Benny Golson

Friday, May 1, 2020 | 8:30PM

Benny Golson
Advance $60 / Door $70 *

Jazz Icon, Benny Golson was born in Philadelphia, PA on January 25, 1929. Golson has played in the bands of Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic and Art Blakey. Few musicians can claim a recording career that literally redefines the term “jazz”. Benny Golson has made major contributions to the world of jazz with such jazz standards as: Killer Joe, I Remember Clifford, Along Came Betty, Stablemates, Whisper Not, Blues March, Five Spot After Dark, Are you Real?

Benny Golson is the only living jazz artist to have written 8 standards for jazz repertoire. For more than 60 years, Golson has enjoyed an illustrious, musical career and continues to impress critics, fans and fellow musicians.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $60.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $8.97

* Total Ticket Price: $77.97

Lachy Doley

Tuesday, April 28, 2020

Lachy Doley
Advance $25 / Door $30 *

Doors: 6:00pm
Performance: 8:00pm

“Makes you feel good the way he plays that clavinet” – Bootsy Collins

“The greatest living keyboard player in the world today” – Glen Hughes (Deep Purple)

Dubbed the Jimi Hendrix of the Hammond Organ, Lachy Doley is Australia’s most celebrated Blues Soul Rock Organ Player in the world today. A player who can pump, pamper and occasionally pound the most unbelievable sounds from a keyboard: sounds that are intense, ferocious and sometimes transcendent.

Recently going viral on Facebook with videos clocking up millions of views. His version of the Bill Wither’s classic Use Me is now sitting at four million views alone.

Lachy Doley has seen much of the world, recording and touring with acts as diverse as Powderfinger, Glenn Hughes, Steve Vai, Jimmy Barnes, The Beautiful Girls – more recently recording on a new album of Joe Bonamassa’s which came out in early 2015. It was 2010 though, that saw the birth of The Lachy Dooley Group and they have been heavily recording and touring ever since.

The group’s latest album Make or Break is on track to surpass their previous album by debuting at #40 on the Australian National Chart, the ARIAS. Their previous album Conviction reached #5 on the UK Blues Broadcasters Charts, #1 on the Australian iTunes Blues Charts and #1 on the Australian Blues & Roots Airplay Charts.

Website: https://www.lachydoley.com/
Youtube: https://www.youtube.com/watch?v=eAKoTYFZH6Y

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell 

Friday, April 24, 2020 | Saturday, April 25, 2020

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell 
Featuring Mia Sheard, Tony Dekker, Harmony Trowbridge, Brian MacMillan, Ryan Granville-Martin, Joel Schwartz, Chris Gartner, Robbie Grunwald
Advance $30 / Door $35*

Doors: 6:00pm
Performance: 8:30

“I wouldn’t have pursued music but for trouble,” Joni Mitchell once said. Mitchell was referring to real problems — her childhood time spent bedridden with polio and the life-shaping loss she experienced after giving her daughter up for adoption in 1965. Those events solidified the drive that pushed Mitchell forward from small-potatoes rural Canada toward the American meccas where she would prove to be the magnet shifting the needle of pop. But trouble, in all its manifestations, is also Mitchell’s muse.

Call it her craving for innovation, or her refusal to rest in comforting clichés; call it the essence that makes her a secret sharer for millions of listeners’ and most musicians’ daunting standard-bearer. Trouble is Mitchell’s jazz, the blasted-open space that can feel like a void but is also the real ground of possibility. It rings through her famous open guitar tunings and surfaces in the way her foot worries a piano pedal. It’s in the impossible careening of her young soprano and the cracked resonance of the lower tones that came later. To become preoccupied with Joni Mitchell’s music, whether as a fellow musician or as a serious fan, is to welcome trouble as a friend, as the challenge that animates life. Her songs ask us to live within trouble, to see the mirrors embedded in its cracks: the trouble we make, the trouble that waylays us, that makes a nest that we then fill with more trouble because we are made of it, too.

Perhaps one reason Mitchell’s music is so often the subject of tributes is its open-ended quality. It makes room for others to take risks; in fact, it demands that they do. Join us on May 8 as we gather at Hugh’s Room Live to experience a roster of outstanding musicians as they put their own twist on the songs by Joni you know and love. Due to popular demand, a second night has been added on Saturday, April 26. Tickets for both shows available right now.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell

Friday, April 24, 2020 | Saturday, April 25, 2020

Mia Sheard’s Songs are Like Tattoos: A Tribute to Joni Mitchell 
Featuring Mia Sheard, Tony Dekker, Harmony Trowbridge, Brian MacMillan, Ryan Granville-Martin, Joel Schwartz, Chris Gartner, Robbie Grunwald
Advance $30 / Door $35*

Doors: 6:00pm
Performance: 8:30

“I wouldn’t have pursued music but for trouble,” Joni Mitchell once said. Mitchell was referring to real problems — her childhood time spent bedridden with polio and the life-shaping loss she experienced after giving her daughter up for adoption in 1965. Those events solidified the drive that pushed Mitchell forward from small-potatoes rural Canada toward the American meccas where she would prove to be the magnet shifting the needle of pop. But trouble, in all its manifestations, is also Mitchell’s muse.

Call it her craving for innovation, or her refusal to rest in comforting clichés; call it the essence that makes her a secret sharer for millions of listeners’ and most musicians’ daunting standard-bearer. Trouble is Mitchell’s jazz, the blasted-open space that can feel like a void but is also the real ground of possibility. It rings through her famous open guitar tunings and surfaces in the way her foot worries a piano pedal. It’s in the impossible careening of her young soprano and the cracked resonance of the lower tones that came later. To become preoccupied with Joni Mitchell’s music, whether as a fellow musician or as a serious fan, is to welcome trouble as a friend, as the challenge that animates life. Her songs ask us to live within trouble, to see the mirrors embedded in its cracks: the trouble we make, the trouble that waylays us, that makes a nest that we then fill with more trouble because we are made of it, too.

Perhaps one reason Mitchell’s music is so often the subject of tributes is its open-ended quality. It makes room for others to take risks; in fact, it demands that they do. Join us on May 8 as we gather at Hugh’s Room Live to experience a roster of outstanding musicians as they put their own twist on the songs by Joni you know and love. Due to popular demand, a second night has been added on Saturday, April 26. Tickets for both shows available right now.

 

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

Pierre Bensusan

Thursday, April 23, 2020

Pierre Bensusan
Advance $40 / Door $45*

Doors: 6:00pm
Performance: 8:30pm

“The way the guitar would want to sound if it played itself.”

Winner of the Independent Music Award, in the Live Performance Album category for his latest triple live album “Encore” (2014), “Rose d’Or” of the Montreux Festival for his first album, “Près de Paris” (Switzerland, 1976), “Best World Music Guitar Player ” by the readers of Guitar Player Magazine (USA, 2008), Pierre Bensusan is recognized as one of the premier musicians of our time.

Described by the L.A. Times as “one of the most unique and brilliant acoustic guitar veterans in the world music scene today”, Pierre’s name became synonymous with contemporary acoustic guitar genius, long before the terms New Age, New Acoustic Music or World Music were invented. He has the ability to make a single guitar sound like an entire band as he brings the audience on a mesmerizing musical journey. And yet, Bensusan is more than what any musician or music lover expects from a guitarist. He is a composer as well as a bilingual and a brave improvisational vocalist, melding whistles and resonant low notes with something like his own scat technique.

Join us on April 23 as we gather at Hugh’s Room Live to witness the spectacular live show by Pierre Bensusan. Tickets available right now.

website: https://www.pierrebensusan.com/
youtube: https://www.youtube.com/watch?v=luWveym90uE

 

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $40.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $6.37

* Total Ticket Price: $55.37

Stephen Fearing

Wednesday, April 22, 2020 | 8:30PM

Stephen Fearing
Advance $30 / Door $35 *

Stephen Fearing was born in 1963 in Vancouver, British Columbia and grew up in Dublin, Ireland where his schoolmates included future members of U2. In 1981, he moved to Minneapolis, Minnesota and immersed himself in the music scene, learning the fundamentals of song writing and performing, while washing dishes to stay alive.

By 1984 he was back in Vancouver, determined to become a professional musician. In the years since, he’s been named as one of the finest songwriters in Canada and has built a national – and international – audience for his music, doing it old school through countless performances at intimate venues and on the concert stages of festivals and theatres across Canada, the US, the UK, and Europe, with appearances at major events like the Reading Festival and WOMAD, to name just a few.

In 1996 he co-founded Blackie and the Rodeo Kings with Colin Linden and Tom Wilson. Originally intended to be a one-off collaboration to record a tribute album of songs written by Canadian folk music legend Willie P. Bennett, the trio quickly recognized they had created something worthy of further exploration and both critics and audiences agreed. More than 22 years later, with nine albums and a JUNO award to their credit, the band has become one of the most respected names in North American roots-rock. Their musical collaborators are many, but to name a few – Emmylou Harris, Nick Lowe, City and Colour, Keb’ Mo’, Jason Isbell, Lucinda Williams, Bruce Cockburn, Sam Phillips, Pam Tillis, Vince Gill, Cassandra Wilson, Serena Ryder, Holly Cole, and Mary Margaret O’Hara.

In 1998, Stephen Fearing met Andy White backstage at the Winnipeg Folk Festival and a fast friendship was formed. In addition to his own work, White is known for his collaborations with Van Morrison, Peter Gabriel, and Sinead O’Connor. As the duo Fearing & White they have released two critically-acclaimed albums and toured throughout Canada and the UK.

Fearing has released ten albums as a solo artist, featuring musical guests including: Bruce Cockburn, Margo Timmons, Rose Cousins, Richard Thompson, Shawn Colvin, and Sarah McLachlan. When not working behind the microphone, he spends time producing records including Suzie Vinnick’s JUNO Award-nominated album Happy Here. “I really enjoy collaborating with other artists. It’s a blast and, as a bonus, gives me a chance to learn and expand my skill set.”

“Fearing’s music crackles with ideas and collaborative energy… masterful guitar work from acoustic rock rhythm to elegant finger style.” – Acoustic Guitar Magazine

He also shares his knowledge and experience with fellow musicians through songwriting workshops. “The classes dovetail nicely with performing,” Fearing said. “My students are from all walks of life and I enjoy helping to coax them out of their comfort zones to create songs they might not have otherwise found.”

Like the guests on his albums, the many awards and nominations that have come his way over the years speak to the respect he has earned among his peers, presenters, and critics. His abiding love for his craft and ability to delight audiences are further reflected in multiple JUNO and Canadian Folk Music Awards nominations and awards and an ever-expanding touring circuit throughout North America, the UK, and Europe. For his album Every Soul’s a Sailor he was awarded the 2017 Worldwide Album of the Year by Blues & Roots Radio and named 2017 Contemporary Singer of the Year at the Canadian Folk Music Awards.

“A master of the finely-turned phrase and the perfectly-pitched line.” – Maverick Magazine

Through a life of many relocations and countless months on the road performing, Fearing has become a gifted storyteller and true musical nomad with the ability to enthrall audiences of all sizes and attitudes. “Getting on stage is the fun part, especially when the adrenaline kicks in,” he says, with a broad smile. “People want to escape and be taken on a journey. I build my shows so they do just that.”

website: http://stephenfearing.ca/
youtube: https://www.youtube.com/watch?v=ZspjQVWqIWw


* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $30.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $5.07

* Total Ticket Price: $44.07

James Gordon: The Emergency Climate Musical

Tuesday, April 21, 2020

James Gordon: The Emergency Climate Musical
Advance $20 / Door $25*

Doors: 6:00pm
Performance: 8:30pm

James Gordon has had a remarkably diverse 40-year career in the Canadian entertainment business. As a solo singer-songwriter and with the ground-breaking trio Tamarack, he has released over forty albums and has toured relentlessly around the world. Gordon has written for symphony orchestras, musical theatre and dance works, film scores, and for more than ten years was heard on CBC radio as songwriter-in-residence for the ‘Basic Black’ and ‘Ontario Morning’ programs.

His song ‘Mining For Gold’ was featured in the John Sayles film ‘Silver City’, and was included on the classic Cowboy Junkies album ‘The Trinity Sessions’. Gordon’s classic ‘Frobisher Bay’ has been recorded by more than 100 different acts worldwide, has become a standard in choirs everywhere, and is in ‘Rise Again’, the sequel to the legendary ‘Rise Up Singing’ songbook. Well known for his songs about social justice, heritage and environmental issues, he toured for two years with his hugely successful political theatre piece ‘Stephen Harper: The Musical’. The full-length folk-opera ‘Hardscrabble Road’ debuted live in the fall of 2003 and proved to be one of his most ambitious works. Gordon has produced CDs for many Canadian folk artists, and his popular ‘Rhyme Capsules’ songwriting-in-the-schools project (through which he has facilitated over 1500 songwriting workshops) has resulted in over two dozen CDs of songs by young composers. He has recently toured in Great Britain, Cambodia, Vietnam, Japan, and all across North America. He’s often touring as James Gordon & Sons with his musician sons Evan and Geordie.

Join us on April 21 as we gather at Hugh’s Room Live to witness the astounding solo live performance by James Gordon. Tickets available right now.

 

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

One For The Foxes

Sunday, April 19, 2020 | 8:30PM

One For The Foxes
Advance $20 / Door $25 *

Dave Curley, Tadhg Ó Meachair & Joanna Hyde form an exciting and dynamic transatlantic trio that presents a rousing blend of Irish and American folk music, having already won over audiences on both sides of the ocean. The group is made up of Dublin’s Tadhg Ó Meachair (Goitse), Galway’s Dave Curley (SLIDE) and Denver, Colorado’s Joanna Hyde (The Hydes), and features a mix of Irish and American folk music and song – both traditional and newly- composed – presented in an energetic and engaging manner. Their performances strike a tasteful balance between the stories found in ballads across both sides of the Atlantic and the respective instrumental music traditions of these places. Award-winning instrumentalists each in their own right, Dave, Tadhg & Joanna take a unique twist on the diverse strengths of their individual backgrounds, weaving between traditional melodies, their own compositions, and songs from the broader folk canon. The results are highly personalised and thrilling in their daring and forthright grasp of the material. Through a shared deep-rooted passion for Irish traditional music, this trio highlights the vital role of Irish traditional music as an origin of many American folk musics, and explores how those styles can interact with one another in a manner both eclectic and grounded.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

Cootes Paradise

Saturday, April 18, 2020 | 8:30 PM

Cootes Paradise
Advance $20 / Door $25*

Cootes Paradise specializes in original roots-based music that is bluesy, funky, and filled with soul. Featuring lead vocals by the legendary Sue Leonard (k.d. lang, Bruce Willis, Bon Jovi), and Wayne Krawchuk (Sidestreet, Tight Little Island) supported by Mark Volkov (a triple threat, playing flute, sax, and violin), Lily Sazz (keyboards, vocals), Amy Di Nino (drums, vocals), and Ian Taylor (bass, vocals), the result is an infectious, groove-based sound with a mix of super cool covers and originals that easily stand up to the rest of the repertoire.

“Cootes Paradise”, their self-titled CD and first release, hit the airwaves in November 2017, and has enjoyed impressive reviews, has been consistently charting on the Roots Music Report charts (#11 in Canada all genres & #28 worldwide in blues), and hit #1 and #2 at a few stations throughout N. America, and helped to garner at Maple Blues Award nomination for New Artist/Group of the Year (2018). The CD is a collection of 12 songs that reflects the diverse songwriting styles in the band, and collaborative arrangements that shine a light on the quality of the music.

Join us on April 18 as we gather at Hugh’s Room Live to witness the astounding live performance of Cootes Paradise. Tickets available right now.

website: http://www.cootesparadiseband.ca/
video: https://bit.ly/32hfMfB

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $20.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $3.77

* Total Ticket Price: $32.77

Harpdog Brown

Friday, April 17, 2020 | 8:30 PM

Harpdog Brown
Advance $25 / Door $30*

Harpdog Brown has grown a solid reputation as a real-deal purveyor of classic electric blues. Think of the old Chess Records and Sun Records of the late ’40s and early ‘50s. These days he’s been touring with a new show called Harpdog Brown & the Uptown Blues Band – a vintage New Orleans Blues sound featuring slide trombone, keyboards, and often a sax and clarinet. Still a vintage vibe, just a different vintage! This music will move you!

Harpdog has won three consecutive Maple Blues Awards for Harmonica Player of the Year (2014/2015/2016), the Fraser Valley Music Award, has three consecutive Western Canadian Music Awards Nominations, a Juno Nomination and is the only Canadian to win the coveted Muddy Award. In 2016, he was nominated for 3 Maple Blues Awards (Harmonica Player, Male Vocalist and Album of the Year) for his latest release Travelin’ With The Blues. Travelin’ With The Blues released in 2016 is still sitting in the top roots and blues charts and follows his Top 20 charting 2014 release What It Is (Roots Music Report International Blues Albums). The awards and accolades continue as he was recently nominated for Best Blues Band by the Washington Blues Society (2019)!

Join us on April 17 as we gather at Hugh’s Room Live to embrace the breathtaking live performance of Harpdog Brown. Tickets available right now.

* Advertised pricing excludes taxes, ticketing and sustainability fees.

* Ticket Price: $25.00
* Service Fee: $4.00
* Sustainability Fee: $5.00
* HST: $4.42

* Total Ticket Price: $38.42