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HRL Guitar Week Presents: Modern Acoustic
July 13, 2019 @ 8:30 pm - 11:00 pm
Saturday, July 13, 2019 | 8:30PM
HRL Guitar Week Presents: Modern Acoustic
Featuring Three of the World’s Best Fingerstyle Guitarists: Antoine Dufour, Trevor Gordon Hall, Van Larkins
Advance: $20.00 / Doors: $25.00
Montreal-based guitarist Antoine Dufour is known colloquially among the best guitar players in the world as a musician’s musician. To fans of popular music, he deftly combines jaw-dropping guitar playing skills and an artistic soul in crafting instrumental compositions that reflect ambient and progressive music that transcends global cultures and languages. That he does this in an incredibly visual and entertaining style has endeared him to a broad spectrum of fans of popular music.
Via his multiple albums of original material released to critical acclaim, two live performance DVDs, years of global touring and way more than 50 million cumulative views on YouTube, Antoine Dufour has emerged as a star of fingerstyle acoustic guitar, building a worldwide reputation for innovation and creativity. Antoine’s records of accomplishment include winning First place at the Canadian Fingerstyle Guitar Championships, Third place at the ultra-prestigious international guitar championships at Winfield, recording for the leading Instrumental music record label Candyrat, plus touring and playing with luminary guitar players such as Andy McKee and Don Ross.
Through his active schedule of post show meet and greets with every fan after gigs, holding seminars, workshops and masterclasses as part of his tour schedule he truly loves engaging fans on a one-to-one level – however, it is via social media that he has connected with millions of fans spread out all over the globe. His fans have recorded countless covers of his music on YouTube and his fan base is as loyal and ravenous to see him perform as any artist out there today.
Clearly, fans are attracted to his technical prowess in the progressive Acoustic Guitarist as trail-blazed by such geniuses as Michael Hedges and Preston Reed; yet, it is a solid reflection of his ability and persona that he is simultaneously hailed by reviewers and critics alike.
“Antoine is a wonderland of fingerpicking and highly intricate compositions soothing the soul as they engage the mind. Dufour’s riffs are incredible, never-ending, and at times seemingly impossible for human fingers to pull off.”
”The youthful Antoine Dufour’s million views on Youtube are easily understood. His style packs a rock band’s punch behind extraordinary fluency and features highly effective flamenco-like percussion and deftly reflective melodies as well as urgent, nimble picking.”
Trevor Gordon Hall
The unfolding era of the music business has provided many fresh opportunities for artists to foster direct and meaningful connections with new audiences around the globe. Trevor Gordon Hall is a powerful emerging voice, albeit without words to his music, showing that combining honest heart felt compositions with precise technical virtuosity do not sideline an artist in today’s world but can launch a wider reach than ever before. With an exploding presence on streaming services like Spotify, YouTube etc, a tour calendar that has taken him all over the world, it’s safe to say that this is a new era for artists like Trevor to engage listeners from all cultures, languages, genres, and backgrounds.
Rated one of the top 30 guitarists in the world under 30 years of age by Acoustic Guitar magazine, Trevor is an instrumentalist from Philadelphia USA whose style ranges from edgy driving rhythms to delicate melodic themes. Exploring the guitar’s full creative potential, his blending of sounds weave together textures into grand yet intimate and lyrical compositions. While leaving no physical aspect of the guitar untouched, Trevor navigates audiences through an igniting experience of music that isn’t just heard but felt. Aside from being featured on NPR, NBC, PBS and countless international media outlets, Trevor’s tour calendar has taken him to 14 countries and counting performing at many historic places including Carnegie Hall in NYC, Union Chapel in London, Music History Museum in Bologna, Adolfo Mejia Theater in Colombia, and a brief performance on The Great Wall in China. He has also had the opportunity to share the stage with some of the most trusted and legendary names in the music business prompting high praise from John Mayer, Steve Miller, Graham Nash, Steve Hackett, Dar Williams, Will Ackerman, Pat Martino, Stanley Jordan, Phil Keaggy, Tommy Emmanuel, Andy McKee and more.
At the start of his career, Trevor caught the eye of 9 time Grammy award winning producer Joe Nicolo (James Taylor, Billy Joel, Bob Dylan, etc.), who produced two of Trevor’s releases, Finding My Way and Let Your Heart Be Light, in 2008 and 2009. Then in 2010, inspired by his studies and always on the hunt for new sounds to utilize, Trevor collaborated with various builders to design an instrument combining an African finger piano (kalimba) and an acoustic guitar. The instrument combination, which Trevor calls the “Kalimbatar”, has opened up new possibilities for solo instrumental music. Compositions inspired by the pairing of the two instruments were first introduced in previous releases but fully realized in Trevor’s Candyrat Records debut Entelechy. Upon its release in 2011, this album rapidly climbed the iTunes Singer/Songwriter charts, as well as YouTube Top Commented/Top Favorited/Most Discussed categories gathering millions of views with the release of performance videos.
In the next few years leading up to his 2014 album Mind Heart Fingers, Trevor redesigned and fine-tuned the
Kalimbatar with the help of master luthier Sheldon Schwartz. Trevor recorded with his new instrument at Imaginary
Road Studios in VT with Grammy winning and long time hero Will Ackerman (Founder of Windham Hill Records). Mind Heart Fingers was the result of a unique experience created between Will, Tom Eaton and Trevor, to capture a heart-felt recording honoring the guitar tradition which Windham Hill helped to launch, while looking forward to what is next for the guitar scene. This project reached #4 on the ZMR international radio charts and was nominated for best instrumental acoustic album of the year by the ZMR awards.
Constantly working on new sounds and possibilities, Trevor released the first of an EP series entitled Kalimbatar Classics Vol. 1 in 2015 featuring his arrangements of classical piano standards for the Kalimbtar. Moving from that into the electronic world in his 2016 release Late Night with Headphones Vol. 1, Trevor introduced his listeners to new sounds incorporating electric guitar and electronic textures.
Trevor is an artist on a mission to ride the line between being adventurous and accessible. As Grammy winning Will Ackerman has said “…Trevor has a stunning range stylistically while being made cohesive by the power of Trevor’s artistic voice and vision…a guitarist we will need to pay attention to…”, and guitarist Don Ross agrees, “…Trevor has a timeless sense of melody, and he creates some of the richest sonic textures you’re likely to hear from any contemporary composer/guitarist…”
He started out experimenting on an egg-slicer at just ten, and now, at 32, Van Larkins is at the forefront of the fingerstyle guitar revolution in Australia. Inventing ground-breaking techniques and highly complex compositions, Van Larkins is hailed world-wide as a leading composer and guitarist in fingerstyle earning him magazine covers, a coveted spot on the CandyRat Records roster, endorsements and praise from the world’s leading artists in the genre, including Andrew White, Phil Emmanuel and Strictly Ballroom’s Antonio Vargas.
Soon to release his 4th studio album, Cinder Moon and feature in a world-first fingerstyle guitar movie, Van Larkins is without a doubt one of Australia’s proudest exports and must-see performers.
Defying the eye when playing his energetic melodies, harmonies, percussion and bass with just 6 strings and a chunk of the finest carved wood, Van Larkins doesn’t sing. He doesn’t play drums. And there’s no loop pedal. After all, why do any of that when he can make his acoustic guitar do it all?
Transforming what we traditionally consider a classical guitar style with musical influences like electronic, psych trance and ‘70s funk, it’s no surprise that Van Larkins is spearheading this musical revolution.
“I experiment and use every possible part of my acoustic guitar to make music. It could be bending the neck to make that ‘whammy bar’ sound or pushing my arm against the face of the guitar to create wah-wah, while wiggling the capo for a vibrato effect!” said Van Larkins, “It’s just so much fun to see what I can do next.” Recently ‘sounding off ‘ with him at Sunshine Coast music conference, Turn Up!, in what can only be described as a jaw-dropping display of sonic creation, Australia’s greatest electric guitar player, Phil Emmanuel said, “Van Larkins doesn’t just play guitar … he creates a beautiful musical soundscape. His application of musical cascades and original compositions shed new light to the term ‘ear candy’.”
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