Archive for Toronto Events – Page 2

Etta James Tribute

Thursday, October 24, 2019 | 8:30pm

Etta James Tribute
$40 Advance / $45 Door

PRESENTED BY
BluesIn’ Toronto

HOSTED BY
Danny Marks

FEATURING VOCALISTS
Crystal Shawanda
Cheryl Lescom
Quisha Wint
Miss Emily
Shahi Teruko

Few female R&B stars enjoyed the kind of consistent acclaim Etta James received throughout a career that spanned six decades; the celebrated producer Jerry Wexler once called her “the greatest of all modern blues singers,” and she recorded a number of enduring hits, including “At Last,” “Tell Mama,” “I’d Rather Go Blind,” and “All I Could Do Was Cry.” At the same time, despite possessing one of the most powerful voices in music, James only belatedly gained the attention of the mainstream audience, appearing rarely on the pop charts despite scoring 30 R&B hits, and she lived a rough-and-tumble life that could have inspired a dozen soap operas, battling drug addiction and bad relationships while outrunning a variety of health and legal problems.

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John Wort Hannam

Wednesday, October 23, 2019 | 8:30pm

John Wort Hannam
$30 Advance / $35 Door

In 2001, John Wort Hannam quit his teaching job and spent 10 months depleting his savings while sat at his kitchen table, wearing a lucky hat, writing his first ten songs.  Those songs would become his first recording Pocket Full Of Holes, released in 2003.

Eighteen years later, the Alberta musician has released seven full-length recordings and has a few feathers in that lucky hat.  Feathers that include a JUNO nomination, a Canadian Folk Music Award for Best Album of the Year, A CBC Galaxie Rising Star Award, a Kerrville Texas New Folk win, and numerous Western Canadian Music Award and Canadian Folk Music Award nominations.

Recent years have seen a great deal of change in John’s life – becoming a Dad, turning 50, a move to the big city (Lethbridge), a marital reckoning, a long, deep bout of depression, and episodes of losing his singing voice.  But John has emerged a better songwriter, a better singer, and a better player. On Acres Of Elbow Room, John has further found his lyrical style and has landed squarely on his niche in the folk/roots world. He’s spent years learning the craft of songwriting and is taking those tools to write some of his most personal songs. He has, quite literally, found his voice.

These days John Wort Hannam has a new sound, a new band, a new confidence, and a ton of new songs. And it’s coming across loud and clear in his live show. With his firecracker band – Jason Valleau on upright bass, Jon May on drums, Scott Duncan on fiddle, and Stephen Fletcher on keys – John is making waves in a new soundscape.

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Mary Fahl formerly of October Project

Sunday, October 20, 2019 | 8:30PM

Mary Fahl formerly of October Project
Advance: $30.00 / Doors: $35.00

Mary Fahl makes music that feels timeless, esoteric and ecumenical.“ – B.Forman, CSINDY

Sounding like no other singer of her generation” (Allmusic.com), Mary Fahl is an expressive, emotional singer/songwriter who first achieved fame as lead singer and co-founder of the mid-1990s NYC- based chamber-pop group October Project. The hallmark of their sound was Mary Fahl’s awe-inspiring power vocals over gorgeous melodies played with passion and sophistication. As a solo artist, Mary has released several compelling albums, including the fantastic re-working of Pink Floyd’s “Dark Side of the Moon” for V2 Records and her wonderful, original studio album “The Other Side of Time” on Sony Odyssey. She has also written and performed songs for several major motion pictures, including the lead song (“Going Home”) for the Civil War epic Gods and Generals. Her most recent album “Live at the Mauch Chunk Opera House”, winner of the Indie Acoustic “Album of the Year” award, is a collection of twenty-four tracks recorded live at one of America’s oldest vaudeville theaters that captures the soaring, soul-permeating vocals and musical breadth that makes the Mary Fahl concert experience what the Portland Press called “soul-permeating”. The show was filmed for PBS and is currently airing on PBS affiliates around the country. Fahl’s elegant, cinematic songs draw on classical and world music sources, American art song, as well as thinking man’s folk-pop which she performs with an earthy, viscerally powerful contralto that Boston Globe critic Steve Morse calls “a voice for the gods that can transport listeners to other realms”. Her music appeals to a wide range of musical enthusiasts, including a large, loyal fan base of Mary Fahl evangelists.

Fahl, who hails from Rockland County, NY, lives in an idyllic setting in eastern Pennsylvania with her husband. Their 17th century house overlooking the Delaware River – complete with waterfall and surrounded by acres of gardens and woods, inspires Mary’s ongoing songwriting.

Website: http://maryfahl.com
Facebook: https://bit.ly/2T4JyCj
Twitter: @maryfahlmusic
Youtube: https://bit.ly/2T4JyCj

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Ray Montford

Saturday, October 19, 2019 | 8:30pm

Ray Montford & Friends
$25 Advance / $30 Door

Ray Montford & Friends return to Hugh’s Room for a rare Toronto Show, one year after the release of Ray’s new album ’Share My Sky’, which is now available on vinyl as well.  For this show, Ray will perform an intimate solo acoustic set, followed by a longer electric set with his stellar band.  The repertoire will feature music from Ray’s entire catalogue.  Joining him will be: Lynn Moffatt – vocals, Ben Riley – drums and Mat Falvai – bass.
Ray Montford’s powerful original tunes are characterized by a wild and raw beauty. Often inspired by the human condition, his instrumental compositions paint haunting canvasses that are rich in imagery, leaving an indelible mark on the listener. Blurring boundaries between rock, blues, jazz and folk, the most striking aspect of Montford’s artistry is that he finds countless ways to convey emotion through his compositions and soulful playing. In the end, it’s all about taking the listener on an unforgettable journey.
Share My Sky, Ray’s new and eight studio album, finds the guitarist expanding his sonic range and compositional depth to offer his most personal and emotional statement to date.

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Old Man Luedecke CD Release 

Friday, October 18, 2019 | 8:30pm

Old Man Luedecke CD Release 
$30 Advance / $35 Door

Easy Money picks up where Old Man Luedecke’s award-winning and most successful release to date, Domestic Eccentric (2015), leaves off: four years farther down the road, dreaming about his ship coming in, still a parent but now grappling with the newness of middle age, dad jokes, love for an abiding partner, the death of a parent, along with some calypso-feeling local Nova Scotia history thrown in for good measure.

Composition and recording were both begun at the Banff Centre’s songwriter-in-residence program. It was there that Luedecke met the album’s producer Howard Bilerman of Montreal’s famed Hotel2Tango studio where the album was eventually recorded. The two hit it off when Luedecke composed “Easy Money” on the tracking floor on the first day of the program. Desperate for something worthy to use in his recording time, Luedecke channeled a traditional Christmas number he knew from a Harry Belafonte record and sang largely improvised verses into a winning tune that is sure to be a modern classic: Oh yes I need it, Oh yes I want it, I dream about easy, I dream about Easy money.” Don’t we all.

The further nine new original compositions and two covers run a modern storytelling line from the fifties folk and calypso boom into the everyday of tangible middle life. Guest appearances by long-time collaborator and Grammy award-winning Tim O’Brien, Afie Jurvanen of Bahamas, and Fats Kaplin (Jack White, John Prine) add piquant accents to the impeccable playing of Luedecke and a crack Montreal studio band of Mike O’Brien, Joshua Toal and Jamie Thompson.

The album begins with three upbeat incantations of what is surely the beginnings of a mid-life crisis (Dad Jokes? Wakeup Call, come on!) then moves to 2 songs musing about death; both inspired in part and in different ways, by the passing of Luedecke’s father, the passing of Leonard Cohen and current politics and the death of truth. There are two island-themed numbers that imagine a laid-back life in the local un-tropical paradise of the Canadian Maritimes. Then comes a country song with killer fiddling and harmony singing by Tim O’Brien, a dance number of frightful worry and then a cover of Nana Mouskouri’s French language cover of Bob Dylan’s topical apocalyptic plaint, “Hard Rain’s Gonna Fall”. This is followed by a traditional sea shanty about a mermaid and a shipwreck. The album closer, “‘I Skipped a Stone”, is the most beautiful song about hoping your wife will pick up the phone. The song is made all the sweeter by the special appearance of Bahamas’ playing and singing, to close out Luedecke’s sixth full length studio album.

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Tom Rush

Thursday, October 17, 2019 | 8:30pm

Tom Rush
Advance $45.00 / Door: $50.00

Tom Rush is a gifted musician and performer, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humour and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling, the sweet melancholy of ballads and the passion of gritty blues.

Rush’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s and the renaissance of the ’80s and ’90s, his music having left its stamp on generations of artists. James Taylor told Rolling Stone, “Tom was not only one of my early heroes, but also one of my main influences.” Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor, and in more recent years his Club 47® concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations.

Today, Tom Rush lives in Massachusetts when he’s not touring. His voice has grown even richer and more melodic, and his music, like a fine wine, has matured and ripened in the blending of traditional and modern influences. He’s written a number of new songs. He’s doing what he loves, and what audiences love him for: writing and playing …passionately, tenderly… knitting together the musical traditions and talents of our times.

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Claire Lynch

Saturday, October 12, 2019  | 8:30pm

Claire Lynch 
Advance $30.00 / Doors $35.00

Long recognized and praised as a creative force in acoustic music, Claire Lynch is a pioneer who continually pushes the boundaries of the bluegrass genre. Her career has been decorated with many accolades including three GRAMMY nominations, seven International Bluegrass Music Association awards and the prestigious United States Artists Walker Fellowship.

Dolly Parton credits Claire with “one of the sweetest, purest and best lead voices in the music business today.” Her harmonies have graced the recordings of many stellar musicians. Equally gifted as a writer, her songs have been recorded by The Seldom Scene, Patty Loveless, Kathy Mattea, Cherryholmes, The Whites and others.

Blazing her own trail in the mid ‘70s when there were few role models for young women in the genre, Claire Lynch made history when she led the Front Porch String Band which evolved in the ‘80s and ‘90s into “one of the sharpest and most exciting post-modern bluegrass bands on the circuit.” She formed her own Claire Lynch Band in 2005 and has, since then consistently been a top pick of prestigious publications, critics and audiences across the U.S. and beyond.

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Lloyd Spiegel   

Wednesday, October 9 ,2019 | 8:30pm

Lloyd Spiegel   
$25 Advance / $30 Door

“A revelation, the consummate performer, an Oz Blues & Roots icon.” – Rolling Stone Australia

Australian blues musician Lloyd Spiegel isn’t here to change the world, just make it a little more bearable. As Lloyd celebrates his 30th year on tour in 2019, he can’t recall a time before playing guitar. Picking up the instrument at age four, Lloyd played his first professional show at age ten and was touring the east coast of Australia at 12.

By 16 he was on tour in the United States, cutting his teeth as a true travelling blues man. Lloyd’s travels not only honed his craft, earned him a swag of awards and brought him to take counsel with the founding fathers of modern blues – it taught him the most important part of being a blues musician: connecting with everyday people.

Lloyd has toured extensively throughout Australia, New Zealand, the United States, Canada, Europe and Japan, viewing himself as a social worker more than anything else – someone to help people forget about their worries for a few hours and put a smile on their face. His contributions to music have earned him myriad accolades, such as Best Artist and Best Album at the Australian Blues Awards and being named as one of Australian Guitar Magazine’s Top 50 Australian guitarists of all time.

He has also supported the likes of Ray Charles, Bob Dylan and Etta James, and sat in with masters of the blues genre such as Brownie McGhee and Luther Allison.

In 2019, Lloyd releases his tenth album ‘Cut And Run’, the final part of an unexpected trilogy about personal redemption Lloyd didn’t even realise he was writing until it was finished. Where previous albums ‘Backroads’ and ‘This Time Tomorrow’ had Lloyd asking questions and begging forgiveness for the sins of his past, on ‘Cut And Run’ he has found the tenacity to face the next chapter of his life.

First taste of the album is lead single ‘Track Her Down’, a deep and soulful blues number about the fleeting, yet precious, nature of connections he makes with people on the road and the fragility of personal relationships for a travelling musician.

Since 2004, Lloyd has been the world-wide demonstrator and premier endorsee for Cole Clark Guitars, an Australian company that designs and builds its guitars with Lloyd’s hard-hitting style in mind.

Somewhere between songwriter, social worker and truth-seeker sits Lloyd Spiegel, guitar in hand and a song at the ready. Don’t miss this incredible talent and charismatic personality when Lloyd Spiegel returns to stages around the world.

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David Francey

Sunday, October 6, 2019 | 8:30pm

David Francey
Advance $40.00 / Door: $45.00

David Francey is a Scottish-born Canadian carpenter-turned-songwriter, who has become known as “one of Canada’s most revered folk poets and singers” (Toronto Star). Born in Ayrshire, Scotland to parents who were factory workers, he moved to Canada when he was twelve. For decades, he worked across Canada in rail yards, construction sites, and in the Yukon bush, all the while writing poetry, setting it to melodies in his head and singing it to himself as he worked.

A truly authentic folk singer, Francey is a documentarian of the working person who never imagined earning a living from his music. But when he was in his 40s, his wife, artist Beth Girdler, encouraged him to share his songs and sing in public. The reaction was instant. His first album Torn Screen Door came out in 1999 and was a hit in Canada. Since then, he has released eleven albums, won three Juno Awards and has had his songs covered by such artists as The Del McCoury Band, The Rankin Family, James Keelaghan and Tracy Grammer.

Francey also had the honour of receiving the prestigious SOCAN Folk Music Award as well as taking home the Grand Prize in both the International Acoustic Music Award and in the Folk category for the John Lennon Songwriting Award.

“David’s straightforward songs tell honest stories of real people and real places. Poetic perception and a keen eye for the heart of the matter are trademarks of the man and his music. His songs and stories are a direct connection for audiences seeking depth and meaning in the day-to-day.” Shelter Valley Folk Festival

David Francey was born in Ayrshire, Scotland where he got his first taste of the working life as a paperboy. At age 10 he was devouring the newspapers he delivered, establishing a life-long interest in politics and world events while developing the social conscience that forms the backdrop of his songs.

He was twelve when his family immigrated to Toronto. He says he can trace his love of the land, the history, and the people of his adopted country to weekend family drives exploring southern Ontario. Music played a large part in these family outings. They sang traditional Scottish tunes as they drove through the Canadian countryside. Dad and sister Muriel sang melody, while mother and David sang harmonies.

His attachment to Canada grew with travel. He hitched across the country three times, then thumbed his way to the Yukon. This attachment surfaces in his songs of rail lines, farms, and the St. Lawrence Seaway. He grew to understand the people while working in Toronto train yards, the Yukon bush, and as a carpenter in the Eastern Townships. These experiences colour his first CD, Torn Screen Door, with songs like Hard Steel Mill, Gypsy Boys, and Working Poor and his second, Far End of Summer, with Highway, Flowers of Saskatchewan and February Morning Drive.

In concert David is a singer and a storyteller. His wry humour and astute observations combined with his open-hearted singing style have earned him a loyal following.

David lives with his wife, artist Beth Girdler in the quiet but charming Lanark Highlands in southern Ontario. They are visited often by their son Colin, daughters Amy and Julia and grandkids Tristan, Alice and Millicent.

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Martin Simpson

Friday, October 4, 2019 | 8:30PM

Martin Simpson
Advance $25.00 / Door $30.00 *

There is no doubt that after 45 years as a professional musician Martin is, right now, better than ever. Widely acknowledged as one of the finest acoustic and slide guitar players in the world, his interpretations of traditional songs are masterpieces of storytelling. His solo shows are intense, eclectic, spellbinding and deeply moving.

There is no-one who has more successfully combined the diverse elements of British, Afro-American and old-timey music than Simpson. His 15 years living in the US were well spent. In addition his own songwriting has produced some real gems, from the truck-stop epic, “Love Never Dies” to the profoundly moving “Never Any Good” and “One Day”.

His career includes collaborations on stage and record with Richard Hawley, Richard Thompson, June Tabor, Kelly Joe Phelps, Jackson Browne, Danny Thompson, Danú, Martin Carthy, Cara Dillon, David Lindley, Roy Bailey, Martin Taylor, David Hidalgo, Steve Miller, Dick Gaughan, Dom Flemons and many more.

Martin has been nominated an astounding 27 times in the fifteen years of the BBC Radio 2 Folk Awards – more than any other performer – with 9 consecutive years as nominee for Musician of The Year, which he has won twice. The year 2008 saw an incredible 5 nominations for “Prodigal Son’ and 2 wins, whilst in 2010 he had an unprecedented 6 nominations for his CD, “True Stories” and a win for Best Traditional Track, “Sir Patrick Spens”. 2012’s nominations for Martin include, Best Album for ‘Purpose & Grace”, Best Traditional Track for “The Lakes Of Ponchartrain” and Best Musician. In 2014 his album, ‘Vagrant Stanzas’ was nominated for Album Of The Year, but it was a member of The Full English that he collectively took home awards that year, for Best Group and Album Of The Year. 2015 saw him working in a new trio with the wonderful Andy Cutting and Nancy Kerr and they also released an album together, ‘Murmurs’, to wide, critical acclaim. He is currently working on new material for his next solo album.

Whether playing American old-time music, blues, a Dylan song or his own material, Martin Simpson is unpredictable, individual and a guitarist of immense subtlety.

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