Archive for Roots

Connie Kaldor and Garnet Rogers

Wednesday, January 8, 2019 | 8:30pm

Connie Kaldor and Garnet Rogers
$35 Advance / $40 Door *

Garnet Rogers
Born in Hamilton, Ontario to parents of Nova Scotian descent, Garnet Rogers spent many hours in front of the old floor model radio listening to Grand Ol’ Opry broadcasts and harmonizing with his brother, the late folk legend Stan Rogers. Two years later, Garnet was playing the definitive 8-year-old’s version of “Desolation Row” on his ukulele. He soon abandoned that instrument to teach himself the flute, violin and guitar.

At 18, Garnet was on the road as a full-time working musician with brother Stan. Together they formed what has come to be accepted as one of the most influential duos in the history of North American folk music. Garnet acted as producer and arranger for his older brother from 1973 to 1983, when Stan died tragically in a plane crash.

Since then, Garnet has courageously established himself as a formidable solo artist. Hailed by the Boston Globe as a “…charismatic performer and singer — one of the major talents of our time,” they continue by saying that “Garnet’s vocal and instrumental talents are complimented by an undeniably powerful physical presence — close to six and a half feet tall — with the lungs to match.” With his “smooth, dark baritone” (Washington Post) his in- credible range and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs give expression to the unspoken language of the heart. An opti- mist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small every- day victories. As memorable as his songs, his over-the-top humor and lightning-quick wit move his audiences from tears to laughter and back again.

Rogers has been the featured performer on numerous television and radio programs including Much Music, Mountain Stage, and All Things Considered. He has been a headliner at concert venues and festivals such as Wolf Trap, Lincoln Center, and Art Park; sharing the stage with performers such as Mary Chapin Carpenter, Billy Bragg, Bill Monroe, Ferron, Greg Brown, and Guy Clark. Though Garnet has enjoyed much popularity over the years, he remains resolutely independent, turning down offers from major labels to ensure that he contin- ues doing music his own way.

website: https://garnetrogers.com/
youtbe: https://www.youtube.com/watch?v=MADHdKE032I

****

“Just when you think you’ve got it all figured out, something roars in and it turns you about.”

Connie Kaldor writes this and more about the unexpected twists and turns of life and love. She could well be writing about her personal artistic complexities. Music pundits have tried to define the essence of the prairie-born acoustic performer for over two decades, but even the most eloquent have fallen short of perfection. Fact is, Connie Kaldor is a performer without borders. A contradiction in terms. She is a Juno Award-winning singer who has flourished on the folk music scene for over two decades, yet her repertoire of original material blurs musical boundaries, embracing elements of gospel, rock, country and western, folk, blue grass and adult contemporary.

She is an artist of substance without pretension, witty and urbane without condescension. She is a fearless chronicler of the human experience without the folksong angst. She has recorded nine albums, sold tens of thou- sands of copies, but has never had a commercial hit. Her live performances are legendary and her fan base broad and fiercely loyal. People come back to see her again and again because a Connie Kaldor performance is about more than just the power of music. It is also about the power of personality. What she says between songs is as intriguing as the lyrics she sings.

She has traveled prairie backroads to visit modest community centers and sold out concert halls in major cities. From Beijing to New Delhi to Saskatoon to Washington, Connie has triumphed with a mix of song and spoken word honed in pacing and tone by the many years she spent performing. Like many prairie girls in the 50s and 60s, Connie grew up singing in the church choir and listening to Patsy Cline and The Beatles on her record player. But it wasn’t until the 1980s, after four years spent performing with an avant-garde theatre company in Toronto, that Connie turned to music full time and was welcomed with open arms by the folk scene.

website: https://www.conniekaldor.com/
youtube: https://www.youtube.com/watch?v=M009mhFg6wA


* Advertised pricing excludes taxes and fees.

Craig Cardiff

Friday, December 13, 2019 | 8:30pm

Craig Cardiff
$20 Advance / $25 Door *

Craig Cardiff is a Canadian singer-songwriter. Known throughout Canada, Craig is developing a following throughout North America and into Europe. With guitar in hand, Craig can turn any setting into an intimate affair. Infusing his music and lyrics with an uncompromising humanism rarely seen in today’s production-heavy climate.

Songwriter, troubadour, Craig Cardiff builds landscapes of sound using live digital loops, bringing the room to a hush. Edged, folk, beautiful, melancholy and left leaning, one song breaks your heart, and the next one puts it back together.

Craig makes it a point to keep the relationship with his fans personal, inviting and accepting any opportunity to make his audience as much a part of the performance as he is. Don’t be surprised if one day you find yourself enjoying one of Craig’s renowned performances from the comfort of your own living room.

website: http://www.craigcardiff.ca/
youtube: https://www.youtube.com/watch?v=a5yl6tXdJIE&feature=youtu.be

*Advertised pricing excludes taxes and ticketing fees.

Celebrating Jackie Washington’s 100th Birthday

FILMING NOTICE-

This performance will be filmed for promotional use by Hugh’s Room Live.

 

Sunday, November 17, 2019 | 2:00pm

Celebrating Jackie Washington’s 100th Birthday
$25 Advance / $30 Door *

Doors: 12:30pm
Brunch: 1:00pm
Performance: 2:00pm

* Please note that cameras will be on-site for the performance to record the event for promotional purposes. If you wish not to be on camera, please let the host know up entry. Apologies for any inconvenience, folks. 

Jackie Washington was born 100 years ago and we’re celebrating his life and music with a special afternoon concert including Sneezy WatersChris WhiteleyJohn SheardVictor Bateman and host Ken Whiteley.This concert will celebrate the release of “The World Of Jackie Washington”, a new cd of 22 unreleased performances with contributions from Colin Linden, Cathy Fink & Marcy Marxer, Mose Scarlett, Graham Townsend, Reg Schwager and producer Ken Whiteley, and the package also includes the documentary DVD, I Want To Be Happy.
Jackie Washington was born on November 12, 1919 in Hamilton, ON., the second oldest of 13 children. He began performing at age 5 and over his almost 90 years gave untold happiness to thousands of people across Canada.  Right after the Second World War he became Canada’s first black disc jockey.  He had a repertoire of over 1,256 songs as well as a remarkable memory for people, places, birthdays and trains among many other things.  His song “Alone In The Dark” from the Juno nominated recording he made with Mose Scarlett and Ken Whiteley, was selected by the Canada Council as one of the songs honoured to mark 100 years of recorded music in Canada. He was a living connection to early African Canadian music, the swing era and much more. He received many awards and honours including an Honorary Doctorate from McMaster U., but it was his positive attitude to life that really made him so loved.
The legendary Sneezy Waters is another national treasure.  From his early years performing with the likes of Bruce Cockburn, Susan Jains and many others to “His Excellent Band” with which he toured to every province and territory in the 1970’s.  He is perhaps most well known for his title role in Hank Williams – The Show He Never Gave, which toured across Canada, the United States and Europe.  He won the Best Actor award at the 3e Festival du Film Musical in Grenoble, France for his role in the film version of the Hank show.  An expression of his long friendship with Jackie Washington including getting Jackie to appear in the film and sing “Mind Your Own Business”.
Chris Whiteley has carved a unique path playing trumpet and swing music in the folk world, making a mark as a songwriter in the blues world and is most often seen performing these days with his wife, the wonderful singer Diana Braithwaite.  Chris has won multiple Maple Blues Awards as a horn player, songwriter and winner of the Blues With A Feeling Lifetime Achievement honour.  He played with Jackie Washington many times, including on most of his recordings and embodies that positive attitude to life.
John Sheard was one of Jackie Washington’s favourite piano players with his imaginative sensitivity, his profound knowledge of older jazz styles, his technical expertise and his good humour.  For most of Stuart MacLean’s long run with the Vinyl Cafe, John was the musical director and band leader and in that role performed hundreds of radio shows and live concerts in every part of Canada.  He is also an accomplished record producer and session musician.  Look for the twinkle in his eye as he tinkles the ivories.
Victor Bateman is a highly accomplished string bass player.  He has led his own contemporary jazz ensembles, large improvised music groups and along with the late Justin Haynes and David Baxter, Another Country, a wacky group that pushed the envelope of country music. He has recorded with many people including the Whiteley Brothers and he currently tours with Murray MacLachlan.  He plays bass on most of the cuts on “The World Of Jackie Washington”.
Ken Whiteley is a prolific songwriter, a gifted and versatile instrumentalist and powerful singer, as well as very successful record producer. He first saw Jackie Washington live at the Orillia Winter Folk Festival in early 1966. Ken admits that he didn’t initially know what to make of Jackie. However his mind was opened when the great singer, Geoff Muldaur, who was in Orillia playing with Jim Kweskin & the Jug Band, commented that Jackie was one of the best scat singers he had ever heard.  Over the following years Ken would play with Jackie every chance he got at summer festivals (Home County in London, Northern Lights in Sudbury, Festival of Friends in Hamilton,) and they would hang out together at the festival after-parties where they would invariably be up playing until the wee hours. In 1975, when Jackie made his first long play album called “Blues and Sentimental” he was accompanied by Ken, Chris Whiteley and fellow Original Sloth Band members. In 1986, Ken had the idea to make a recording with Jackie and another friend Mose Scarlett. The process of recording “Where Old Friends Meet”, stretched out over a number of years and by the time of its release in 1991, the three of them began a new phase as Scarlett, Washington and Whiteley.  As they began to tour together Ken’s appreciation of the scope of Jackie’s repertoire grew. He knew that it would be an important cultural document if he could get Jackie back into the studio so when time and money permitted, they spent a number of days over the next decade-and-a-half recording.  “The World Of Jackie Washington” includes previously unreleased cuts from some of those recording sessions.

* All-you-can-eat brunch ($25) not included in ticket price
* Advertised pricing excludes taxes and ticketing fees

Fergus Hambleton

Wednesday, November 6, 2019 | 8:30pm

Fergus Hambleton
$20 Advance / $25 Door *

Pleased to announce the release of my brand new album NEIGHBOURHOODS, a tour through some musical neighbourhoods… ones I’ve known and ones I can only imagine.

We’ll be celebrating with a special concert at Hugh’s Room on November 6, with a wonderful band, including many of the outstanding musicians that are appearing on the album. I’m especially “chuffed” to announce that I’ll be manufacturing vinyl as well as CDs to do justice to the awesome artwork by Barbara Klunder!

It’s been a labour of love and I want to especially thank Vezi Tayyeb who captured everything so beautifully and George Koller for his awesome vibe and encouragement.

Fergus Hambleton is a versatile singer, songwriter, composer and multi-instrumentalist who, during his illustrious career, has been a leading performer and songwriter in the folk, pop and reggae music arenas, fronting the Juno Award winning reggae outfit, The Sattalites and enjoying a successful solo career.

Neighbourhoods is a new collection of original songs …featureing a number of wonderful musicians including George Koller on bass, Davide DeRenzo on drums, Eric St Laurent and Tim Bovaconti on guitar…with French horn, strings and some beautiful vocals…

Opening Act: Wood and Water

website: https://www.fergushambleton.com
youtube: https://www.youtube.com/watch?v=8uZD50WWeg8

* Advertised pricing excludes taxes and ticketing fees

Tom Rush

Thursday, October 17, 2019 | 8:30pm

Tom Rush
Advance $45.00 / Door: $50.00

Tom Rush is a gifted musician and performer, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humour and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling, the sweet melancholy of ballads and the passion of gritty blues.

Rush’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s and the renaissance of the ’80s and ’90s, his music having left its stamp on generations of artists. James Taylor told Rolling Stone, “Tom was not only one of my early heroes, but also one of my main influences.” Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor, and in more recent years his Club 47® concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations.

Today, Tom Rush lives in Massachusetts when he’s not touring. His voice has grown even richer and more melodic, and his music, like a fine wine, has matured and ripened in the blending of traditional and modern influences. He’s written a number of new songs. He’s doing what he loves, and what audiences love him for: writing and playing …passionately, tenderly… knitting together the musical traditions and talents of our times.

* Advertised pricing excludes taxes and ticketing fees.

Lloyd Spiegel   

Wednesday, October 9 ,2019 | 8:30pm

Lloyd Spiegel   
$25 Advance / $30 Door

“A revelation, the consummate performer, an Oz Blues & Roots icon.” – Rolling Stone Australia

Australian blues musician Lloyd Spiegel isn’t here to change the world, just make it a little more bearable. As Lloyd celebrates his 30th year on tour in 2019, he can’t recall a time before playing guitar. Picking up the instrument at age four, Lloyd played his first professional show at age ten and was touring the east coast of Australia at 12.

By 16 he was on tour in the United States, cutting his teeth as a true travelling blues man. Lloyd’s travels not only honed his craft, earned him a swag of awards and brought him to take counsel with the founding fathers of modern blues – it taught him the most important part of being a blues musician: connecting with everyday people.

Lloyd has toured extensively throughout Australia, New Zealand, the United States, Canada, Europe and Japan, viewing himself as a social worker more than anything else – someone to help people forget about their worries for a few hours and put a smile on their face. His contributions to music have earned him myriad accolades, such as Best Artist and Best Album at the Australian Blues Awards and being named as one of Australian Guitar Magazine’s Top 50 Australian guitarists of all time.

He has also supported the likes of Ray Charles, Bob Dylan and Etta James, and sat in with masters of the blues genre such as Brownie McGhee and Luther Allison.

In 2019, Lloyd releases his tenth album ‘Cut And Run’, the final part of an unexpected trilogy about personal redemption Lloyd didn’t even realise he was writing until it was finished. Where previous albums ‘Backroads’ and ‘This Time Tomorrow’ had Lloyd asking questions and begging forgiveness for the sins of his past, on ‘Cut And Run’ he has found the tenacity to face the next chapter of his life.

First taste of the album is lead single ‘Track Her Down’, a deep and soulful blues number about the fleeting, yet precious, nature of connections he makes with people on the road and the fragility of personal relationships for a travelling musician.

Since 2004, Lloyd has been the world-wide demonstrator and premier endorsee for Cole Clark Guitars, an Australian company that designs and builds its guitars with Lloyd’s hard-hitting style in mind.

Somewhere between songwriter, social worker and truth-seeker sits Lloyd Spiegel, guitar in hand and a song at the ready. Don’t miss this incredible talent and charismatic personality when Lloyd Spiegel returns to stages around the world.

* Advertised pricing excludes taxes and ticketing fees

The Stanfields

Tuesday, October 8, 2019 | 8:30pm

The Stanfields
$25 Advance / $30 Door *

The Stanfields are a five-piece rock/roots band based in Halifax NS, Canada. They play what they want, sing what they feel, and leave nothing on the table.

Jon Landry – Vox, Guitar, Harmonica,
Calen Kinney – Violin or Fiddle, Bouzouki, Vox
Jason MacIsaac – Guitar, Vox
Dillan Tate – Bass, Vox
Mark Murphy – Drums, Vox

The Stanfields get right to the point in the first lines of the first song on their new album, Limboland:  “A line was drawn in the sand by a fool with a big stick and tiny hands/He promised a wall, talked about greatness and dared to speak for me.” That has the band fired up, and answering back big-time, plain-speaking, and plain-rocking: “I’m not afraid of the world,” comes the answer. The Stanfields are back, and ready to sing out loud and clear.

“There’s so much going on in the world, there’s so much uncertainty, I think it’s important that we’re speaking in a really clear voice,” says lead singer and songwriter Jon Landry. Limboland is the fifth album for the Halifax-based band, which sees them take an unflinching look at the negative forces that threaten rights and liberties for all, while doing it all with their trademark swirl of guitars, pounding drums, fiddle and rowdy energy.

No, it’s not political, it’s simply trying to be reasonable, like most of us want. “It’s not just Trump, or Rupert Murdoch, it’s Justin Trudeau and others too, everybody’s just grinding their axe, and we’re not listening to each other,” says Landry.  “People are scared to have an opinion lest they be drawn and quartered on social media. The extremist dummies speak the loudest, meanwhile everybody else is in the middle, holding a more moderate view. I like to think that’s where we are, we don’t particularly bang on a drum one side or the other, I like to think we’re in the realm of common sense.”

In other words, screw politics and profit, let’s worry about the big picture:  “Your flag won’t save you anymore/keep the ocean from rising up and washing away the shore.” Strong advice, but at the same time, some of the most exciting and memorable music the group has ever made.

This is the first album for the group since 2015’s Modem Operandi, and the first to be recorded with the two newest members of the band, fiddler Calen Kinney and bass player Dillan Tate.

“Bringing the new guys into the band really gave myself and Jmac (guitar player Jason MacIsaac) and Murph (drummer Mark Murphy) the license to take a stop and reflect on what we had done musically up to this part,” says Landry. “To say okay, let’s go full-circle here, let’s harness these young guys’ energy to be okay doing three minute songs again, and be forthright about what we’re saying instead of trying to mask it behind some kind of artsy facade. Let’s be comfortable with who we are.”

As fans of The Stanfields’ dynamic live show know, that means bringing a message, and bringing the noise. “Our thing has always been, since day one as a band, trying to find that sweet spot where entertainment and art can co-exist,” says Landry.

You’d never call The Stanfields traditional, but being from Nova Scotia, they can’t help soaking up those influences, especially the storytelling. “It’s in my blood,” confirms Landry. “Somebody told me that I sound like I write songs from 100 years ago, which is a fantastic compliment for my sake. John Prine has been my hero since I was a kid, but I also liked Nirvana.”

Those East Coast images show up in ‘Lantern In The Window.’ “That song’s about making sure that we actually have a place in our hearts and our minds for people who are homeless or people who are being repressed. It’s sort of a warning shot, if we continue down this path, our civil liberties are going to be degraded.”

Another highlight is ‘Total Black,’ which features Celtic duo Cassie and Maggie MacDonald, winners of this year’s Traditional Album of the Year at the Canadian Folk Music Awards.  Maggie joined Landry for shared lead vocals, while Cassie played twin fiddles with Calen.

The Stanfields have been road-testing the new songs and are thrilled with the reception. “We have the Blacktop Ball festival that we do every year on the North Shore of Nova Scotia in August, and the first night we played the record front to back,” says Landry. “This is the party faithful showing up for the event, and it went over really well. We’ve been playing them here and there and they’ve been going over gangbusters.”

Fired up, speaking out and rocking harder than ever, Limboland sees The Stanfields at their very best.

website: https://thestanfields.ca/ 
youtube: https://www.youtube.com/watch?v=PcF09JzClmU

* Advertised pricing excludes taxes and ticketing fees

David Francey

Sunday, October 6, 2019 | 8:30pm

David Francey
Advance $40.00 / Door: $45.00

David Francey is a Scottish-born Canadian carpenter-turned-songwriter, who has become known as “one of Canada’s most revered folk poets and singers” (Toronto Star). Born in Ayrshire, Scotland to parents who were factory workers, he moved to Canada when he was twelve. For decades, he worked across Canada in rail yards, construction sites, and in the Yukon bush, all the while writing poetry, setting it to melodies in his head and singing it to himself as he worked.

A truly authentic folk singer, Francey is a documentarian of the working person who never imagined earning a living from his music. But when he was in his 40s, his wife, artist Beth Girdler, encouraged him to share his songs and sing in public. The reaction was instant. His first album Torn Screen Door came out in 1999 and was a hit in Canada. Since then, he has released eleven albums, won three Juno Awards and has had his songs covered by such artists as The Del McCoury Band, The Rankin Family, James Keelaghan and Tracy Grammer.

Francey also had the honour of receiving the prestigious SOCAN Folk Music Award as well as taking home the Grand Prize in both the International Acoustic Music Award and in the Folk category for the John Lennon Songwriting Award.

“David’s straightforward songs tell honest stories of real people and real places. Poetic perception and a keen eye for the heart of the matter are trademarks of the man and his music. His songs and stories are a direct connection for audiences seeking depth and meaning in the day-to-day.” Shelter Valley Folk Festival

David Francey was born in Ayrshire, Scotland where he got his first taste of the working life as a paperboy. At age 10 he was devouring the newspapers he delivered, establishing a life-long interest in politics and world events while developing the social conscience that forms the backdrop of his songs.

He was twelve when his family immigrated to Toronto. He says he can trace his love of the land, the history, and the people of his adopted country to weekend family drives exploring southern Ontario. Music played a large part in these family outings. They sang traditional Scottish tunes as they drove through the Canadian countryside. Dad and sister Muriel sang melody, while mother and David sang harmonies.

His attachment to Canada grew with travel. He hitched across the country three times, then thumbed his way to the Yukon. This attachment surfaces in his songs of rail lines, farms, and the St. Lawrence Seaway. He grew to understand the people while working in Toronto train yards, the Yukon bush, and as a carpenter in the Eastern Townships. These experiences colour his first CD, Torn Screen Door, with songs like Hard Steel Mill, Gypsy Boys, and Working Poor and his second, Far End of Summer, with Highway, Flowers of Saskatchewan and February Morning Drive.

In concert David is a singer and a storyteller. His wry humour and astute observations combined with his open-hearted singing style have earned him a loyal following.

David lives with his wife, artist Beth Girdler in the quiet but charming Lanark Highlands in southern Ontario. They are visited often by their son Colin, daughters Amy and Julia and grandkids Tristan, Alice and Millicent.

* Advertised pricing excludes taxes and ticketing fees

Martin Simpson

Friday, October 4, 2019 | 8:30PM

Martin Simpson
Advance $25.00 / Door $30.00 *

There is no doubt that after 45 years as a professional musician Martin is, right now, better than ever. Widely acknowledged as one of the finest acoustic and slide guitar players in the world, his interpretations of traditional songs are masterpieces of storytelling. His solo shows are intense, eclectic, spellbinding and deeply moving.

There is no-one who has more successfully combined the diverse elements of British, Afro-American and old-timey music than Simpson. His 15 years living in the US were well spent. In addition his own songwriting has produced some real gems, from the truck-stop epic, “Love Never Dies” to the profoundly moving “Never Any Good” and “One Day”.

His career includes collaborations on stage and record with Richard Hawley, Richard Thompson, June Tabor, Kelly Joe Phelps, Jackson Browne, Danny Thompson, Danú, Martin Carthy, Cara Dillon, David Lindley, Roy Bailey, Martin Taylor, David Hidalgo, Steve Miller, Dick Gaughan, Dom Flemons and many more.

Martin has been nominated an astounding 27 times in the fifteen years of the BBC Radio 2 Folk Awards – more than any other performer – with 9 consecutive years as nominee for Musician of The Year, which he has won twice. The year 2008 saw an incredible 5 nominations for “Prodigal Son’ and 2 wins, whilst in 2010 he had an unprecedented 6 nominations for his CD, “True Stories” and a win for Best Traditional Track, “Sir Patrick Spens”. 2012’s nominations for Martin include, Best Album for ‘Purpose & Grace”, Best Traditional Track for “The Lakes Of Ponchartrain” and Best Musician. In 2014 his album, ‘Vagrant Stanzas’ was nominated for Album Of The Year, but it was a member of The Full English that he collectively took home awards that year, for Best Group and Album Of The Year. 2015 saw him working in a new trio with the wonderful Andy Cutting and Nancy Kerr and they also released an album together, ‘Murmurs’, to wide, critical acclaim. He is currently working on new material for his next solo album.

Whether playing American old-time music, blues, a Dylan song or his own material, Martin Simpson is unpredictable, individual and a guitarist of immense subtlety.

* Advertised pricing excludes taxes and fees.

Matchedash Parish CD Release

Monday, September 23, 2019 | 8:00pm

Matchedash Parish CD Release
$25 Advance / $30 Door
Every ticket purchase includes a FREE copy of the debut self-titled album

Matt Weidinger and Lance Anderson have formed the Matchedash Parish with 12 of the country’s top blues and roots music artists. It is a powerhouse soul and gospel/roots show guaranteed to bring the house down.

Juno award-winning producer Lance Anderson (leader of Mariposa’s An Evening of Blues and Gospel and The Last Waltz – the hit closer of Mariposa Folk Festival 2017) has brought together another wonderful roster of BLUES ALL STARS, but this time to perform original songs and masterful arrangements some of the greatest soul and gospel tunes. Along with Kitchener phenom Matt Weidinger and and three background singers led by the amazing vocalist Quisha Wint, and featuring Michelle White and Jill Zahdeh. Matchedash Parish will create a tent revival atmosphere with this ‘congregation’ of talent.

Backed by a nine-piece band including two drummers: Memphis born Shamakah Ali (Al Green, The Barkays) and Ben Rollo (Lucky Peterson, Danny Michel), percussionist Art Avalos (Manteca), horns Gene Hardy, sax (Bourbon Tabernacle Choir), William Sperandei, trumpet (Harry Connick Jr., Colin James), Hammond organ, piano, mandolin (Weidinger), piano, accordion (Anderson), guitarist Mackenzie Jordan, (Jackets) and on bass Mark Mcintyre. The rhythm this group creates is a freight train that will pick you up and drop you down in the swamplands of the south.

Matt Weidnger: http://mattweidinger.com
Quisha Wint: http://www.quishawint.com
Lance Anderson: http://makeitrealrecords.com

* Advertised pricing excludes taxes and ticketing fees