Archive for Hugh’s Room Live – Page 2

David Rotundo

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Saturday, June 13, 2020

David Rotundo
Advance $40 / Door $45*

Doors: 6:00pm
Performance: 8:30pm

Toronto blues harpist David Rotundo heard James Cotton perform at the El Mocambo in 1991. “He blew one note on the harmonica that hypnotized me…” The next day, Rotundo went out and bought a harmonica. “…and I’ve been playing the blues ever since.” Obsession with the blues led Rotundo on a diesel-fuelled roots tour of blues epicenters of the United States including – New Orleans, Clarksdale, Austin, Memphis and Chicago with little more than his wits and a bag full of harmonicas. “I wanted to hear and experience the real thing.” He returned to Canada with a visceral perception of the blues and a deep knowledge of blues history. After making the stories his own, he earned the right to tell them. Rotundo has developed his own language of the blues, honing the technique that gives the voice power and authenticity. Proof of his impact shows in the fact that he has been nominated for a Maple Blues Award for 11 consecutive years!

In 1997, Rotundo led a band called The Blue Canadians alongside such notables as Peter Schmidt, Shane Scott, Julian Fauth and Doc MacLean. In 2000, he was asked to join the legendary Jack de Keyzer Band and he was thrilled by the opportunity to play with “one of the best Canadian guitarists”. Aside from de Keyzer, Rotundo has performed with Lee Oskar, Ronnie Hawkins, ex- Muddy Waters drummer Willie “Big Eyes” Smith, Madagascar Slim, Mel Brown, Jeff Healey, Johnny Winter, Edgar Winter, Finis Tasby, James Cotton, Magic Slim and The Tear Drops, Elvis Costello, Shakura S’Aida, members of Downchild among many others.

Rotundo’s 2001 debut solo album, “Blowin’ for Broke”, featured twelve original songs written by David and produced by bassist/engineer Shane Scott of Stone Pillar Productions. The album was nominated “Blues Album of 2001″ by the Canadian Independent Artist Association and Rotundo was the winner of the Maple Blues Award “Best New Artist of The Year 2002″. In 2003, David returned to Stone Pillar Studios with his newly formed “David Rotundo Band”, resulting in the highly popular, critically acclaimed “Blues Ignited” album featuring international guitarist Enrico Crivellaro. In 2007 Rotundo won the Maple Blues Award for “Harmonica Player of the Year”, an award for which he has been nominated 10 times. After much fan demand, in late 2007, David recorded and released his live album – “Live at Roc ‘N Doc’s” which captured the true essence of the band’s high energy live performance. In 2008 it was considered in the top twenty blues albums released that year by various community radio stations with blues format shows. Rotundo is a songwriter who easily pulls inspiration from the world around him and that is well demonstrated by the twelve new original songs that grace his fourth album “No Looking Back”, which was released in March of 2009 to overwhelming response from fans both new and old, as well as industry, and again features Enrico Crivellaro on guitar. Bright prospects continue to lie on the path ahead, which goes to prove, that for The David Rotundo Band, there really is no looking back…When you see David Rotundo live you’ll know instantly that he lives for what he does!

Website: https://www.davidrotundo.com/ 
Youtube: https://www.youtube.com/watch?v=bCqOCop7D_Q

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

Kaki King

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Wednesday, June 3, 2020

Kaki King
Advance $45 / Door $50*

Doors: 6:00pm
Performance: 8:30pm

Kaki King is an American guitarist and composer. King is known for her percussive and jazz-tinged melodies, energetic live shows, use of multiple tunings on acoustic and lap steel guitar, and her diverse range in different genres.

In February 2006, Rolling Stone released a list of “The New Guitar Gods”, on which King was the sole woman and youngest artist (beating Derek Trucks in age by two months as the youngest on the list). Her career includes six LP and two EP albums, as well as several scores for television and film. She worked alongside Eddie Vedder and Michael Brook contributing music for the soundtrack to Sean Penn’s Into the Wild, for which the trio received nominations for a Golden Globe Award for Best Original Score.

Website: http://www.kakiking.com/
youtube: https://www.youtube.com/watch?v=QvxVWukROTw

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $45.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $7.02

* Total Ticket Price: $61.02

Sue Foley with Benji & Rita

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Friday, May 22, 2020

Sue Foley with Benji & Rita
Advance $30 / Door $35 *

Doors: 6:00pm
Performance: 8:00pm

Sue Foley

Enjoy Sue Foley is a multi-award-winning musician and of the one of the finest blues and roots artists working today. She is a veritable triple-threat of musical talent as a guitarist, songwriter and vocalist. As with many blues women of the past, Foley has a long history of defying convention, and being a positive role model for aspiring, young female musicians.

The Canadian has been working professionally since the age of 16, and by the age of 21, Foley had relocated to Austin, TX and began recording for Antone’s—the esteemed blues label and historic nightclub that helped launch the career of Stevie Ray Vaughan and many others. In the two decades that have followed, Sue Foley has been busy touring and recording steadily, all while toting her signature pink paisley Fender Telecaster. In 2001, she won the prestigious Juno Award (Canadian equivalent of the Grammy) and also holds the record for the most Maple Blues Awards and has earned three Trophees de Blues de France. She has also garnered several nominations at the Blues Music Awards in Memphis, TN.

With 11 recordings under her own name, an instructional DVD and book, as well as various compilations and projects, Foley is set to release her new album, The Ice Queen (March 2, 2018) on Stony Plain Records. “I’m extremely excited to be working with Holger Petersen and Stony Plain Records. Holger is one of the most knowledgeable “real music” people in the business”, says Foley. “Stony Plain is known to put out great music and I know The Ice Queen has found her home.”

Recorded throughout 2017, The Ice Queen represents Foley’s full circle journey – her return to the roots of her career in Austin with producer Mike Flanigin. The album was recorded with her long-time friends and collaborators Jimmie Vaughan and Billy F Gibbons (ZZ Top) as well Chris ‘Whipper’ Layton from Double Trouble, Charlie Sexton, and members of the Tedeschi Trucks and Gary Clark Jr bands.

“When I was a teenager I idolized Jimmie Vaughan and Billy F Gibbons,” Foley says. “They’re both legends now so this feels like an historical event (at least it does for me). And I grew up sitting at the feet of players like George ‘Big Beat’ Rains, Derek O’Brien and The Texas Horns. I spent many nights watching Charlie Sexton and the Arc Angels with Chris Layton. I learned and grew more musically in my years in Austin than at any point in my life. The fact that all these mega talented musicians have graced my album is beyond anything I hoped for. I am still pinching myself.”

A flood of inspiration and themes can be found on each of the tracks – ranging from lost love, anguish, and struggle to release, forgiveness and rebirth. Mostly recorded live-off-the-floor, Foley’s emotional vocal delivery, conviction, accessible yet inspired lyrics and intrepid guitar playing are all laid out, bare and raw for the songs to reveal.

Opening with the radio friendly and funky “Come to Me”, The Ice Queen also features upbeat and rollicking tracks “Run”, “The Lucky ones” (a duet with Jimmie Vaughan) and “Gaslight”. There are several bluesy and soulful tracks including “81”, “The Ice Queen”, “Fool’s Gold” (featuring Billy F Gibbons on vocals and harmonica)”, “If I Have Forsaken You”, and a cheeky, guitar-heavy cover of Bessie Smith’s “Send Me To The ‘Lectric Chair”. Foley also provides some more mellow and unexpected songs on The Ice Queen with the jazzy “Death of a Dream”, the flamenco-blues hybrid “The Dance” and a beautiful cover of the Carter Family’s “Cannonball Blues”.

The Ice Queen represents Sue Foley’s indefatigable commitment to her craft, and her transparency with the journey that birthed her, further proving that you can’t keep a good blueswoman down, particularly when she is The Ice Queen.

Website: https://suefoley.com/
Youtube: https://www.youtube.com/watch?v=6t0pfAsGOkU

Benji & Rita

Benji Kaplan and Rita Figueiredo are two well-respected Brazilian jazz musicians, though their approach is quite different. Kaplan, a New York native, is an intimate songwriter who gently strums the guitar, sings poetic lyrics, and harmonizes gorgeously. Rita Figueiredo, who hails from São Paulo, Brazil, has similar traditional Brazilian music-meets-jazz influences, but with a much more theatrical approach. Her talent as a composer with her fierce singing style gives her music unbridled passion. Rita’s intensity of spirit might seem to be an odd mix with Benji’s understated complexity but it’s quite a logical fit. You really can’t do better than these two when it comes to current players of this genre. – Aaron Carnes (East Bay Express)

Cinematic and refined, Benji & Rita channels the scents and sounds, the flora and fauna of the couple’s homelands, drawing on everything from samba and baião, to waltzes and pop catchiness, much as Brazilian popular composers have over the last five decades.

They have toured throughout Europe, North America and South America, enchanting audiences with their unique approach and take on Brazilian, jazz and classical traditions. They have performed alongside such acts as: Earth Wind and Fire, Alceu Valença, Bernard Purdie, Junior Mance, Seu Jorge.

“A collection of lush, iconoclastic arrangements and distinct vocals that make for a unique marriage. The team combines samba, waltz and pop arrangements by Kaplan (on guitar) with additional lyrics by Figueiredo, that are said to draw on the lyricist and singer’s roots in a country known for its Amazonian jungles and hard scrabble urbanscapes and are sung in Portuguese, so who knows: The music’s charm is in its dramatic delivery and its evocation of Tropicalia.” – Denise Sullivan (Downbeat Magazine)

“Fans of classic Brazilian styles will take an instant liking to this. It’s quite an impressive and wide-ranging debut, sporting roots in Brazil and branches in many other places. I hope this twosome stays and plays together for a long time.” -Tom Orr (World Music Central)

“A freewheeling, gorgeously orchestrated whirlwind through the many facets of Brazilian music (samba, baiao, waltzes, pop)…whimsical, deeply romantic sonic images of New York and Brazil by the dynamic husband and wife team of Benji Kaplan (composer, arranger, producer, guitar, vocals) and Brazilian born singer-songwriter Rita Figueiredo.” – Jonathan Widran (L.A. Times, Jazziz, Billboard & All Music Guide)

“…one of the most lively and magical sessions I’ve heard in 2019…Tunes like “Memorial Day” will hold you spellbound…Rita takes flight over the top with her sweet vocal stories… priceless.” – Dick Metcalf (Contemporary Fusion Reviews)

Website: http://www.benjiandrita.com
Youtube: https://www.youtube.com/watch?v=pVoRSest_W4

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Tribute to the Three Kings: Albert, B.B and Freddie

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Thursday, May 14, 2020

Tribute to the Three Kings: Albert, B.B and Freddie
Advance $40 / Door $45 *

Doors: 6:00pm
Performance: 8:30pm

Presented by BluesIn’ Toronto
Hosted by Danny Marks

Albert King is truly a “King of the Blues,” although he doesn’t hold that title (B.B. does). Along with B.B. and Freddie King, Albert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does — his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan. It’s important to note that while almost all modern blues guitarists seldom play for long without falling into a B.B. King guitar cliché, Albert King never does — he’s had his own style and unique tone from the beginning.

Riley B. King known professionally as B.B. King, was an American singer-songwriter, guitarist, and record producer. King introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that influenced many later blues electric guitar players.

King was inducted into the Rock and Roll Hall of Fame in 1987, and is one of the most influential blues musicians of all time, earning the nickname “The King of the Blues”, and is considered one of the “Three Kings of the Blues Guitar” (along with Albert and Freddie King). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s. In 1956 alone, he appeared at 342 shows.

Freddie King was an American blues guitarist and singer. He recorded several hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired many musicians, particularly guitarists. He was inducted into the Rock and Roll Hall of Fame in 2012.

Featuring Danny Marks, Jack de Keyzer, Steve Strongman and Dylan Wickens.

Danny Marks

This iconic rocker’s roots go back to the sixties as a founding member of Capitol Records’ group, Edward Bear. After a span as a journey man session musician throughout the seventies, Danny settled in to the club scene, establishing a cult following as a genre bender in music and humor.

You can now hear him as the host of BLUZ FM on JAZZ FM 91.1 every Saturday night.

Website: http://www.dannym.com/
Youtube: https://www.youtube.com/watch?v=yEgnbwQ6V5Q

Jack de Keyzer

For 46 years or roughly a couple million miles , bluesman, guitarist, singer, song writer, Jack de Keyzer has been hitting the road, rail and air to bring his brand of guitar driven blues across Canada and around the globe. With 11 records, 1 DVD , 2 Junos and 7 Maple Blues Awards under his belt, de Keyzer delivers the goods wherever, whenever he performs.

Website: https://www.jackdekeyzer.com/
Youtube: https://www.youtube.com/watch?v=W-g2TcA_EAk

Dylan Wickens

Roots rock with a noticeable blues guitar influence, Wickens is a past Maple Blues Award Nominee and Winner of The Toronto Blues Society Talent Search. Wickens has appeared on several albums and has opened shows for artists that include Sonny Landreth, Jeff Healey, Keb’ Mo’, Downchild Blues Band and Serena Ryder. He’s a musical force to be reckoned with…

Website: https://dylanwickens.com/
Youtube: https://www.youtube.com/watch?v=C2dOrMDs2jE

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

Benny Golson

Hugh’s Room Forced to Move Due to Rent Hike

As many of you will now have heard, that despite months of negotiations with our landlord, we have failed to come to agreement on terms based on fair market value. As a result we will be forced to close our doors at our current location on March 31, 2020.

It is our intention to honour as many of our show bookings and tickets as possible, but it is going to take us a bit of time to secure an alternate venue. We are confident that all shows on the calendar will have a home and as soon as an alternate venue is secured, we will be notifying all ticket holders immediately. We ask patrons to kindly not reach out to our box office for updates in the interim.

Friday, May 1, 2020 | 8:30PM

Benny Golson
Advance $60 / Door $70 *

Featuring
Benny Golson – tenor saxophone
Sharp Radway – piano
Ibrahim Jones – bass
Gaylyn McKinney – drums

Jazz Icon, Benny Golson was born in Philadelphia, PA on January 25, 1929. Golson has played in the bands of Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic and Art Blakey. Few musicians can claim a recording career that literally redefines the term “jazz”. Benny Golson has made major contributions to the world of jazz with such jazz standards as: Killer Joe, I Remember Clifford, Along Came Betty, Stablemates, Whisper Not, Blues March, Five Spot After Dark, Are you Real?

Benny Golson is the only living jazz artist to have written 8 standards for jazz repertoire. For more than 60 years, Golson has enjoyed an illustrious, musical career and continues to impress critics, fans and fellow musicians.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $60.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $8.97

* Total Ticket Price: $77.97

Carmelo Miller Album Release * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Wednesday, April 29, 2020

Carmelo Miller Album Release
Advance $20 / Door $25 *

Doors: 6:00pm
Performance: 8:30pm

Carmelo’s musical mission is to spread joy and positivity throughout the world and stir self reflection. Combining personal life experience and smooth vocal tones, he has discovered a voice and style, which are at once soft and hard like water. It’s called Reggae & Blues.

Through this style, Carmelo explores the subjects of the mind, body and soul, which can be lost in translation from thought to feeling and feeling to words. Some of his best work has been through uncovering his own conflicts between happiness and pain and how to stay positive throughout.

Website:  http://www.carmelomiller.com/
Youtube: https://www.youtube.com/watch?v=i4691J52Q3E

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

Lachy Doley * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Tuesday, April 28, 2020

Lachy Doley
Advance $25 / Door $30 *

Doors: 6:00pm
Performance: 8:00pm

“Makes you feel good the way he plays that clavinet” – Bootsy Collins

“The greatest living keyboard player in the world today” – Glen Hughes (Deep Purple)

Dubbed the Jimi Hendrix of the Hammond Organ, Lachy Doley is Australia’s most celebrated Blues Soul Rock Organ Player in the world today. A player who can pump, pamper and occasionally pound the most unbelievable sounds from a keyboard: sounds that are intense, ferocious and sometimes transcendent.

Recently going viral on Facebook with videos clocking up millions of views. His version of the Bill Wither’s classic Use Me is now sitting at four million views alone.

Lachy Doley has seen much of the world, recording and touring with acts as diverse as Powderfinger, Glenn Hughes, Steve Vai, Jimmy Barnes, The Beautiful Girls – more recently recording on a new album of Joe Bonamassa’s which came out in early 2015. It was 2010 though, that saw the birth of The Lachy Dooley Group and they have been heavily recording and touring ever since.

The group’s latest album Make or Break is on track to surpass their previous album by debuting at #40 on the Australian National Chart, the ARIAS. Their previous album Conviction reached #5 on the UK Blues Broadcasters Charts, #1 on the Australian iTunes Blues Charts and #1 on the Australian Blues & Roots Airplay Charts.

Website: https://www.lachydoley.com/
Youtube: https://www.youtube.com/watch?v=eAKoTYFZH6Y

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Friday, April 25, 2020 | Saturday, April 26, 2020

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell 
Featuring Mia Sheard, Tony Dekker, Harmony Trowbridge, Brian MacMillan, Ryan Granville-Martin, Joel Schwartz, Chris Gartner, Robbie Grunwald
Advance $30 / Door $35*

Doors: 6:00pm
Performance: 8:30

“I wouldn’t have pursued music but for trouble,” Joni Mitchell once said. Mitchell was referring to real problems — her childhood time spent bedridden with polio and the life-shaping loss she experienced after giving her daughter up for adoption in 1965. Those events solidified the drive that pushed Mitchell forward from small-potatoes rural Canada toward the American meccas where she would prove to be the magnet shifting the needle of pop. But trouble, in all its manifestations, is also Mitchell’s muse.

Call it her craving for innovation, or her refusal to rest in comforting clichés; call it the essence that makes her a secret sharer for millions of listeners’ and most musicians’ daunting standard-bearer. Trouble is Mitchell’s jazz, the blasted-open space that can feel like a void but is also the real ground of possibility. It rings through her famous open guitar tunings and surfaces in the way her foot worries a piano pedal. It’s in the impossible careening of her young soprano and the cracked resonance of the lower tones that came later. To become preoccupied with Joni Mitchell’s music, whether as a fellow musician or as a serious fan, is to welcome trouble as a friend, as the challenge that animates life. Her songs ask us to live within trouble, to see the mirrors embedded in its cracks: the trouble we make, the trouble that waylays us, that makes a nest that we then fill with more trouble because we are made of it, too.

Perhaps one reason Mitchell’s music is so often the subject of tributes is its open-ended quality. It makes room for others to take risks; in fact, it demands that they do. Join us on May 8 as we gather at Hugh’s Room Live to experience a roster of outstanding musicians as they put their own twist on the songs by Joni you know and love. Due to popular demand, a second night has been added on Saturday, April 26. Tickets for both shows available right now.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Friday, April 25, 2020 | Saturday, April 26, 2020

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell 
Featuring Mia Sheard, Tony Dekker, Harmony Trowbridge, Brian MacMillan, Ryan Granville-Martin, Joel Schwartz, Chris Gartner, Robbie Grunwald
Advance $30 / Door $35*

Doors: 6:00pm
Performance: 8:30

“I wouldn’t have pursued music but for trouble,” Joni Mitchell once said. Mitchell was referring to real problems — her childhood time spent bedridden with polio and the life-shaping loss she experienced after giving her daughter up for adoption in 1965. Those events solidified the drive that pushed Mitchell forward from small-potatoes rural Canada toward the American meccas where she would prove to be the magnet shifting the needle of pop. But trouble, in all its manifestations, is also Mitchell’s muse.

Call it her craving for innovation, or her refusal to rest in comforting clichés; call it the essence that makes her a secret sharer for millions of listeners’ and most musicians’ daunting standard-bearer. Trouble is Mitchell’s jazz, the blasted-open space that can feel like a void but is also the real ground of possibility. It rings through her famous open guitar tunings and surfaces in the way her foot worries a piano pedal. It’s in the impossible careening of her young soprano and the cracked resonance of the lower tones that came later. To become preoccupied with Joni Mitchell’s music, whether as a fellow musician or as a serious fan, is to welcome trouble as a friend, as the challenge that animates life. Her songs ask us to live within trouble, to see the mirrors embedded in its cracks: the trouble we make, the trouble that waylays us, that makes a nest that we then fill with more trouble because we are made of it, too.

Perhaps one reason Mitchell’s music is so often the subject of tributes is its open-ended quality. It makes room for others to take risks; in fact, it demands that they do. Join us on May 8 as we gather at Hugh’s Room Live to experience a roster of outstanding musicians as they put their own twist on the songs by Joni you know and love. Due to popular demand, a second night has been added on Saturday, April 26. Tickets for both shows available right now.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Stephen Fearing * Postponed

Notice of Postponement Due to COVID-19

Monday, March 16, 2020

Like everyone else in the world, Hugh’s Room Live is closely monitoring the situation around the COVID-19 outbreak. Based on the information currently available, we have made the painfully difficult decision to postpone all shows through to the end of April, effective immediately.
If you have tickets for a postponed show, please watch for more information about rescheduling. We will notify every ticket holder when a new date and venue are found for each the shows on our calendar. If you are unable to attend a rescheduled show, we ask everyone to please consider their ticket purchase a donation to Hugh’s Room Live instead of requesting a refund. As a non-profit registered charity, we will gladly send you a tax receipt for the equivalent amount of your purchase.

Like so many art, culture and hospitality organizations, our artists and staff are struggling greatly during this time. We encourage everyone in our audience here to continue supporting live music wherever possible until we reach the other side of this pandemic that has so devastated the arts and culture of our society. We will of course be reevaluating our decision on a daily basis as we navigate the new circumstances around the pandemic, please know that your continued support, understanding and advocacy in the interim will add much-needed sustainability to our venue and industry at large. Thank you.

Wednesday, April 22, 2020 | 8:30PM

Stephen Fearing
Advance $30 / Door $35 *

Stephen Fearing was born in 1963 in Vancouver, British Columbia and grew up in Dublin, Ireland where his schoolmates included future members of U2. In 1981, he moved to Minneapolis, Minnesota and immersed himself in the music scene, learning the fundamentals of song writing and performing, while washing dishes to stay alive.

By 1984 he was back in Vancouver, determined to become a professional musician. In the years since, he’s been named as one of the finest songwriters in Canada and has built a national – and international – audience for his music, doing it old school through countless performances at intimate venues and on the concert stages of festivals and theatres across Canada, the US, the UK, and Europe, with appearances at major events like the Reading Festival and WOMAD, to name just a few.

In 1996 he co-founded Blackie and the Rodeo Kings with Colin Linden and Tom Wilson. Originally intended to be a one-off collaboration to record a tribute album of songs written by Canadian folk music legend Willie P. Bennett, the trio quickly recognized they had created something worthy of further exploration and both critics and audiences agreed. More than 22 years later, with nine albums and a JUNO award to their credit, the band has become one of the most respected names in North American roots-rock. Their musical collaborators are many, but to name a few – Emmylou Harris, Nick Lowe, City and Colour, Keb’ Mo’, Jason Isbell, Lucinda Williams, Bruce Cockburn, Sam Phillips, Pam Tillis, Vince Gill, Cassandra Wilson, Serena Ryder, Holly Cole, and Mary Margaret O’Hara.

In 1998, Stephen Fearing met Andy White backstage at the Winnipeg Folk Festival and a fast friendship was formed. In addition to his own work, White is known for his collaborations with Van Morrison, Peter Gabriel, and Sinead O’Connor. As the duo Fearing & White they have released two critically-acclaimed albums and toured throughout Canada and the UK.

Fearing has released ten albums as a solo artist, featuring musical guests including: Bruce Cockburn, Margo Timmons, Rose Cousins, Richard Thompson, Shawn Colvin, and Sarah McLachlan. When not working behind the microphone, he spends time producing records including Suzie Vinnick’s JUNO Award-nominated album Happy Here. “I really enjoy collaborating with other artists. It’s a blast and, as a bonus, gives me a chance to learn and expand my skill set.”

“Fearing’s music crackles with ideas and collaborative energy… masterful guitar work from acoustic rock rhythm to elegant finger style.” – Acoustic Guitar Magazine

He also shares his knowledge and experience with fellow musicians through songwriting workshops. “The classes dovetail nicely with performing,” Fearing said. “My students are from all walks of life and I enjoy helping to coax them out of their comfort zones to create songs they might not have otherwise found.”

Like the guests on his albums, the many awards and nominations that have come his way over the years speak to the respect he has earned among his peers, presenters, and critics. His abiding love for his craft and ability to delight audiences are further reflected in multiple JUNO and Canadian Folk Music Awards nominations and awards and an ever-expanding touring circuit throughout North America, the UK, and Europe. For his album Every Soul’s a Sailor he was awarded the 2017 Worldwide Album of the Year by Blues & Roots Radio and named 2017 Contemporary Singer of the Year at the Canadian Folk Music Awards.

“A master of the finely-turned phrase and the perfectly-pitched line.” – Maverick Magazine

Through a life of many relocations and countless months on the road performing, Fearing has become a gifted storyteller and true musical nomad with the ability to enthrall audiences of all sizes and attitudes. “Getting on stage is the fun part, especially when the adrenaline kicks in,” he says, with a broad smile. “People want to escape and be taken on a journey. I build my shows so they do just that.”

website: http://stephenfearing.ca/
youtube: https://www.youtube.com/watch?v=ZspjQVWqIWw



* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07