ensembles from Centennial College’s Music Industry Arts and Performance program. You’ll hear rock, soul, hip-hop, world fusion, and everything in between. You won’t want to miss it, folks.

Website: www.centennialmusic.ca
Facebook: https://www.facebook.com/CentMusic

* Tickets are only available at the door.

Dr. Mike Daley Presents: The Hugh’s Room Story * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Sunday, March 29, 2020

Dr. Mike Daley Presents: The Hugh’s Room Story
Advance $30 / Door $35*

Doors: 12:30pm
Performance: 2:00pm

At the end of March, Hugh’s Room Live leaves its home since 2001 for a new space. To commemorate the end of nineteen years of live music at 2261 Dundas Street West, Dr. Mike Daley, joined by Jill Daley (piano/violin), Laurel Tubman (vocals and percussion) and Greg Wyard (bass, guitar and vocals) present the Hugh’s Room Story, a special tribute to a legendary Toronto venue. Dr. Mike Daley tells the story of this beloved listening room interwoven with songs by some of its most memorable performers, including Pete Seeger, Eric Andersen, Connie Kaldor, Fred Eaglesmith, Jesse Winchester, Odetta, Judy Collins, Valdy, Ron Hynes and much more.

Mike Daley is a musicologist and sought-after lecturer on popular music history and his wife Jill is a full-time pianist at Canada’s National Ballet School and Musician-In-Residence at Church of the Redeemer. Mike and Jill will be joined by Laurel Tubman on vocals and Alec Fraser on guitar and vocals.

These performances typically sell out quickly, so advance tickets are strongly recommended.

website: https://mikedaleymusic.com
website: https://jilldaley.ca
youtube: https://www.youtube.com/watch?v=_HCsW0xh1Mk

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Yamaha Presents: Ari Hoenig

Friday, March 13, 2020

Yamaha Presents: Ari Hoenig
Advance $25 / Door $30 *

Doors: 6:00pm
Performance: 8:30pm

“He’s got Rhythm of every variety” ” trickles of rhythm seeping into all the cracks and at regular intervals he changes the rhythm, pouring it out or stoppering it, turning its emphasis around, subdividing or refocusing it and making it follow the melody.” – Ben Ratliff, The New York Times

“Ari Hoenig is one of the most maniacally obsessive, spasmodic and musical drummers in jazz.” – Jazz Times

“Expansive technique, propulsive time and deep musicality” “his style is characterized by a crisp attack and quick attentive reflexes.” – Nate Chinen, The New York Times

“Ari Hoenig is a Magician!” – Batteur Magazine

“Ari Hoenig, a disconcerting phenomenon of the drums.” – Jazzman Magazine

“Postbop daredevil Ari Hoenig turns jazz drumming into a thrilling high-wire act.” – Time Out New York

Ari Hoenig has a slightly compulsive relationship with his drum set. He doesn’t find the groove and cruise, or at least not for long: he looks for ways to irrigate his band’s music, to get trickles of rhythm seeping into all the cracks. And at regular intervals he changes the rhythm, pouring it out or stoppering it, turning its emphasis around, subdividing or refocusing it and making it follow the melody.

Ari’s latest release, Conner’s Days, came out on the Fresh Sound label in May 2019 and it features his current trio of Nitai Hershkovits and Or Bareket. You can hear the man in this acclaimed trio at Hugh’s Room Live for the first time during Drum Week 2020. It will not be new to miss, folks, and if you don’t believe us, simply read through a few of his glowing accolades above. Tickets available right now.

Website: http://arihoenig.com/
Youtube: https://www.youtube.com/watch?v=Rr-d3tO-sXM

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

Yamaha Presents: Lewis.Brown and Mark McLean’s Playground

Wednesday, March 11, 2020

Yamaha Presents: Lewis.Brown and Mark McLean’s Playground
Featuring Larnell Lewis, Rich Brown, Mark McLean, Kelly Jefferson, Kevin Breit, Matt Giffin and Marc Rogers
Advance $20 / Door $25 *

Doors: 6:00pm
Performance: 8:00pm

Lewis.Brown brings together two of Toronto’s most sought-after musicians, Larnell Lewis (drums) and Rich Brown (bass)

Larnell Lewis describes his sound as an eclectic mix of fusion music inspired by Afro and Latin Caribbean sounds, RnB, soul and funk. He is a Toronto-born Grammy Award winning musician, composer, producer, educator and clinician. A 2019 JUNO Award nominee, Lewis has been featured on the cover of Drums Etc, and has performed with various artists ranging from Fred Hammond, Lalah Hathaway, and Lisa Fischer, to Kellylee Evans, Molly Johnson, and Snarky Puppy. Among his many accolades, including the 2004 Oscar Peterson Award for Outstanding Achievement in Music (Humber College), Larnell was named as the fourth recipient of the Toronto Arts Foundation’s Emerging Jazz Award (2017).

Website: http://www.larnelllewismusic.com/
Youtube: https://www.youtube.com/watch?v=Jd1X5JWaGgQ
Rich Brown has been an active member of Toronto’s culturally diverse music scene since 1992. He has released 3 albums as a leader, and currently tours with New York based saxophonist Rudresh Mahanthappa. Rich has also lead his own bands rinsethealgorithm and The Abeng and has appeared on over 60 recordings ranging from Jazz to Funk to Latin to traditional Asian and Arabic music.

Website: https://www.facebook.com/Rich-Brown-electric-bassist-298278910378211/
Youtube: https://www.youtube.com/watch?v=-U9CCBgv_Sk

Mark McLean’s Playground

Mark McLean is a very dynamic and versatile studio and touring musician.  If you ask him about his biggest musical influences, the answer is likely to take more time than you have. Even if you ask for just the ‘main ones’ the list will go on and on.  And it is a diverse list; from Johann Sebastian Bach to James Brown (and those are only the ‘B’s). And for that reason he has been the grooving spark behind many jazz, pop and soul legends whose music and influence span multiple generations.  The late legendary producer Phil Ramone, who began hiring him for numerous sessions starting in 2003, called McLean “a tasty, sure handed drummer, a song man’s musician”- but that’s only part of the in-demand musician’s powerful story and evolving artistry.  Whether playing a sensitive ballad with Andrea Bocelli, swinging mightily with Jamie Cullum or laying down a funky backbeat for George Michael, Mark McLean is always in his element.

Over the past few years, while maintaining a steady flow of prestigious gigs as a sideman and music director, the Toronto born, New York City based drummer/composer/producer has emerged as a popular band leader, performing numerous gigs with his own group and releasing two acclaimed solo recordings that showcase his expansive musical passions.    In an industry that often prefers pigeonholing to expansive creative expression, the multi-talented artist — whose credo is “I don’t want to be seen as a drummer, I want to be known as a musician whose instrument just happens to be drums” — breaks all the rules on his eclectic 11 track sophomore album Feel Alright, sharing his love for everything from old school soul, down and dirty blues/funk and traditional jazz to Southern folk-pop with a zydeco twist, Rat Pack-like swing, edgy pop/rock and New Orleans brass band music.  Mark believes that freedom from the burden of musical categorization enables him to fully explore his own voice.

Mark McLean – Drums
Kelly Jefferson – Saxophone
Kevin Breit – Guitar
Matt Giffin – Piano & keyboards
Marc Rogers – Bass

Website: https://www.markmclean.com/
Youtube: https://www.youtube.com/watch?v=51MSiAlKiEo&feature=emb_logo

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

Yamaha Presents: Sarah Thawer Band

Sunday March 8, 2020

Yamaha Presents: Sarah Thawer Band
Advance $20 / Door $25 *

Doors: 12:30pm
Performance: 2:00pm

Toronto’s Sarah Thawer has become one of the most in-demand drummers on the scene,  playing jazz, Latin, gospel, hip hop, funk, r&b/soul, fusion, Indian and world music.  She has backed up Jon Batiste for NPR’s Tiny Desk Concerts, backed up Teegan and Sara on the Stephen Colbert Show, and been featured in numerous drumming magazines and at conferences around the globe.

She studied jazz and world music at York University and was the recipient of the Oscar Peterson Scholarship, the highest award given by the institution, in addition to graduating with the Summa Cum Laude distinction.

She has shared the stage with many popular artists including AR Rahman, Del Hartley, D’bi and the 333, Rich Brown, Re.verse, Salim-Sulaiman, Benny Dayal and Funktuation, Jane Bunnett and Maqueque, Mitch Frohman, Thompson Egbo-Egbo, Maria Mulata, Grisha Goryachev, Roger and Sam Grandinson, S S Thaman, Steve Koven, Vijay Prakash to name a few.

Sarah has also been featured on various television and radio stations such as CBC News newscast, Jazz FM 91.1, OMNI TV, Rogers Daytime, Vijay TV and various others.

Website: https://www.sarahthawer.com/
Youtube: https://www.youtube.com/watch?v=r-mPjbhEsAk

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

Centennial College Music Night

Wednesday, March 4, 2020

Centennial College Music Night
Tickets: $10.00

Doors: 6:00pm
Performance: 6:30pm

Enjoy an evening of an eclectic variety of music performed by student ensembles from Centennial College’s Music Industry Arts and Performance program. You’ll hear rock, soul, hip-hop, world fusion, and everything in between. You won’t want to miss it, folks.

Website: www.centennialmusic.ca
Facebook: https://www.facebook.com/CentMusic

* Tickets are only available at the door.

Patricia O’Callaghan  

Wednesday, December 4th, 2019 | 8:00pm

Patricia O’Callaghan  
$35 Advance / $40 Door *

Patricia O’Callaghan is something of a wandering minstrel. Her fifteen-year career has taken her across genres, continents, and a range of disciplines and passions.

Her recording career spans six solo CDs and many interesting guest collaborations. A speaker of French, Spanish, and German, her early recordings focused on European cabaret, and she is considered a specialist in the music of Kurt Weill. Patricia has performed his Threepenny Opera, Seven Deadly Sins, and Kleine Mahagonny with Soulpepper Theatre Company, Edmonton Opera, and Vancouver Opera, to name a few.

This Toronto soprano can sing a 100-year-old German tune so lustily that you almost don’t need a translation to know that someone’s about to get his throat cut or get laid or both. The National Post

One of Patricia’s most unique talents is the ability to blend a variety of languages and musical genres seamlessly together in her concerts, and completely embody whatever style she is singing at any given moment.

O’Callaghan sings her diverse material as if it was always meant to go side-by-side and by the end of the evening, it’s easy to believe her. Chart Attack Magazine

She has sung with some of the world’s great ensembles and artists (Orpheus Chamber Orchestra, Don Byron Quartet, Bryn Terfel), and has performed in venues that range from London’s Royal Opera House to New York’s Noho cabaret Le Poisson Rouge.

Patricia also writes and co-writes songs and has had the honor of premiering many new compositions, from both the classical and pop worlds. It has been her great privilege to work with such creators as R. Murray Schafer, David Braid, Dennis Lee, Christos Hatzis, George Aperghis, Steve Reich, and Steven Page, to name a few.

Patricia’s film, theatre and television credits include her own Bravo! special, The CBC produced Ken Finkleman series Foolish Heart, and the semi autobiographical Rhombus / Westwind film Youkali Hotel, which has won several prizes, including a Golden Sheaf Award to Patricia for best female performance. Ms. O’Callaghan has also received other awards, such as a Chalmer’s Grant from the Ontario Arts Council and a Fleck Fellowship from The Banff Centre for the Arts.

She recently completed a six year stint as a Resident Artist at Toronto’s Soulpepper Theatre Company. Her responsibilities there included conducting, teaching, mentoring young artists, producing, curating and performing in festivals, and developing new work.

Recent projects are Broken Hearts and Madmen; a collaboration with The Gryphon Trio, which blends classical music with traditional songs from Latin America and pop songs from around the world…

“Broken Hearts and Madmen is an exquisite piece of work. The result is absolutely breathtaking in its attention to detail, with every note carved from their love of the songs…” – Vivascene and Matador: The Songs of Leonard Cohen

A truly exceptional blend of natural expressiveness and masterful coloration, her tender versions of Cohen’s “Take this Waltz” and “Hallelujah” are revelatory. – Billboard Magazine

She’s one of the best singers ever to come out of Canada. – Vivascene

website: http://www.patricia-ocallaghan.com/
youtube: https://www.youtube.com/watch?v=C7QLtMHOiqw


* Advertised pricing excludes taxes and fees.